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Showing 218 results for FlorentineTook 24ms
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Tabernacle frame, Spruce. Gilt; orange bole., Florentine
Tabernacle frame
Florentine
ca. 1404
One of a pair of pilaster panels, Poplar, Florentine
One of a pair of pilaster panels
Florentine
1385
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Tester bed, Italian (Florentine) Painter Italian, Walnut, partly painted and gilded, paintings on canvas, Italian, Tuscany and Florence
Tester bed
Italian (Florentine) Painter
late 16th–second quarter 17th century
Madonna and Child Enthroned, Italian (Florentine) Painter Italian, Tempera on wood, gold ground
Madonna and Child Enthroned
Italian (Florentine) Painter
Madonna and Child Enthroned with Saint John the Baptist and Another Saint, Italian (Florentine) Painter Italian, Tempera and gold on wood
Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Italian (Florentine) Painter
Madonna and Child with Angels, Italian (Florentine) Painter Italian, Oil on wood
Madonna and Child with Angels
Italian (Florentine) Painter
Madonna and Child with the Young Saint John the Baptist, Italian (Florentine) Painter Italian, Oil on wood
Madonna and Child with the Young Saint John the Baptist
Italian (Florentine) Painter
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century
Violin, Lorenzo Carcassi, Spruce, maple, ebony, Italian, Florentine
Violin
Lorenzo Carcassi
1752
The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament
The Labors of Hercules
Italian (Florentine or Sienese) Painter
Madonna and Child, Italian (Florentine or Paduan) Painter (Cheyo da Firenze?) Italian, Tempera on wood, gold ground
Madonna and Child
Italian (Florentine or Paduan) Painter (Cheyo da Firenze?)
Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century Italian, Black and white chalk prepared with violet wash
Rearing Horse in Rear Three-Quarter View
Anonymous, Italian, Florentine, 16th century
16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso). Later framing outline in pen and dark brown ink on recto
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Anonymous, Italian, Florentine, 16th century
16th century
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)
Anonymous, Italian, Florentine, 16th century
16th century
Three Men, Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink on gray paper
Three Men
Anonymous, Italian, Florentine, 16th century
16th century
Noli me tangere, Anonymous, Italian, Florentine, 16th century Italian, Black chalk, highlighted with white chalk, on blue paper
Noli me tangere
Anonymous, Italian, Florentine, 16th century
1580–1610
The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century Italian, Engraving
The Martyrdom of Saint Sebastian, with three archers
Anonymous, Italian, Florentine, 15th century
ca. 1480–90
Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down
Drawing for a Standard with Christ in Glory Flanked by Putti
Anonymous, Italian, Florentine, 16th century
16th century
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)
Anonymous, Italian, Florentine, 16th century
1530–40
The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a later restrike)
The Inferno according to Dante, after the Last Judgement fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1470–80
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, Anonymous, Italian, Florentine, 15th century Italian, Engraving, a later re-strike (possibly 19th century)
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1460–80
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes
Anonymous, Italian, Florentine, 16th century
1550–1600
The Coronation of the Virgin, surrounded by seven scenes from her life, Anonymous, Italian, Florentine, 15th century Italian, Engraving (a modern forgery ?)
The Coronation of the Virgin, surrounded by seven scenes from her life
Anonymous, Italian, Florentine, 15th century
Maso Finiguerra
15th century (a modern forgery?)
Portrait of a Woman, Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) Italian, Oil on wood
Portrait of a Woman
Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome)
mid-16th century
Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi Italian, Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi
Anonymous, Italian, Florentine, 16th century
1546–47
Dante and Virgil, with the vision of Beatrice, an illustration to Dante's Inferno, Canto II
Multiple artists/makers
1481
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa
Multiple artists/makers
ca. 1460–80
Saint Philip of Florence, with twelve scenes from his life
Anonymous, Italian, Florentine, 15th century
ca. 1460–80
The Judgment of Solomon
Anonymous, Italian, Florentine, 15th century
ca. 1460–80
The Nativity: the Virgin adoring the child
Anonymous, Italian, Florentine, 15th century
ca. 1470–80
Conversion of Saint Paul
Anonymous, Italian, Florentine, 15th century
1450–75
The Knife Grinder
Anonymous, Italian, Florentine, 15th century
15th century
Virgil the Sorcerer
Anonymous, Italian, Florentine, 15th century
1460–70
Saint Jerome in penitence, with two ships in the harbor
Anonymous, Italian, Florentine, 15th century
Antonio Pollaiuolo
ca. 1480
Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk
Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century
State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk
State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk
Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620
Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint
Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620