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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,152 results for Ignacio María Barreda

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Portrait of Doña Juana María Romero (Retrato de doña Juana María Romero), Ignacio María Barreda Mexican, Oil on canvas (Óleo sobre lienzo), Mexican — Portrait of Doña Juana María Romero (Retrato de doña Juana María Romero)
Ignacio María Barreda
1794

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Saint Michael the Archangel, Ignacio de Ries Spanish, Oil on canvas — Saint Michael the Archangel
Ignacio de Ries
1640s

Julia Wainwright Robbins, Ignacio Zuloaga Spanish, Oil on canvas — Julia Wainwright Robbins
Ignacio Zuloaga
1923

Guitar, Ignacio Fleta Spanish, Spruce, rosewood, Spanish — Guitar
Ignacio Fleta
1953

The Gypsy Agustina: a Drawing Dedicated to "Señora de Kerrigan", Ignacio Zuloaga Spanish, Charcoal — The Gypsy Agustina: a Drawing Dedicated to "Señora de Kerrigan"
Ignacio Zuloaga
1920s

Victims of the Fiesta, Ignacio Zuloaga Spanish, Oil on canvas — Victims of the Fiesta
Ignacio Zuloaga
1923

Mountains of Calatayud, Ignacio Zuloaga Spanish, Oil on canvas — Mountains of Calatayud
Ignacio Zuloaga
1921

Alva B. Gimbel, Ignacio Zuloaga Spanish, Oil on canvas — Alva B. Gimbel
Ignacio Zuloaga
1925

Closed Geometry, María Berrío Colombian, Cut and pasted dyed Japanese papers, watercolor, plant matter, opaque watercolor, and graphite on canvas — Closed Geometry
María Berrío
2022

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

Bowl, Maria Martínez Native American, San Ildefonso Pueblo, Ceramic — Bowl
Maria Martínez
1914–15

Waistcoat, Anna Maria Garthwaite British, silk, wool, linen, metal, British — Waistcoat
Anna Maria Garthwaite
Peter Lekeux
1747

Ghosts and Obsessions, Dulce María Nuñez Mexican, Oil on wood — Ghosts and Obsessions
Dulce María Nuñez
1987

Madonna and Child, Giovanni Maria Morlaiter Italian, Terracotta, Italian, Venice — Madonna and Child
Giovanni Maria Morlaiter
mid-18th century

Portrait of Benedetto Pistrucci, Maria Elisa Pistrucci British, Sardonyx, British, probably London — Portrait of Benedetto Pistrucci
Maria Elisa Pistrucci
ca. 1850

Coral, Maria Judson Strean American, Watercolor on ivory, American — Coral
Maria Judson Strean
ca. 1923

Console table, Giuseppe Maria Bonzanigo, Carved, painted and gilded poplar wood; marble top, Italian, Turin — Console table
Giuseppe Maria Bonzanigo
Michelangelo Pergolesi
ca. 1782–92

Aladdin Vase, Maria Longworth Nichols American, Earthenware, American — Aladdin Vase
Maria Longworth Nichols
Rookwood Pottery Company
1880–83

Plate, Maria Longworth Nichols American, Painted and glazed earthenware, American — Plate
Maria Longworth Nichols
Rookwood Pottery Company
ca. 1880

Vase, Maria Longworth Nichols American, Earthenware, American — Vase
Maria Longworth Nichols
1880

Constitutionalist troops make the first distribution of land in Matamoros, 6 August 1913 (Las tropas constitucionalistas hacen el primer reparto de tierra en Matamoros, 6 de Agosto de 1913), Plate 76 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Constitutionalist troops make the first distribution of land in Matamoros, 6 August 1913 (Las tropas constitucionalistas hacen el primer reparto de tierra en Matamoros, 6 de Agosto de 1913), Plate 76 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Senator Belisario Dominguez protesting against the military uprising (El senador Belisario Dominguez protesta contra el cuartelazo,1913), Plate 78 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Senator Belisario Dominguez protesting against the military uprising (El senador Belisario Dominguez protesta contra el cuartelazo,1913), Plate 78 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The Constitutionalist army's entry into Mexico City on August 20, 1914 (La entrada del ejercito constitucionalista en la ciudad de Mexico, 20 de Agosto de 1914), Plate 90 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The Constitutionalist army's entry into Mexico City on August 20, 1914 (La entrada del ejercito constitucionalista en la ciudad de Mexico, 20 de Agosto de 1914), Plate 90 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The petroleum industry (La petroquimica nacional), Plate 138 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The petroleum industry (La petroquimica nacional), Plate 138 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The worker exterminating Trotsky and his followers who have destabilized the earth beneath him, Ignacio Aguirre Mexican, Lithograph — The worker exterminating Trotsky and his followers who have destabilized the earth beneath him
Ignacio Aguirre
ca. 1940

The first constitution (La primera constitucion), Plate 10 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The first constitution (La primera constitucion), Plate 10 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Morelos, the implacable (Morelos, El implacable), Plate 12 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Morelos, the implacable (Morelos, El implacable), Plate 12 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

La mesilla, Plate 26 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — La mesilla, Plate 26 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Emiliano Zapata taken prisoner in response to his fight for the rights of campesinos (Emiliano Zapata hecho prisionero en su lucha en favor de los campesinos, 1908), Plate 58 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Emiliano Zapata taken prisoner in response to his fight for the rights of campesinos (Emiliano Zapata hecho prisionero en su lucha en favor de los campesinos, 1908), Plate 58 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The people are sovereign (el pueblo es soberano), Plate 96 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The people are sovereign (el pueblo es soberano), Plate 96 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

President Lázaro Cárdenas receives the support of the Mexican people for his measures towards the country's progress (El presidente Lázaro Cárdenas recibe el apoyo del pueblo mexicano por sus medidas en favor del país), Plate 109 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — President Lázaro Cárdenas receives the support of the Mexican people for his measures towards the country's progress (El presidente Lázaro Cárdenas recibe el apoyo del pueblo mexicano por sus medidas en favor del país), Plate 109 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The sinking of the “Potrero del Llano” by the Nazis in May 1942 (El hundimiento del "Potrero del Llano" por los nazis, en mayo de 1942)), Plate 114 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The sinking of the “Potrero del Llano” by the Nazis in May 1942 (El hundimiento del "Potrero del Llano" por los nazis, en mayo de 1942)), Plate 114 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Plate 16: Emiliano Zapata taken prisoner because of his support for peasants, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 16: Emiliano Zapata taken prisoner because of his support for peasants, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 17: scene of prison and the death of malcontents from the north, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 17: scene of prison and the death of malcontents from the north, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 77: the sinking of the ship 'Potrero del Llano' by the Nazix on 13 May 1942, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 77: the sinking of the ship 'Potrero del Llano' by the Nazix on 13 May 1942, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 36: Venustiano Carranza addressing to rebel leaders, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 36: Venustiano Carranza addressing to rebel leaders, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 38: after capturing Matamoros the rebel (constitutionlist) troops distribute hacienda land to the peasantry , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 38: after capturing Matamoros the rebel (constitutionlist) troops distribute hacienda land to the peasantry , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947