Results for "Itō Sekisui V" - The Metropolitan Museum of Art

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1-42 of 87 results for Itō Sekisui V

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Itō Sekisui V (2)

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Plate, Itō Sekisui V Japanese, Marblelized stoneware, Japan — Plate
Itō Sekisui V
2004

Large bowl with stripes, Itō Sekisui V Japanese, Marbleized stoneware (neriage), Japan — Large bowl with stripes
Itō Sekisui V
2016

Case (Inrō) with Head of Daruma, Lacquer, roiro, gold, silver, red hiramakie, takamakie, nashiji; Interior: nashiji and fundame, Japan — Case (Inrō) with Head of Daruma
Japan
19th century

Case (Inrō) with Design of Flowering Cherry Trees Beside Winding River (obverse); Maple Trees in Autumn (reverse), Lacquer, fundame, gold, silver, red and black hiramakie, takamakie; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Flowering Cherry Trees Beside Winding River (obverse); Maple Trees in Autumn (reverse)
Japan
19th century

Case (Inrō) with Design of Fireflies in Flight and Climbing on Stone Baskets and Reeds at the Shore, Lacquer, roiro, gold and coloured hiramakie, togidashi, nashiji, kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Fireflies in Flight and Climbing on Stone Baskets and Reeds at the Shore
Japan
19th century

White Clouds, Teshigahara Sōfū 勅使河原蒼風 Japanese, Framed shikishi (poetry card); ink on paper, Japan — White Clouds
Teshigahara Sōfū 勅使河原蒼風
1960s–1970s

Shrine of the Water God (Suijingū), Hiroshi Senju Japanese, Pair of six-panel folding screens; natural pigments on Japanese mulberry paper, Japan — Shrine of the Water God (Suijingū)
Hiroshi Senju
2015

Case (Inrō) with Design of Buildings in Mountain Landscape, Lacquer, fundame, gold, silver and black hiramakie, nashiji, togidashi and kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Buildings in Mountain Landscape
Japan
18th century

Case (Inrō) with Design of Flowering Wisteria on a Trellis, Lacquer, roiro, nashiji, gold hiramakie, raden, metal inlay; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Flowering Wisteria on a Trellis
Japan
17th–18th century

Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines, Konoe Nobuhiro Japanese, Six-panel folding screen; ink and color on gilt paper, Japan — Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines
Calligrapher Konoe Nobuhiro
Underpainting attributed to Hasegawa Sōya
early 17th century

Calligraphy, Yi Bang-eon Korean, Six-panel screen: ink on gold-leafed paper, Korea — Calligraphy
Yi Bang-eon
early 18th century

Case (Inrō) with Design of a Diagonal Bridge Seen among Clouds and Maple Branches (obverse); Rocks and Waves beneath Maple Trees and Clouds (reverse), Lacquer, roiro, gold and silver hiramakie, nashiji, togidashi and kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of a Diagonal Bridge Seen among Clouds and Maple Branches (obverse); Rocks and Waves beneath Maple Trees and Clouds (reverse)
Japan
18th century

Case (Inrō) with Design of Daruma (obverse); Panel with Inscription (reverse), Lacquer, roiro, black hiramakie, takamakie, incised, coloured pottery inlay; Interior: roiro and fundame, Japan — Case (Inrō) with Design of Daruma (obverse); Panel with Inscription (reverse)
Japan
19th century

Case (Inrō) with Landscape Design of Sumiyoshi Shrine, Kyūho Japanese, Gold maki-e with black lacquer<br/>Ojime: metal or lacquered bead<br/>Netsuke: ivory carved with design of chrysanthemum and waves, Japan — Case (Inrō) with Landscape Design of Sumiyoshi Shrine
Kyūho
ca. 1800

Invitation: New York 10 serigraphs by Peter Freudenthal, Peter Freudenthal Swedish, Silkscreen — Invitation: New York 10 serigraphs by Peter Freudenthal
Peter Freudenthal
Publisher Konst-Bibliofilen, Stockholm
1975

Case (Inrō) with Design of Dragonflies, Lacquer, roiro, gold and black hiramakie, ceramic, raden inlay; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Dragonflies
Japan
18th–19th century

Case (Inrō) with Design of Blossoming Cherry Tree, Lacquer, fundame, gold and silver hiramakie, nashiji, togidashi and kirigane; Interior: fundame and silver metal labels inside each case, Japan — Case (Inrō) with Design of Blossoming Cherry Tree
Japan
19th century

Case (Inrō) with Design of Screen (Tsuitate) with Wave Decoration and Inscriptions, Lacquer, brown lacquer, brown hiramakie, takamakie; Interior: roiro and fundame, Japan — Case (Inrō) with Design of Screen (Tsuitate) with Wave Decoration and Inscriptions
Japan
18th century

Case (Inrō) with Design of Chinese-Style Landscape with a Building (obverse); Waterfall with Cloud Bands (reverse), Lacquer, fundame, gold, silver and black hiramakie, takamakie, kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Chinese-Style Landscape with a Building (obverse); Waterfall with Cloud Bands (reverse)
Japan
19th century

