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More than 10,000 results for Fujiwara no Mototoshi

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Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire), Fujiwara no Mototoshi Japanese, Hanging scroll; ink on paper with gold and silver flecks, Japan — Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire)
Fujiwara no Mototoshi
ca. 1116–22

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)

, Fujiwara no Tameyori Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)
Fujiwara no Tameyori
13th century

Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire), Fujiwara no Sadayori Japanese, Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks, Japan — Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Fujiwara no Sadayori
early 12th century

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan — Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Fujiwara no Nobuzane
13th century

Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”, Fujiwara no Yukinari Japanese, Page from a bound booklet mounted as a hanging scroll; ink on dyed paper, Japan — Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”
Fujiwara no Yukinari
mid- to late 11th century

Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)
, Fujiwara no Sadanobu Japanese, Page from a bound booklet mounted as a hanging scroll; ink on paper decorated with silver, Japan — Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)
Fujiwara no Sadanobu
ca. 1112

Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation", Fujiwara no Yukinari (Kōzei) Japanese, Handscroll section mounted as a hanging scroll; ink on paper, Japan — Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"
Fujiwara no Yukinari (Kōzei)
early 11th century

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire), Fujiwara no Norinaga Japanese, Page from a booklet, mounted as hanging scroll; ink on paper, Japan — Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)
Fujiwara no Norinaga
12th century

Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Fujiwara no Sadayori Japanese, Page from book, mounted as hanging scroll; ink on paper, Japan — Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire)
Fujiwara no Sadayori
early 12th century

Blade for a Sword (Katana), Etchū no kami Fujiwara Takahira Japanese, Steel, Japanese — Blade for a Sword (Katana)
Etchū no kami Fujiwara Takahira
dated June 1622

Sake bottle, Yu Fujiwara Japanese, Earthenware; round body with short, narrow neck and everted lip; flat base with maker's initial; partially covered with clear glaze and area of purple glaze with orange hue (Bizen ware), Japan — Sake bottle
Yu Fujiwara
mid-20th century

A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire), Fujiwara Akisuke Japanese, Section of a page from a bound booklet mounted as a hanging scroll; ink on paper patterned with mica powder, Japan — A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire)
Fujiwara Akisuke
13th century

Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire), Fujiwara no Yukinari (Kōzei) Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan — Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire)
Fujiwara no Yukinari (Kōzei)
11th century

One Round from a Poetry Contest, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan — One Round from a Poetry Contest
Fujiwara no Teika (Sadaie)
late 12th century

Waka Poems, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan — Waka Poems
Fujiwara no Teika (Sadaie)
first half 13th century

Fujiwara no Kamatari as a Shinto Deity, Hanging scroll; color on silk, Japan — Fujiwara no Kamatari as a Shinto Deity
Japan
after 1350

The Fujiwara Chapter (Fujiwara no maki) 藤原の巻, Book; ink, color, gold paint, and gold-flecks on paper (Nara ehon), Japan — The Fujiwara Chapter (Fujiwara no maki) 藤原の巻
Japan
ca. 1661–72

Beauty of the Season; Spring, Fujiwara Chikanobu Japanese, Hanging scroll; ink on paper, Japan — Beauty of the Season; Spring
Fujiwara Chikanobu
18th century

Half Mask (Menpō) with Gorget, Zenshō Fujiwara Japanese, Iron, lacquer, silk, Japanese — Half Mask (Menpō) with Gorget
Zenshō Fujiwara
ca. 1615–1868

Chingozine : [no. 5], Puro Chingón Collective — Chingozine : [no. 5]
Puro Chingón Collective
2012-

Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū)
, Fujiwara no Yukinari 藤原行成 Japanese, Two pages from a booklet mounted as hanging scroll; ink on dyed paper, Japan — Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū)
Fujiwara no Yukinari 藤原行成
mid- to late 11th century

Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover, Ogata Sōken Japanese, Poem card (shikishi) mounted as a hanging scroll; ink and gold on paper, Japan — Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover
Ogata Sōken
mid- to late 17th century

