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More than 10,000 results for Façon de Venise, probably south Lowlands or Germany

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Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century

Boot glass, Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Boot glass, Colorless (slightly tan) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, applied and impressed parts, gilt., Venetian or façon de Venise, probably south Lowlands or Germany — Boot glass
Venetian or façon de Venise, probably south Lowlands or Germany
late 16th or early 17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands — Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Spouted jug, Transparent dark blue and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, probably Barcelona — Spouted jug
Façon de venise, probably Barcelona
ca. 1500

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Wineglass, Colorless (slightly purplish gray), bubbly nonlead glass. Blown, diamond-point (scratch) engraved., Façon de Venise, probably northern European (Lowlands or France) — Wineglass
Façon de Venise, probably northern European (Lowlands or France)
early 17th century

Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf) — Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century

Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands) — Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century

Dish, Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrol (Innsbruck) — Dish
Venetian or façon de Venise, probably Tyrol (Innsbruck)
mid to late 16th century

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona) — Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European — Tazza
Italian (Venice) or façon de Venise, northern European
17th century

Goblet, Bubbly colorless (very faint gray), opaque white, and transparent turquoise blue nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Northern European (possibly south Lowlands or Germany) — Goblet
Northern European (possibly south Lowlands or Germany)
probably late 17th century

Wineglass, Glass, blown with applied decoration, Italian, Venice (Murano) or façon de Venise possibly Dutch — Wineglass
Italian, Venice (Murano) or façon de Venise possibly Dutch
17th century

Drinking bottle (Porrón), Glass; blown, a retorti, Spanish, probably Barcelona (Façon de Venise) — Drinking bottle (Porrón)
Spanish, probably Barcelona (Façon de Venise)
18th century

Bowl, Glass; blown, a ghiaccio, applied decoration, Spanish, probably Catalonia, façon de Venise — Bowl
Spanish, probably Catalonia, façon de Venise
16th-17th century

Goblet vase, Glass, Italian, Venice or Façon de Venise — Goblet vase
Italian, Venice or Façon de Venise
16th–17th century

Corset, Facon, silk, elastic, metal, French — Corset
Facon
Saks Fifth Avenue
1930–35

Beaker (Stangenglas), Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a retorti"., probably south Lowlands; possibly Bohemia or Saxony — Beaker (Stangenglas)
probably south Lowlands; possibly Bohemia or Saxony
late 16th century

Necklace Formed of Fifteen Dress Ornaments, Gold, enamel, ruby and pearls., probably Transylvanian, possibly South Germany — Necklace Formed of Fifteen Dress Ornaments
Transylvania
ca.1600

Bottle with two white fillets, Glass, Italian, Venice, Murano or façon de Venise — Bottle with two white fillets
Italian, Venice, Murano or façon de Venise
17th century

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Adoration of the Magi, Southern Germany or Austria Southern Germany or Austria, Tempera and gold and silver leaf on parchment, Southern German or Austrian — Adoration of the Magi
Southern Germany or Austria
ca. 1235–50

Angel of the Annunciation, Jean de Liège Franco-Netherlandish, Marble, South Netherlandish or French — Angel of the Annunciation
Jean de Liège
ca. 1370–90

Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso), Germany, Middle Rhine German, Middle Rhine, Pen and carbon black ink, traces of black chalk underdrawing, on paper prepared with sanguine wash, Germany, Middle Rhine — Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
Germany, Middle Rhine
ca. 1460–70

Saint Mary Magdalene, Jean de Liège Franco-Netherlandish, Marble, South Netherlandish — Saint Mary Magdalene
Jean de Liège
ca. 1350–75

Seal Impression, Saint Margaret, Black wax, Netherlandish or South Lowlands (?) — Seal Impression, Saint Margaret
Netherlandish or South Lowlands (?)
ca. 1358