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Showing 1,936 results for Giulio Aluisetti
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View of the Façade of the Cathedral of San Michele, Pavia, Giulio Aluisetti  Italian, Pen and gray ink, brush and gray wash, over graphite, ruling
Giulio Aluisetti
1820s
View of the Palazzo Pubblico (Palazzo Comunale), Piacenza, Giulio Aluisetti  Italian, Pen and brown-gray ink, brown-gray wash, traces of graphite or black chalk
Giulio Aluisetti
1820s
Giulio Aluisetti
Felice Pizzagalli
1827
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano, Giulio Romano  Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Multiple artists/makers
designed 1684–86, woven 1692–1700
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano, Giulio Romano  Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano, Giulio Romano  Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano, Giulio Romano  Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Multiple artists/makers
designed 1684–86, woven 1689–92
Multiple artists/makers
1817
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini  Italian, Oil on canvas
Giulio Cesare Procaccini
ca. 1612
Change of Position, Anton Giulio Bragaglia  Italian, Gelatin silver print
Anton Giulio Bragaglia
1911
Jupiter suckled by the goat Amalthea, Giulio Bonasone  Italian, Engraving
Giulio Bonasone
Giulio Romano
1531–76
The adoration of the shepherds, various figures surrounding the Christ Child in the centre, Giulio Bonasone  Italian, Engraving
Giulio Bonasone
Giulio Romano
1531–76
The adoration of the shepherds, various figures at night surround the Christ Child, Giulio Bonasone  Italian, Engraving
Giulio Bonasone
Giulio Romano
ca. 1550–60
The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist, Giulio Bonasone  Italian, Etching and engraving
Giulio Bonasone
Giulio Romano
ca. 1560
Virgin and Child seated beneath a tree, Giulio Bonasone  Italian, Engraving
Giulio Bonasone
Giulio Romano
ca. 1560
Father Time at the right leaning on a scythe, three naked boys and eagle at the left, Giulio Bonasone  Italian, Engraving
Giulio Bonasone
Giulio Romano
1531–76
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, Giulio Bonasone  Italian, Etching and Engraving
Giulio Bonasone
Giulio Romano
ca. 1550–60
The Bow, Anton Giulio Bragaglia  Italian, Gelatin silver print
Anton Giulio Bragaglia
1911
Un Gesto del Capo, Anton Giulio Bragaglia  Italian, Gelatin silver print
Anton Giulio Bragaglia
1911
The Typist, Anton Giulio Bragaglia  Italian, Gelatin silver print
Anton Giulio Bragaglia
1911
The Smoker--The Match--The Cigarette, Anton Giulio Bragaglia  Italian, Gelatin silver print
Anton Giulio Bragaglia
1911
Giovanni Caroto (1495?–1555), Veronese Painter, Giulio della Torre, Bronze, Italian
Giulio della Torre
16th century
Francesco Niconizio, Giulio della Torre, Bronze, Italian
Giulio della Torre
late 15th–mid-16th century
At left four shepherds with musical instruments seated under a group of trees; at right a hilly landscape with buildings, Giulio Campagnola  Italian, Engraving
Giulio Campagnola
Domenico Campagnola
ca. 1517
Jupiter Hurling a Thunderbolt, Giulio Romano  Italian, Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper
Giulio Romano
1530–37
Design for a Casket with the Gonzaga Eagle, Giulio Romano  Italian, Pen and brown ink, brush and brown wash, highlighted with traces of white gouache, over black chalk
Giulio Romano
ca. 1527–46
Design for a Candlestick, Giulio Romano  Italian, Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge
Giulio Romano
ca. 1530–46
Constantine defeating the tyrant Maxentius, angels carrying swords fly above, Giulio Bonasone  Italian, Engraving; second state of two
Multiple artists/makers
1544
Shield, Girolamo da Treviso  Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Girolamo da Treviso
ca. 1535
Multiple artists/makers
1860s–70s
Studies of a Seated Nude Male Figure, Giulio Cesare Procaccini  Italian, Black chalk on blue paper
Giulio Cesare Procaccini
ca. 1602–05
Giacomo Negroboni (da Valtrompia) of Brescia (d. 1527), Fra Giulio da Brescia, Wax on walnut (?), parchment, Italian, Venice
Fra Giulio da Brescia
probably 1527
Study for the Pietà, Giulio Cesare Procaccini  Italian, Charcoal, highlighted with white gouache, squared in charcoal, on blue paper
Giulio Cesare Procaccini
1604
Friezes after Giulio Romano, in Palazzo del Te, Antoinette Bouzonnet Stella  french, Etching
Multiple artists/makers
1675
Design for a Decorated Base of a Candlestick Holder, Giulio Romano  Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Giulio Romano
early 16th century
Design for a Decorated Base of a Candlestick Holder, Giulio Romano  Italian, Pen and brown ink, brush and brown wash. Design silhouetted
Giulio Romano
early 16th century
Design for Two Candlesticks with decorated Bases, Giulio Romano  Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Giulio Romano
early 16th century
Design for a Sculptural Frame Decorated with Angel Heads, Volutes and Leaves (for a Ceiling ?); Design for a Base Decorated with Angel Heads, Volutes and Leaves, Giulio Romano  Italian, Pen and brown ink, brush and brown wash over traces of leadpoint
Giulio Romano
early 16th century
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, Giulio Romano  Italian, Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache
Giulio Romano
n.d.
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head, Giulio Campi  Italian, Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache
Giulio Campi
1535–45