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1-42 of 723 results for Esteban Vicente
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Untitled, Esteban Vicente American, born Spain, Acrylic on paper, mounted to canvas
Untitled
Esteban Vicente
1986
Untitled, Esteban Vicente American, born Spain, Oil on canvas
Untitled
Esteban Vicente
1972
Untitled, Esteban Vicente American, born Spain, Oil on canvas
Untitled
Esteban Vicente
1966
Alison Series: One November Day, Esteban Vicente American, born Spain, Oil on canvas
Alison Series: One November Day
Esteban Vicente
1976
Number One, Esteban Vicente American, born Spain, Oil, newspaper transfer, charcoal, and graphite on canvas
Number One
Esteban Vicente
1951
Collage Number 12
Esteban Vicente
1956
Untitled
Esteban Vicente
ca. 1950–60
Virgin and Child, Bartolomé Estebán Murillo Spanish, Oil on canvas
Virgin and Child
Bartolomé Estebán Murillo
1670s
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
The Crucifixion, Bartolomé Estebán Murillo Spanish, Oil on canvas
The Crucifixion
Bartolomé Estebán Murillo
ca. 1675
A Knight of Alcántara or Calatrava, Bartolomé Estebán Murillo Spanish, Oil on canvas
A Knight of Alcántara or Calatrava
Bartolomé Estebán Murillo
ca. 1650–55
Don Andrés de Andrade y la Cal, Bartolomé Estebán Murillo Spanish, Oil on canvas
Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo
ca. 1665–72
Snuffers tray, Vicente Gavilanis, Silver, Spanish, Madrid
Snuffers tray
Vicente Gavilanis
1754
Snuffers, Vicente Gavilanis, Silver, Spanish, Madrid
Snuffers
Vicente Gavilanis
1754
Madonna and Child, Vicente do Rego Monteiro Brazilian, Oil on canvas
Madonna and Child
Vicente do Rego Monteiro
1926 (?)
Cat and Turtle, Vicente do Rego Monteiro Brazilian, Oil on canvas
Cat and Turtle
Vicente do Rego Monteiro
1925
Head of a Woman, Vicente do Rego Monteiro Brazilian, Oil on canvas
Head of a Woman
Vicente do Rego Monteiro
1928
Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso)
Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600
The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk
The Kingdom of Aragon
Vicente Carducho
1560–1638
Pair of Italian comedy actors (Mezzetin and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro)
Pair of Italian comedy actors (Mezzetin and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80
Pair of Italian comedy actors (Pulcinella and Elizabeth (?)), Real Fabrica de Buen Retiro Spanish, Soft-paste porcelain, Spanish, Madrid (Buen Retiro)
Pair of Italian comedy actors (Pulcinella and Elizabeth (?))
Real Fabrica de Buen Retiro
Vicente Roco
ca. 1770–80
The Good Shepherd, Bartolomé Estebán Murillo Spanish, Facsimile reproduction
The Good Shepherd
Bartolomé Estebán Murillo
20th century
The Infant St. John the Baptist, Bartolomé Estebán Murillo Spanish, Pen and brown ink with brush and gray wash over black chalk underdrawing. Composition outlined with black chalk inner line and brush and gray wash outer line; framing lines ruled in pen and gray-brown ink, possibly by the artist himself
The Infant St. John the Baptist
Bartolomé Estebán Murillo
1618–82
Standing Male Figure: Study for a Portrait, Bartolomé Estebán Murillo Spanish, Pen and brown ink over black chalk underdrawing on off-white paper (recto); black chalk (verso)
Standing Male Figure: Study for a Portrait
Bartolomé Estebán Murillo
1670–80
The Nativity, Bartolomé Estebán Murillo Spanish, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk
The Nativity
Bartolomé Estebán Murillo
ca. 1665–70
The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?)
The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink
Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700
Portrait of a man wearing a hat (head and shoulders), Pablo Esteban O'Higgins American, Lithograph
Portrait of a man wearing a hat (head and shoulders)
Pablo Esteban O'Higgins
1946
Poster relating to the Soviet front, Pablo Esteban O'Higgins American, Lithograph in black and orange on buff paper backed with linen
Poster relating to the Soviet front
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1941
Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car, Pablo Esteban O'Higgins American, Lithograph on buff paper backed with linen
Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car
Multiple artists/makers
1939
Poster relating the relationship between the USA and Mexico, Pablo Esteban O'Higgins American, Offset lithograph on buff paper backed with linen
Poster relating the relationship between the USA and Mexico
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1944
Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Pablo Esteban O'Higgins American, Linocut
Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1947
Plate 47: the Constitutionalists taking Zacateca, 23 June 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Pablo Esteban O'Higgins American, Linocut
Plate 47: the Constitutionalists taking Zacateca, 23 June 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1947
Flyer warning farmers from Nayarit not to sell their corn to profiteers for lower than market value; a vulture holding a bag of corn flying away from farmers, Pablo Esteban O'Higgins American, Photo-relief and letterpress on pale orange paper
Flyer warning farmers from Nayarit not to sell their corn to profiteers for lower than market value; a vulture holding a bag of corn flying away from farmers
Pablo Esteban O'Higgins
Raúl Anguiano
ca 1936–1945
Flyer warning farmers from Zacatecas and Durango not to sell their crops under market value to profiteers, an image of a profiteer running away from a woman, Pablo Esteban O'Higgins American, Photo-relief and letterpress on pale pink paper
Flyer warning farmers from Zacatecas and Durango not to sell their crops under market value to profiteers, an image of a profiteer running away from a woman
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
ca 1936–1945
A man gold panning set against a dark background, Pablo Esteban O'Higgins American, Lithograph
A man gold panning set against a dark background
Pablo Esteban O'Higgins
1946
A man (presumably poor) sitting behind a low wall while elegantly dressed figures walk by at right, Pablo Esteban O'Higgins American, Lithograph
A man (presumably poor) sitting behind a low wall while elegantly dressed figures walk by at right
Pablo Esteban O'Higgins
1943
A man and woman seated together on the ground, Pablo Esteban O'Higgins American, Colour (offset) lithograph
A man and woman seated together on the ground
Pablo Esteban O'Higgins
Albert Carman
1938
An indigenous woman seated on the ground, her dog alongside, Pablo Esteban O'Higgins American, Lithograph
An indigenous woman seated on the ground, her dog alongside
Pablo Esteban O'Higgins
ca. 1935–38
A Worker, Pablo Esteban O'Higgins American, Lithograph
A Worker
Pablo Esteban O'Higgins
1953
The destruction of ancient Mexico (La destruccion del Mexico antiguo), Plate 7 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Pablo Esteban O'Higgins American, Offset lithograph
The destruction of ancient Mexico (La destruccion del Mexico antiguo), Plate 7 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1960
A man standing viewed from behind, Pablo Esteban O'Higgins American, Lithograph
A man standing viewed from behind
Pablo Esteban O'Higgins
1936