Writing Box with Portrait of Fujiwara no Ietaka and His Poem about the Tatsuta River, Lacquered wood with gold and silver hiramaki-e, togidashimaki-e, and red lacquer on silver ground, Japan — Writing Box with Portrait of Fujiwara no Ietaka and His Poem about the Tatsuta River
Japan
18th century

Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets, Suzuki Harunobu Japanese, Woodblock print; ink and color on paper with embossing (karazuri), Japan — Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets
Suzuki Harunobu
ca. 1768

No. 43, Yoshio Sekine Japanese, Oil on canvas — No. 43
Yoshio Sekine
1965

Fujiwara no Teika’s “Poems on Flowers and Birds of the Twelve Months”, Handscroll; ink and color on paper, Japan — Fujiwara no Teika’s “Poems on Flowers and Birds of the Twelve Months”
Japan
18th century

Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū), Konoe Sakihisa 近衛前久 Japanese, Handscroll section mounted as hanging scroll; ink on dyed and decorated paper, Japan — Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū)
Konoe Sakihisa 近衛前久
late 16th–early 17th century

Tsuchi no geijutsu: dogū doki haniwa, Seiroku Noma — Tsuchi no geijutsu: dogū doki haniwa
Seiroku Noma
1954

Poem by Fujiwara no Okikaze with Underpainting of Clematis
, Shōkadō Shōjō 松花堂昭乗 Japanese, Hanging scroll; ink, gold, and silver on colored paper, Japan — Poem by Fujiwara no Okikaze with Underpainting of Clematis
Shōkadō Shōjō 松花堂昭乗
Tawaraya Sōtatsu 俵屋宗達
early 17th century

Onoe Matsusuke as a Samurai of the Fujiwara Clan, Katsukawa Shunshō　勝川春章 Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — Onoe Matsusuke as a Samurai of the Fujiwara Clan
Katsukawa Shunshō　勝川春章
ca. 1782

Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1760–1845

Blade and Mounting for a Short Sword (Wakizashi)

Multiple artists/makers

blade, mid-17th century; mounting, 19th century

Nihon no doki: Jōmon Yayoi, haniwa, haji, sueki, Kyoto National Museum — Nihon no doki: Jōmon Yayoi, haniwa, haji, sueki
Kyoto National Museum
1964

Letter about Sake, Sen no Rikyū Japanese, Hanging scroll; ink on paper, Japan — Letter about Sake
Sen no Rikyū
ca. 1583

The Jewel River at Chōfu (Chōfu no Tamagawa), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan — The Jewel River at Chōfu (Chōfu no Tamagawa)
Suzuki Harunobu
ca. 1768

No. 16, Mark Rothko American, born former Russian Empire, now Latvia, Oil on canvas — No. 16
Mark Rothko
1960

Alphabet No. 2, Ibrahim El-Salahi Sudanese, Oil on canvas — Alphabet No. 2
Ibrahim El-Salahi
1962; reworked 1968

Manuscript Version of “Fundamentals of Poetic Composition” (Eiga taigai), compiled by Fujiwara no Teika (1162–1241), Konoe Taneie Japanese, Book of 102 waka by various poets; ink on paper, Japan — Manuscript Version of “Fundamentals of Poetic Composition” (Eiga taigai), compiled by Fujiwara no Teika (1162–1241)
Konoe Taneie
1531

“Fourth Month” from Fujiwara no Teika’s “Birds and Flowers of the Twelve Months”

, Ogata Kenzan Japanese, Hanging scroll; ink and color on paper, Japan — “Fourth Month” from Fujiwara no Teika’s “Birds and Flowers of the Twelve Months”
Ogata Kenzan
1743

Colt Third Model Dragoon Percussion Revolver, serial no. 12406, Samuel Colt American, Steel, brass, gold, wood (walnut), American, Hartford, Connecticut — Colt Third Model Dragoon Percussion Revolver, serial no. 12406
Samuel Colt
ca. 1853