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1-42 of 459 results for Goya
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Department
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800
Goya, Roger Vivier French, leather, silk, metal, French
Goya
Designer Roger Vivier
Manufacturer René Caovilla
fall/winter 1986–87
Aquellarre, Goya, Ted Joans American, Cut and pasted printed paper and pricking on photo postcard (gelatin silver print)
Aquellarre, Goya
Ted Joans
1990
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
A City on a Rock, Goya Spanish, Oil on canvas
A City on a Rock
Style of Goya
Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas
Don Bernardo de Iriarte (1735–1814)
Copy after Goya
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Copy after Goya
María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas
María Luisa of Parma (1751–1819), Queen of Spain
Copy after Goya
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
Goya, Saul Chase American, Screenprint
Goya
Saul Chase
Printer Printed by Saul Chase
Publisher Published by Saul Chase
1977
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Portrait of Francisco Goya, from "The Portfolio", Louis Lucas French, Etching
Portrait of Francisco Goya, from "The Portfolio"
Etcher Louis Lucas
After Vicente López y Portaña
Sitter Goya (Francisco de Goya y Lucientes)
1879
Late Caprichos of Goya
Goya (Francisco de Goya y Lucientes)
Author Eleanor Sayre
Printer Emiliano Sorini
ca. 1824–28
The Disasters of War
Author Goya (Francisco de Goya y Lucientes)
1937
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes) Spanish, Etching
A False Bacchus Crowning Drunkards
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
Goya (Francisco de Goya y Lucientes)
1810
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816
Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin, burnisher
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
1810
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on laid paper
'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes)
1800–1804 (published 1828–67)
Still Life with Dead Hares, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
On loan to The Met
Still Life with Dead Hares
Goya (Francisco de Goya y Lucientes)
ca. 1808–12
Blind Singer, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin on laid paper
Blind Singer
Goya (Francisco de Goya y Lucientes)
Ca. 1824–28 (published second half of the 19th century)
A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush, bistre and wash, traces of red chalk
A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya (Francisco de Goya y Lucientes) Spanish, Lithograph
Bullfight in a divided ring, from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes)
Publisher Cyprien Charles Marie Nicolas Gaulon
1825
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
Goya (Francisco de Goya y Lucientes)
1799
Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burnished aquatint
Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)
Goya (Francisco de Goya y Lucientes)
1799
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Goya (Francisco de Goya y Lucientes)
1816