Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Façon de Venise, probably northern European (Lowlands or France)

Sort by:

Wineglass, Colorless (slightly purplish gray), bubbly nonlead glass. Blown, diamond-point (scratch) engraved., Façon de Venise, probably northern European (Lowlands or France) — Wineglass
Façon de Venise, probably northern European (Lowlands or France)
early 17th century

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands) — Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands — Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century

Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European — Tazza
Italian (Venice) or façon de Venise, northern European
17th century

Boot glass, Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Boot glass, Colorless (slightly tan) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Dish, Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrol (Innsbruck) — Dish
Venetian or façon de Venise, probably Tyrol (Innsbruck)
mid to late 16th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Kablé (buffalo helmet mask), Northern Tussian or Siemu blacksmith, Ceiba(?) wood, cane, fiber, Northern Tussian or Siemu — Kablé (buffalo helmet mask)
Northern Tussian or Siemu blacksmith
19th–first quarter 20th century

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ, Ivory with traces of original gilding and polychromy; silver hinges., Northern France (?) — Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ
Northern France (?)
ca. 1275–1300

Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf) — Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century

Saint Matthew, Southern Netherlands Southern Netherlands, Alabaster, Southern Netherlands or Northern France — Saint Matthew
Southern Netherlands
Northern France
ca. 1450–70

Saint Simon, Southern Netherlands Southern Netherlands, Alabaster, Southern Netherlands or Northern France — Saint Simon
Southern Netherlands
Northern France
1450–70

Saint Paul, Southern Netherlands Southern Netherlands, Alabaster, Southern Netherlandish or Northern France — Saint Paul
Southern Netherlands
Northern France
ca. 1450–70

Saint John the Evangelist, Southern Netherlands Southern Netherlands, Alabaster, Southern Netherlands or Northern France — Saint John the Evangelist
Southern Netherlands
Northern France
ca. 1450–70

Statue: Christ, Southern Netherlands Southern Netherlands, Alabaster, Southern Netherlands or Northern France — Statue: Christ
Southern Netherlands
Northern France
ca. 1450–70

Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink — Book of the Gospels
Northern Highlands artist
late 14th–early 15th century

Mäsqälä qǝddase (liturgical cross), Northern Highlands artist, Copper, Central or Northern Highlands region — Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
15th century

Coronation of the Virgin, France (?) French, Tempera and gold leaf on parchment, France, probably Paris — Coronation of the Virgin
France
ca. 1455–60

Wineglass, Glass, blown with applied decoration, Italian, Venice (Murano) or façon de Venise possibly Dutch — Wineglass
Italian, Venice (Murano) or façon de Venise possibly Dutch
17th century

Drinking bottle (Porrón), Glass; blown, a retorti, Spanish, probably Barcelona (Façon de Venise) — Drinking bottle (Porrón)
Spanish, probably Barcelona (Façon de Venise)
18th century

Bowl, Glass; blown, a ghiaccio, applied decoration, Spanish, probably Catalonia, façon de Venise — Bowl
Spanish, probably Catalonia, façon de Venise
16th-17th century

Goblet vase, Glass, Italian, Venice or Façon de Venise — Goblet vase
Italian, Venice or Façon de Venise
16th–17th century

Italian Peasant Woman with Basket on her Head, Northern European Artist Working in Italy Northern European, Graphite on buff wove paper with blue fibers — Italian Peasant Woman with Basket on her Head
Northern European
1820–40