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Showing 152 results for Giambattista Cimaroli
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View of the Brenta, near Dolo, Giambattista Cimaroli Italian, Oil on canvas
View of the Brenta, near Dolo
Giambattista Cimaroli
late 18th century
Giambattista Grimaldi, Pietro Paolo Galeotti, Bronze, brown patina, cast, Italian
Giambattista Grimaldi
Pietro Paolo Galeotti
ca. 1550–75
Seated Warrior Between Two Figures, Giambattista Zelotti (?) Italian, Pen and brown ink, squared in black chalk
Seated Warrior Between Two Figures
Giambattista Zelotti
1546–78
Mars and Venus United by Love, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
1570s
The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770
Notizie intorno alla vita e alle opere de'pittori, scultori e intagliatori della città di Bassano, Venice 1775
Giambattista Verci
Giovanni Gatti
1775
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
Figure Studies, Francesco Guardi Italian, Pen and brown ink, light and dark brown and grayish brown wash
Figure Studies
Francesco Guardi
ca. 1765–70
Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini, Jacopo [Giacomo] Barozzi da Vignola Italian, Printed book with etched illustrations and head and tail pieces made by woodcut and engraving
Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini
Multiple artists/makers
1770
Title page, from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Vignette (head-piece), page 1 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Study for an Inkstand, Giovanni Battista Tiepolo Italian, Pen and brown ink, gray wash, with splashes of brown wash on the left, over black chalk
Study for an Inkstand
Giovanni Battista Tiepolo
ca. 1740–45
La citta di Nocera nel ducato di Spoleto
Anonymous, 17th century
Giambattista Albrizzi
1738 (?)
Illustration to Canto XVII of Tasso's La Gerusaleme Liberata
Giovanni Battista Piazzetta
Giambattista Albrizzi
1745
La citta di Narni nel ducato di Spoleto
Anonymous, 17th century
Giambattista Albrizzi
1738 (?)
Forestiere illuminato intorno le cose più rare, e curiose, antiche, e moderne della città di Venezia
Francesco Zucchi
Giambattista Albrizzi
1740
Partially Destroyed Fresco of an Allegorical Female Figure, plate 15 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
Giambattista Zelotti
1760
Osservazioni di Antonio Visentini Architetto Veneto che servono di continuazione al Trattato di Teofilo Gallacini sopra gli errori degli architetti
Antonio Maria Visentini
Giambattista Pasquali
1771
Partially Destroyed Fresco of an Allegorical Female Figure with Braided Hair, plate 16 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
Giambattista Zelotti
1760
Allegorical Female Figure (Melancholia?), plate 17 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
Giambattista Zelotti
1760
Allegorical Female Figure with a Lion, plate 18 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
Giambattista Zelotti
1760
A Young Boy Seated in a Window Frame Playing a Lute, plate 19 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
Giambattista Zelotti
1760
Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect), Francesco Polanzani Italian, Engraving
Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect)
Multiple artists/makers
1750
Portrait Statue for the tomb of Giambattista Piranesi, from "Classical Statues in Rome"
Multiple artists/makers
1790
Various profiles of moldings [from the Temple of Hercules], tavola 10 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Remains of ancient buildings in the city of Cori, tavola 3 (b) from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Ruins of the supposed Temple of Hercules in the city of Cori, tavola 4 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Reconstructed elevation of the Temple of Hercules in the City of Cori, tavola 6 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Triumphal bridge, from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incesa da Giambattista Piranesi Architetto Veneziano" (Various Works of architecture, perspective, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
printed 1761–99
Ruins of the Temple of Castor and Pollux in the city of Cori, tavola 2 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
New Plan of Rome (Nuova Pianta di Roma data in luce da Giambattista Nolli l'anno MDCCXLVIII)
Giovanni Battista Piranesi
Giovanni Battista Nolli
1748
Plan of the remains of the temple of Hercules in the city of Cori, tavola 7 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
1750
Reconstruction of the Doric doorway of the Temple of Hercules in the city of Cori, tavola 9 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Entrance to an ancient gymnasium, from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incesa da Giambattista Piranesi Architetto Veneziano" (Various Works of architecture, perspective, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
printed 1761–99
Reconstruction of the means used by the ancients to roof the Temple of Hercules at Cori, page 15 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Ruins of the ancient fortifications of the mountainside and of the city of Cori in Latium, tavola 1 from "Antichità di Cora, descritte ed incise da Giambattista Piranesi" (Antiquities of Cori, described and etched by Giambattista Piranesi)
Giovanni Battista Piranesi
1764
Osservazioni di Antonio Visentini Architetto Veneto che servono di continuazione al Trattato di Teofilo Gallacini sopra gli errori degli architetti
Multiple artists/makers
1767, 1771
Imaginary reconstruction of a royal atrium, from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incesa da Giambattista Piranesi Architetto Veneziano" (Various Works of architecture, perspective, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
printed 1761–99
Ruins of Egyptian and Greek monuments, from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incesa da Giambattista Piranesi Architetto Veneziano" (Various Works of architecture, perspective, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
printed 1761–99