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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 723 results for Esteban Vicente

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Untitled, Esteban Vicente American, born Spain, Acrylic on paper, mounted to canvas — Untitled
Esteban Vicente
1986

Untitled, Esteban Vicente American, born Spain, Oil on canvas — Untitled
Esteban Vicente
1972

Untitled, Esteban Vicente American, born Spain, Oil on canvas — Untitled
Esteban Vicente
1966

Alison Series: One November Day, Esteban Vicente American, born Spain, Oil on canvas — Alison Series: One November Day
Esteban Vicente
1976

Number One, Esteban Vicente American, born Spain, Oil, newspaper transfer, charcoal, and graphite on canvas — Number One
Esteban Vicente
1951

Collage Number 12

Esteban Vicente

1956

Esteban Vicente

ca. 1950–60

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Virgin and Child, Bartolomé Estebán Murillo Spanish, Oil on canvas — Virgin and Child
Bartolomé Estebán Murillo
1670s

The Crucifixion, Bartolomé Estebán Murillo Spanish, Oil on canvas — The Crucifixion
Bartolomé Estebán Murillo
ca. 1675

Don Andrés de Andrade y la Cal, Bartolomé Estebán Murillo Spanish, Oil on canvas — Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo
ca. 1665–72

A Knight of Alcántara or Calatrava, Bartolomé Estebán Murillo Spanish, Oil on canvas — A Knight of Alcántara or Calatrava
Bartolomé Estebán Murillo
ca. 1650–55

Snuffers tray, Vicente Gavilanis, Silver, Spanish, Madrid — Snuffers tray
Vicente Gavilanis
1754

Snuffers, Vicente Gavilanis, Silver, Spanish, Madrid — Snuffers
Vicente Gavilanis
1754

Cat and Turtle, Vicente do Rego Monteiro Brazilian, Oil on canvas — Cat and Turtle
Vicente do Rego Monteiro
1925

Head of a Woman, Vicente do Rego Monteiro Brazilian, Oil on canvas — Head of a Woman
Vicente do Rego Monteiro
1928

Madonna and Child, Vicente do Rego Monteiro Brazilian, Oil on canvas — Madonna and Child
Vicente do Rego Monteiro
1926 (?)

Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso) — Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600

The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk — The Kingdom of Aragon
Vicente Carducho
1560–1638

Pair of Italian comedy actors (Mezzetin and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro) — Pair of Italian comedy actors (Mezzetin and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80

Pair of Italian comedy actors (Pulcinella and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro) — Pair of Italian comedy actors (Pulcinella and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80

The Nativity, Bartolomé Estebán Murillo Spanish, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk — The Nativity
Bartolomé Estebán Murillo
ca. 1665–70

The Infant St. John the Baptist, Bartolomé Estebán Murillo Spanish, Pen and brown ink with brush and gray wash over black chalk underdrawing. Composition outlined with black chalk inner line and brush and gray wash outer line; framing lines ruled in pen and gray-brown ink, possibly by the artist himself — The Infant St. John the Baptist
Bartolomé Estebán Murillo
1618–82

Standing Male Figure: Study for a Portrait, Bartolomé Estebán Murillo Spanish, Pen and brown ink over black chalk underdrawing on off-white paper (recto); black chalk (verso) — Standing Male Figure: Study for a Portrait
Bartolomé Estebán Murillo
1670–80

The Good Shepherd, Bartolomé Estebán Murillo Spanish, Facsimile reproduction — The Good Shepherd
Bartolomé Estebán Murillo
20th century

The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?) — The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.

Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink — Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700

'Obra muy útil y provechosa para los devotos de nuestra Señora ... Rosario', Salamanca 1592, Esteban de Alaejos Spanish, Letterpress and woodcut — 'Obra muy útil y provechosa para los devotos de nuestra Señora ... Rosario', Salamanca 1592
Esteban de Alaejos
Pedro Laso
1592

Study for 'Ladrilleros' (brick makers), Pablo Esteban O'Higgins American, Charcoal — Study for 'Ladrilleros' (brick makers)
Pablo Esteban O'Higgins
ca. 1946

Study for 'Ladrilleros' (brick makers), Pablo Esteban O'Higgins American, Charcoal — Study for 'Ladrilleros' (brick makers)
Pablo Esteban O'Higgins
ca. 1946

The constitutionalists take Zacatecas, 23 June 1914 (Los constitucionalistas toman Zacatecas, 23 de Junio de 1914), Plate 85 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph — The constitutionalists take Zacatecas, 23 June 1914 (Los constitucionalistas toman Zacatecas, 23 de Junio de 1914), Plate 85 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960

General Obregon with the Yaquis (El General Obregon con los Yaquis), Plate 86 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph — General Obregon with the Yaquis (El General Obregon con los Yaquis), Plate 86 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960

(El Pípila), Plate 15 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph — (El Pípila), Plate 15 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960

Melchor Ocampo, Plate 30 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph — Melchor Ocampo, Plate 30 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960

The strike of Cananea; Mexican workers claiming equal rights with the American workers (La huelga de Cananea: los obreros mexicanos reclaman igualdad de derechos frente a los obreros yanquis), Plate 40 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph — The strike of Cananea; Mexican workers claiming equal rights with the American workers (La huelga de Cananea: los obreros mexicanos reclaman igualdad de derechos frente a los obreros yanquis), Plate 40 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960

A Worker, Pablo Esteban O'Higgins American, Lithograph — A Worker
Pablo Esteban O'Higgins
1953

Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car, Pablo Esteban O'Higgins American, Lithograph on buff paper backed with linen — Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car
Multiple artists/makers
1939

Poster relating the relationship between the USA and Mexico, Pablo Esteban O'Higgins American, Offset lithograph on buff paper backed with linen — Poster relating the relationship between the USA and Mexico
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1944

Broadside comprising four pages printed on both sides (one side in red, the other in black) entitled 'Calaveras locas por la musica' (Skeletons Crazy about Music), Pablo Esteban O'Higgins American, Lithograph in red and black, letterpress — Broadside comprising four pages printed on both sides (one side in red, the other in black) entitled 'Calaveras locas por la musica' (Skeletons Crazy about Music)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1938

Flyer warning farmers from Nayarit not to sell their corn to profiteers for lower than market value; a vulture holding a bag of corn flying away from farmers, Pablo Esteban O'Higgins American, Photo-relief and letterpress on pale orange paper — Flyer warning farmers from Nayarit not to sell their corn to profiteers for lower than market value; a vulture holding a bag of corn flying away from farmers
Pablo Esteban O'Higgins
Raúl Anguiano
ca 1936–1945