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More than 10,000 results for Cristofano di Michele Martini (Il Robetta)
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Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Cristofano di Michele Martini (Il Robetta) Italian, Engraving
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky
Cristofano di Michele Martini (Il Robetta)
Antonio Pollaiuolo
ca. 1500–1520
Allegory of the Power of Love, with a man at center embracing a semi-naked woman, who is bound to a tree by Cupid, Cristofano di Michele Martini (Il Robetta) Italian, Engraving in brown ink
Allegory of the Power of Love, with a man at center embracing a semi-naked woman, who is bound to a tree by Cupid
Cristofano di Michele Martini (Il Robetta)
1480–1535
The Adoration of the Magi, after Filippino Lippi, Cristofano di Michele Martini (Il Robetta) Italian, Engraving
The Adoration of the Magi, after Filippino Lippi
Cristofano di Michele Martini (Il Robetta)
Filippino Lippi
ca. 1510–15
Female figure (Ceres?) walking in a landscape carrying a young faun and a cornucopia fixed to a staff, another faun at her side; two fauns and a nude human figure at right in the background, lake and two boats at left
Cristofano di Michele Martini (Il Robetta)
1462– after 1522
Adam and Eve seated on rocks with the infants Cain and Abel; wooden building in the background at left (large version)
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
The Baptism of Christ who stands in a river in the center, John the Baptist at right holding dish above Christ's head and a cross in his other hand, two bathers at left, two angels at right, God the Father above in the clouds surrounded by four angels; buildings and hills in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1462–1535
The Adoration of the Magi, after Filippino Lippi
Cristofano di Michele Martini (Il Robetta)
Filippino Lippi
ca. 1510–15
Allegory of Envy(?); partially draped naked old woman at center flanked by two pairs, also naked, a child on the ground at lower left, road leading to town in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Naked female seated on a rock with child on her lap and another at left standing and grasping her breast, a child seated in the foreground holding wheat and a bird and other child at right holding a dog by the leash; dead tree with tablet hanging from it (text scored through) in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground
Madonna and Child
Simone Martini
ca. 1326
Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman)
Harpsichord
Multiple artists/makers
ca. 1670
Design for a Wall Monument, Francesco di Giorgio Martini Italian, Pen and brown ink, brush and brown wash, blue gouache, on vellum
Design for a Wall Monument
Francesco di Giorgio Martini
ca. 1490
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Il Ritratto di Venezia
Domenico Martinelli
1684
The Nativity, Francesco di Giorgio Martini Italian, Tempera on wood
The Nativity
Francesco di Giorgio Martini
Alberto Martini, trentuna fantasie bizzarre e crudeli preceduto dalla diabolica imagine di Niccolò Paganini e dall'autoritratto dell'uomo palladio
Alberto Martini
Officine Grafiche Ricordi
1924
Allegory of Sacred and Profane Love, Michele Desubleo Flemish, Oil on canvas
Allegory of Sacred and Profane Love
Michele Desubleo
1665–75
Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground
Saint Andrew
Simone Martini
ca. 1326
Saint Ansanus, Simone Martini Italian, Tempera on wood, gold ground
Saint Ansanus
Simone Martini
ca. 1326
Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood
Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
The Man of Sorrows, Michele Giambono (Michele Giovanni Bono) Italian, Tempera and gold on wood
The Man of Sorrows
Michele Giambono (Michele Giovanni Bono)
ca. 1430
Head of the Madonna, Franciabigio (Francesco di Cristofano) Italian, Oil on wood
Head of the Madonna
Franciabigio (Francesco di Cristofano)
ca. 1509
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
The Island of San Michele, Venice, Francesco Guardi Italian, Oil on canvas
The Island of San Michele, Venice
Francesco Guardi
1770s
Saint Bernardino Preaching from a Pulpit, Francesco di Giorgio Martini Italian, Tempera on parchment
Saint Bernardino Preaching from a Pulpit
Francesco di Giorgio Martini
ca. 1470–75
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), Michele Gordigiani Italian, Oil on canvas
Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)
Michele Gordigiani
1864
The Man of Sorrows with Two Angels, Francesco di Giorgio Martini Italian, Tempera on wood
The Man of Sorrows with Two Angels
Francesco di Giorgio Martini
ca. 1470
Goddess of Chaste Love, Francesco di Giorgio Martini Italian, Tempera and gold on wood
Goddess of Chaste Love
Francesco di Giorgio Martini
1468–75
The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood
The Adoration of the Magi
Bartolo di Fredi
ca. 1390
Orpheus, Cristoforo Stati (Cristofano da Bracciano) Italian, Marble, Italian, Florence
Orpheus
Cristoforo Stati (Cristofano da Bracciano)
1600–1601
Alpheus and Arethusa, Battista di Domenico Lorenzi Italian, Marble, Italian, Florence
Alpheus and Arethusa
Battista di Domenico Lorenzi
1568–70
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick
Andrea di Alessandri, called Il Bresciano
ca. 1565
A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown.
Saint Paul
Michele da Verona
ca. 1510
Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood
Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s
Il Pescatoriello Marvasi (The Marvasi Fisherboy), Vincenzo Gemito Italian, Bronze, Italian, Naples
Il Pescatoriello Marvasi (The Marvasi Fisherboy)
Vincenzo Gemito
1876