Case (Inrō) with Design of Hawk Attacking Crane beside Rocks and Plants, Lacquer, roiro, nashiji, gold, silver and brown hiramakie, raden inlay; Interior: roiro, fundame & chinkinbori decoration, Japan — Case (Inrō) with Design of Hawk Attacking Crane beside Rocks and Plants
Japan
19th century

Zhuangmu Tang Ji, Han Tianheng Chinese, Stone, China — Zhuangmu Tang Ji
Han Tianheng
1979

Case (Inrō) with Design of Insects beside Flowering Autumn Grasses, Lacquer, roiro, gold and silver hiramakie, nashiji; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Insects beside Flowering Autumn Grasses
Japan
18th century

Case (Inrō) with Design of Butterflies in Flight above Flowering Clematis, Lacquer, roiro, nashiji, gold foil, aogai inlay; Interior: red lacquer, nashiji and fundame, Japan — Case (Inrō) with Design of Butterflies in Flight above Flowering Clematis
Japan
19th century

Case (Inrō) with Design of the Fifty-Three Stations of the Tokaidō, Lacquer, fundame, gold, silver and black hiramakie, takamakie and gold foil; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of the Fifty-Three Stations of the Tokaidō
Japan
19th century

Metal Inrō with Flower Medallions

, Inrō: four cases; mokume-gane (wood grain) mixed-metal laminate with gold and silver hiramaki-e; ojime: cloisonné bead with shippō pattern; netsuke: kagamibuta-type with chrysanthemums and butterfly; various metals, Japan — Metal Inrō with Flower Medallions
Japan
mid-19th century

Case (Inrō) with Design of Chrysanthemums (obverse); Chinese Characters for Long Life (reverse), Lacquer, nashiji, gold and silver hiramakie, kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Chrysanthemums (obverse); Chinese Characters for Long Life (reverse)
Japan
19th century

Red Friend, Lan Ying Chinese, Hanging scroll; ink and color on paper, China — Red Friend
Lan Ying
17th century

Inrō with Goose Flying across the Full Moon, Hara Yōyūsai Japanese, Lacquer, kinji, gold, silver, and black hiramaki-e, takamaki-e, and togidashi, Japan — Inrō with Goose Flying across the Full Moon
Hara Yōyūsai
After Kano Seisen’in
19th century

Page from Shi Zhu Zhai, Polychrome woodblock print; ink and color on paper, China — Page from Shi Zhu Zhai
China

“The names of things” haiku, Matsuo Bashō Japanese, Shikishi mounted as hanging scroll: ink on paper decorated with gold, Japan — “The names of things” haiku
Matsuo Bashō

Case (Inrō) with Design of Cherry Trees with a Shintō Shrine, Colored lacquer, and gold, silver, blue, and red togidashi on black lacquer, Japan — Case (Inrō) with Design of Cherry Trees with a Shintō Shrine
Japan
19th century

Case (Inrō) with Design of Tortoise Swimming above Water Weeds (obverse); Bamboo stems, Vines (reverse), Lacquer wood, roiro, imitated bamboo, gold, silver and coloured hiramakie, kirigane; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Tortoise Swimming above Water Weeds (obverse); Bamboo stems, Vines (reverse)
Japan
19th–20th century

Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū), Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū)
Ike no Taiga
1734

“The Mountain is Empty; A Pinecone Falls”, Zekkai Chūshin 絶海中津 Japanese, Hanging scroll; ink on paper, Japan — “The Mountain is Empty; A Pinecone Falls”
Zekkai Chūshin 絶海中津
late 14th century

Case (Inrō) with Design of Aoi Leaves and Plant beneath Partly Rolled-up Bamboo Blind, Lacquer, dark red, gold, red and silver hiramakie, raden inlay; Interior: roiro and fundame, Japan — Case (Inrō) with Design of Aoi Leaves and Plant beneath Partly Rolled-up Bamboo Blind
Japan
19th century

Zhuangmu Tang Zhiliu, Liu Yiwen Chinese, Stone, China — Zhuangmu Tang Zhiliu
Liu Yiwen
1980

Case (Inrō) with Design of Large Chrysanthemum Blossoms, Lacquer, red, hirame, gold, silver and black takamakie, raden inlay; Interior: red lacquer and fundame, Japan — Case (Inrō) with Design of Large Chrysanthemum Blossoms
Japan
19th century

Case (Inrō) with Design of Standing Cranes (obverse); Tortoises beside Stones (reverse), Ceramic, white ceramic ground, gold, black and red takamakie, nashiji; Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Standing Cranes (obverse); Tortoises beside Stones (reverse)
Japan
19th century

[Torii Gate at Lakeside], Adolf de Meyer American, born France, Gelatin silver print — [Torii Gate at Lakeside]
Adolf de Meyer
1900

Screens with Chinese Poems, Ryōkan Taigu Japanese, Pair of six-panel screens: ink on paper, Japan — Screens with Chinese Poems
Ryōkan Taigu
early 19th century

Rock and Waves, Maruyama Ōkyo 円山応挙 Japanese, Two-panel folding screen; ink and color on paper, Japan — Rock and Waves
Maruyama Ōkyo 円山応挙
dated 1773

Banko, a Chinese Sage, Yashima Gakutei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Banko, a Chinese Sage
Yashima Gakutei
19th century

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