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1-42 of 15,516 results for Italian, Cremona
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Object type / material
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"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona)
ex "Kurtz" Violin
Andrea Amati
ca. 1560
Violin, Nicolò Amati (Cremona 1596–1684 Cremona) Italian, Spruce, maple, Italian (Cremona)
Violin
Nicolò Amati (Cremona 1596–1684 Cremona)
1669
Relief section (one of a pair), Terracotta, Italian, Cremona
Relief section (one of a pair)
Italian, Cremona
early 16th century
Relief section (one of a pair), Terracotta, Italian, Cremona
Relief section (one of a pair)
Italian, Cremona
early 16th century
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Descent from the Cross, Girolamo da Cremona Italian, Tempera on parchment, laid down on wood
Descent from the Cross
Girolamo da Cremona
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Dish (tondino)
Italian
ca. 1530
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Pilgrim flask
Italian
ca. 1500–1525
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Tondo mirror frame
Italian, Siena
ca. 1490–1500
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Armor
Italian
ca. 1400–1450 and later
The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian
The Adoration of the Shepherds
Bartolo di Fredi
1374
Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian
Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
Tabernacle frame
del Tasso
ca. 1530
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions
Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian
Bassoon
Giosue Esposito
1881
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Guitar
Italian
ca. 1800
Virginal, Wood, parchment, ivory, paint, Italian
Virginal
Italian
1540
Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Guitar
Giacomo (Jacob) Ertel
late 17th century
Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Guitar
Matteo Sellas
ca. 1630–50
Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
Archlute
David Tecchler
ca. 1725
Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds.
Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95
Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?)
Candlestick with figures of caryatids and putti
Italian
19th century
Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian
Orpheus
Italian
early 16th century
Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto
Cassetta frame
Italian
16th century
Caneletto-style frame, Italian , Veneto, Poplar, Italian, Veneto
Caneletto-style frame
Italian
mid-18th century
Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto
Reverse Canaletto frame
Italian
ca. 1730
Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto
Cassetta Frame
Italian
mid-16th century
Canaletto Frame, Italian , Venice, Pine, Italian, Venice
Canaletto Frame
Italian
early 18th century
Cassetta frame, Italian , Lombard, Poplar and pine, Italian, Lombardy
Cassetta frame
Italian
ca. 1870, style early 17th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan
Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510
Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan
Burgonet
Filippo Negroli
dated 1543
Ewer (Brocca), Medici Porcelain Manufactory Italian, Soft-paste porcelain decorated in underglaze blue, Italian, Florence
Ewer (Brocca)
Medici Porcelain Manufactory
ca. 1575–87