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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 31 results for Halaf

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Seated female, Ceramic, paint, Halaf — Seated female
Halaf
ca. 5600–5000 BCE

Stamp seal and modern impression: geometric pattern, Steatite or chlorite, Halaf — Stamp seal and modern impression: geometric pattern
Halaf
ca. 5600–5000 BCE

Sherd, Ceramic, Halaf — Sherd
Halaf
ca. 5000–4500 BCE

Sherd, Ceramic, Halaf — Sherd
Halaf
ca. 5000–4500 BCE

Sherd, Ceramic, paint, Halaf — Sherd
Halaf
ca. 5600–5000 BCE

Amulet, Limestone, Halaf — Amulet
Halaf
ca. 4200 BCE

Bowl fragment, Ceramic, Halaf — Bowl fragment
Halaf
ca. 5600–5000 BCE

Sherd, Ceramic, paint, Halaf — Sherd
Halaf
ca. 4500 BCE

Sherd, Ceramic, paint, Halaf — Sherd
Halaf
ca. 5600–5000 BCE

Virgin and Child, Master of the Female Half-Lengths Netherlandish, Oil on wood, Netherlandish — Virgin and Child
Master of the Female Half-Lengths
ca. 1525–50

Virgin and Child with Saint Joseph, Netherlandish Painter, second half of 16th century Netherlandish, Oil on oak panel — Virgin and Child with Saint Joseph
Netherlandish Painter, second half of 16th century
second half 16th century

Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer — Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
1550–1600

Flora, Anonymous, Italian, second half of the 16th century Italian, Engraving — Flora
Multiple artists/makers
ca. 1560–70

Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century Italian, Red chalk, highlighted with white gouache, on blue-green paper — Standing Bearded Man Holding a Book
Anonymous, Italian, second half of the 16th century
1530–60

Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper — Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Pellegrino Tibaldi
ca. 1540–70

Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and black ink with traces of metalpoint and red chalk — Frieze with Acanthus Rinceau with Grotesques
Anonymous, Italian, second half of the 16th century
16th century

Colonnade and Fountain with a Crowned Armorial Shield, Anonymous, Italian, second half of the 18th century Italian, Pen and dark brown ink with gray wash — Colonnade and Fountain with a Crowned Armorial Shield
Anonymous, Italian, second half of the 18th century
ca. 1750–1800

Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash, outlines partly pricked for transfer — Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
1550–1600

Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, Anonymous, Italian, second half of the 16th century Italian, Pen, brown ink and wash, highlighted with white, on blue paper — Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara
Anonymous, Italian, second half of the 16th century
1550–99

Drapery Study, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk — Drapery Study
Anonymous, Italian, Florentine, second half of the 16th century
17th century

State Baptism of a Child of Noble Blood, Anonymous, Italian, Florentine, second half of the 16th century Italian, Pen and brown ink, brush with brown and red wash, over red chalk and traces of black chalk; squared in black and red chalk — State Baptism of a Child of Noble Blood
Anonymous, Italian, Florentine, second half of the 16th century
ca. 1612

Two Male Figures in Half-Length Conversing, Anonymous, Italian, Bolognese, second half of the 16th century Italian, Red chalk — Two Male Figures in Half-Length Conversing
Anonymous, Italian, Bolognese, second half of the 16th century
late 16th century

Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso), Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk; some black chalk — Figure Studies; Landscape (recto); Copy after Antique Style Hercules Statue (verso)
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

Studies of Putti, Anonymous, Italian, Paduan, second half of the 15th century Italian, Pen and brown ink — Studies of Putti
Anonymous, Italian, Paduan, second half of the 15th century
1450–99

Design for a Chalice Surmounted by a Maltese Cross, Anonymous, Italian, Florentine, second half of the 16th century Italian, Red chalk and leadpoint — Design for a Chalice Surmounted by a Maltese Cross
Anonymous, Italian, Florentine, second half of the 16th century
1580–1620

Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues, traces of gold paint — Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s

Single Armorial Trophy marked by a Cuirass mounted on a Tree Trunk, plate 13 from "Libro de' Trofei"

Multiple artists/makers

ca. 1550–53

Anonymous, Italian, second half of the 18th century

1756

Scenes from the life of Jupiter, from Galerie du Palais Royal

Anonymous, Italian, second half of the 18th century

18th century

Anonymous, Italian, second half of the 16th century

Publius Virgilius Maro

1550–1600

Famous Men and Women from Classical and Biblical Antiquity, Barthelemy d'Eyck Netherlandish, Pen and brown ink, brush and watercolor of various hues — Famous Men and Women from Classical and Biblical Antiquity
Multiple artists/makers
1450s