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Showing 8,993 results for Girard Audran

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Les proportions du corps humain, mesurées sur les plus belles figures de l'antiquité, Girard Audran French — Les proportions du corps humain, mesurées sur les plus belles figures de l'antiquité
Girard Audran
1683

Frontispiece for 'Theatrum Vitae Humanae', Girard Audran French, Etching — Frontispiece for 'Theatrum Vitae Humanae'
Girard Audran
1678

Portrait of Pierre Séguier, Girard Audran French, Etching — Portrait of Pierre Séguier
Girard Audran
1672

The Battle of Antioch, Girard Audran French, Etching — The Battle of Antioch
Girard Audran
Guillaume Courtois
1672–78

The Taking of Alexandria, Girard Audran French, Etching — The Taking of Alexandria
Girard Audran
Guillaume Courtois
1672–78

Les Proportions du Corps Humain: Mesurées sur les Plus Belles Figures de l'Antiquité (Proportions of the Human Body Measured from the Most Beautiful Antique Sculptures)

Girard Audran

1683

Ulysses discoveres Achilles; Achilles, dressed as a woman, removes weapons from a chest, revealing his true identity to Ulysses, who stands next to him

Girard Audran

Annibale Carracci

1685–1703

Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome

Girard Audran

Pietro da Cortona (Pietro Berrettini)

1668

Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome

Girard Audran

Pietro da Cortona (Pietro Berrettini)

1668

A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome

Girard Audran

Pietro da Cortona (Pietro Berrettini)

1668

The Martyrdom of Saint Agnes, her stabbing death at center, a lamb next to her at left, a soldier standing at left and women and children recoiling at right, The Holy Trinity with angels on clouds above

Girard Audran

Domenichino (Domenico Zampieri)

ca. 1660–1703

The Mystery of the Rosary, various people below holding rosaries with two soldiers holding spears to them, the Virgin and Child at top center, an angel at right holding a cross and another holding Veronica's veil, angels overhead holding flags and banners, flowers from overhead falling onto the people below

Girard Audran

Domenichino (Domenico Zampieri)

ca. 1660–1703

David with Harp and other musicians

Girard Audran

Domenichino (Domenico Zampieri)

ca. 1666

Martyrdom of Saint Agnes

Girard Audran

Domenichino (Domenico Zampieri)

ca. 1650

Solomon enthroned

Girard Audran

Domenichino (Domenico Zampieri)

ca.1666

Judith with the head of Holophernes

Girard Audran

Domenichino (Domenico Zampieri)

ca. 1666

Painting, Jean Audran French, Etching — Painting
Jean Audran
Girard Audran
1690

Figures de Differents caracteres, de Paysages . . .Volume I, Antoine Watteau French, Etching — Figures de Differents caracteres, de Paysages . . .Volume I
Multiple artists/makers
1726

Figures de Differents caracteres, de Paysages . . .Volume II, Antoine Watteau French, Etching — Figures de Differents caracteres, de Paysages . . .Volume II
Multiple artists/makers
1728

Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . ., Girard Thibault Flemish, Illustrated book, Anvers, 1628 — Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .
Multiple artists/makers
1628

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens)

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 1

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 2

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 3

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 4

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 5

Multiple artists/makers

ca. 1670–76

Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 6

Multiple artists/makers

ca. 1670–76

Multiple artists/makers

1640–85

Plusieurs Sortes d'Ornemens comme Paneaux ou Montans, Scabellons, Platfonds

Multiple artists/makers

1635–74

Plusieurs Sortes d'Ornemens & Masque

Multiple artists/makers

1676

Multiple artists/makers

1676

Diverses Ornemens & Masque

Multiple artists/makers

1676

Hot milk pot, François Girard, Silver; ebony, French, Rennes — Hot milk pot
François Girard
1783–84

Olive spoon, Charles Girard, Silver, French, Paris — Olive spoon
Charles Girard
1725–26

Girard College. Philadelphia, John Thomson British, Scottish, Albumen silver print from glass negative — Girard College. Philadelphia
John Thomson
1865

Girard

ca. 1825

Portiere with the Chauvelin arms from a set called a Chancellerie, Claude Audran III French, Wool, silk (21-23 warps per inch, 8-9 per cm.), French, Paris — Portiere with the Chauvelin arms from a set called a Chancellerie
Multiple artists/makers
designed 1679 and 1700, borders ca. 1720, woven 1728–30

Girard College, Philadelphia, Pa., Photomechanical print — Girard College, Philadelphia, Pa.
1900s–1930s

The Edge of the Woods at Monts-Girard, Fontainebleau Forest, Théodore Rousseau French, Oil on wood — The Edge of the Woods at Monts-Girard, Fontainebleau Forest
Théodore Rousseau
1852–54

Battle in a Burning City, Audran French, Engraving and etching — Battle in a Burning City
Audran
La Boullogne
1680–1756