日本語
寄付するメンバーシップチケット
私たちはこのページをできるだけ早く翻訳するために取り組んでいます。ご理解いただきありがとうございます。

Search for Art

Search Tips
1-42 of 617 results for Islamic miniatures
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Poet Hatifi
Calligraphy, illumination, and painting by Suzi
dated 904 AH/1498–99 CE
Masnavi of Jalal al-Din Rumi, Ink, opaque watercolor, and gold on paper; leather binding
dated 894 AH/1488–89 CE
Folio from a Kalila wa Dimna, Ink and opaque watercolor on paper
second quarter 16th century
"Two Old Men in Discussion Outside a Hut", Folio from the Davis Album, 'Ali Quli Jabbadar  Iranian, Ink, opaque watercolor, and gold on paper
Painting by 'Ali Quli Jabbadar
dated 1085 AH/1674–75 CE
"The White Horse Got Stuck to a Rock in Mount Vindhyachal", Folio from a Razmnama, 'Abd al-Rahim ibn Muhammad Bairam Khan Khan-i Khanan  Indian, Ink, opaque watercolor, and gold on paper
Patron 'Abd al-Rahim ibn Muhammad Bairam Khan Khan-i Khanan
1616–17
"Siyavush Displays his Skill at Polo before Afrasiyab," Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Author Abu'l Qasim Firdausi
Calligrapher Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili
Patron Commissioned by al-Hasan Qawam al-Daula wa'l-Din
dated 741 AH/1341 CE
"Haji Husain Bukhari", Folio from the Shah Jahan Album, Ink, opaque watercolor, and gold on paper
recto: early 19th century; verso: later copy of 16th century original
"Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Mir Sayyid 'Ali
ca. 1530–35
Painting of Alamgir Mosque, Unknown, Ink on ivory
Unknown
19th century
"The Assassination of Khusrau Parviz", Folio 742v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to 'Abd al-Samad
ca. 1535
Two Youths Romping, Ink, pencil, opaque watercolor, and gold on paper
late 16th century
"The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Author Abu'l Qasim Firdausi
Calligrapher Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili
Patron Commissioned by al-Hasan Qawam al-Daula wa'l-Din
dated 741 AH/1341 CE
"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Ja'far Baisunghuri
Author Nizami
835 AH/1431–32 CE
"Faramarz Encircled While Battling Bahman", Folio 475r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Aqa Mirak
ca. 1530–35
"Jahangir and his Father, Akbar", Folio from the Shah Jahan Album, Balachand, Ink, opaque watercolor, and gold on paper
Painting by Balachand
Calligrapher Mir 'Ali Haravi
verso: ca. 1630; recto: ca.1540–50
Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Ink, opaque watercolor, and gold on paper
Author Amir Khusrau Dihlavi
Attributed to Miskin
1597–98
"Faridun Embraces Manuchihr", Folio 59v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qadimi
Workshop director Sultan Muhammad
ca. 1525

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.