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26 results for Duke Charles Alexander of Lorraine
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Longcase clock, Hermann Achenbach German, Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel, German, Neuwied am Rhein
Longcase clock
Multiple artists/makers
ca. 1774–75
Anagram in Honor of Charles III, Duke of Lorraine and Bar, Aegidius Sadeler II Netherlandish, Pen and brown, red and black ink, brown wash, white gouache; incised construction lines
Anagram in Honor of Charles III, Duke of Lorraine and Bar
Aegidius Sadeler II
ca. 1595–1605
Funeral monument to Charles V, Duke of Lorraine, frontispiece to 'Les Actions glorieuses de S.A.S. Charles Duc de Lorraine', Sébastien Leclerc I French, Etching
Funeral monument to Charles V, Duke of Lorraine, frontispiece to 'Les Actions glorieuses de S.A.S. Charles Duc de Lorraine'
Sébastien Leclerc I
1703–04
The Funeral of Duke Charles III of Lorraine
Engraved by Frédéric Brentel
After Claude de La Ruelle
ca. 1609–10
The Death-Bed of Duke Charles III of Lorraine
Engraved by Frédéric Brentel
After Claude de La Ruelle
Publisher Published by Herman de Loye
1609?–?1610
Costume Design for a Demon (Señor Remon), for a performance held during the celebration of the wedding of Marie-Louise de Bourbon with Archduke Léopold de Habsbourg-Lorraine, hosted by the Marquis of Ossuna in Madrid in 1764, Charles de La Traverse French, Pen and brown ink, brush and brown wash, over graphite underdrawing. Framing lines in pen and brown ink.
Costume Design for a Demon (Señor Remon), for a performance held during the celebration of the wedding of Marie-Louise de Bourbon with Archduke Léopold de Habsbourg-Lorraine, hosted by the Marquis of Ossuna in Madrid in 1764
Charles de La Traverse
Formerly attributed to Pierre Jean Boquet
ca. 1764
The Lying-in-State of Duke Charles III of Lorraine
Frédéric Brentel
After Claude de La Ruelle
Publisher Published by Herman de Loye
1609?–?1610
Portrait of Marie de Rohan
Charles David
after Ferdinand Elle
Publisher Le Blond
17th century
Armchair (fauteuil à la reine), Carved and gilded walnut, late 17th-century wool velvet (not original), French, Paris
Armchair (fauteuil à la reine)
French, Paris
ca. 1690–1710
Charles of Lorraine, Duke of Mayenne, from Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco
Publisher Published by Giacomo Franco
1596
Fisher's Drawing Room Scrap-Book, 1837. With Poetical Illustrations by L.E.L
Multiple artists/makers
1837
Plate 5: Catherine de' Medici, Queen of France, with her children, Henry III, King of France and Poland; Francis II, King of France and Scotland; Charles IX, King of France; Francis, Duke of Anjou and Alençon; Elisabeth, Queen of Spain; Margaret, Queen of France and Navarre; and Claudia, Duchess of Lorena
Multiple artists/makers
1751
The Repeal, or the Funeral of Miss Ame - Stamp, Benjamin Wilson British, Etching
The Repeal, or the Funeral of Miss Ame - Stamp
Multiple artists/makers
March 18, 1766
Poets and Statesmen: Their Homes and Memorials in the Neighbourhood of Windsor & Eton
Multiple artists/makers
1856
Political-Candour;– i.e.–Coalition-Resolutions of June 14th, 1805.–Pro bono Publico–, James Gillray British, Hand-colored etching
Political-Candour;– i.e.–Coalition-Resolutions of June 14th, 1805.–Pro bono Publico–
Multiple artists/makers
June 21, 1805
Delicious Dreams!–Castles in the Air!–Glorious Prospects!
Multiple artists/makers
April 10, 1808
Essai sur l'Homme
Multiple artists/makers
1745
Delicious Dreams! –Castles in the Air! –Glorious Prospects!, James Gillray British, Hand-colored etching
Delicious Dreams! –Castles in the Air! –Glorious Prospects!
Multiple artists/makers
April 10, 1808
Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris
Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683
Side chair (chais à la reine) (one of a pair), Georges Jacob French, Carved and gilded walnut; pink silk moiré damask (not original), French, Paris
Side chair (chais à la reine) (one of a pair)
Multiple artists/makers
1784
Side chair (chais à la reine) (one of a pair), Georges Jacob French, Carved and gilded walnut; pink silk moiré damask (not original), French, Paris
Side chair (chais à la reine) (one of a pair)
Multiple artists/makers
1784
Seasons and Elements (Spring) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Spring) (set of four)
Designer Possibly after a design by Charles Le Brun
Designer Border probably designed by Jean Lemoyne le Lorrain
Patron Commissioned for Marquise de Montespan
ca. 1683
Seasons and Elements (Summer) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Summer) (set of four)
Designer Possibly after a design by Charles Le Brun
Designer Border probably designed by Jean Lemoyne le Lorrain
Patron Commissioned for Marquise de Montespan
ca. 1683
Seasons and Elements (Fire) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Seasons and Elements (Fire) (set of four)
Designer Possibly after a design by Charles Le Brun
Designer Border probably designed by Jean Lemoyne le Lorrain
Patron Commissioned for Marquise de Montespan
ca. 1683
Wall clock (pendule en cartel), Jean Godde l'aîné French, Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel, French, Paris
Wall clock (pendule en cartel)
Clockmaker: Jean Godde l'aîné
Case maker: Charles Cressent
ca. 1740–45
Wig cabinet (cabinet de coiffure), Johann Daniel Sommer II German, Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original), German, Künzelzau
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II
ca. 1685