Results for "Italian, Lombardy, probably Milan" - The Metropolitan Museum of Art

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1-42 of 18,615 results for Italian, Lombardy, probably Milan

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Adoration of the Shepherds, Basse-taille and painted enamel on silver; gilt-silver frame mounted with silver and partly enameled gold, and set with emeralds and pearls, Italian, Lombardy, probably Milan — Adoration of the Shepherds
Italian, Lombardy, probably Milan
late 15th century

Emperor Charles V (1500–1558), Basse-taille and painted enamel on silver; silver-gilt frame, Italian, Lombardy, probably Milan — Emperor Charles V (1500–1558)
Italian, Lombardy, probably Milan
probably ca. 1518–20

Crucifixion, Basse-taille and painted enamel on silver; enamel en ronde bosse on silver; silver gilt; rubies; pearls, Italian, Lombardy, probably Milan — Crucifixion
Italian, Lombardy, probably Milan
late 15th–early 16th century, with later additions

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
LIONARDO
ca. 1440

Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan — Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510

Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan — Burgonet
Filippo Negroli
dated 1543

Table ornament in the form of a monster, The Saracchi, Milan, Rock crystal, enameled gold mounts, set with diamonds and rubies, Italian, Milan — Table ornament in the form of a monster
The Saracchi, Milan
Alfred André
ca. 1575–1600, mounts with diamonds late 19th century

The Nativity, Silver, gilt silver, and niello, Italian, probably Lombardy — The Nativity
Italian, probably Lombardy
second half 15th century

Design for a Funeral Monument, Italian, Lombardy, Pen and ink in two shades of brown, brush and brown washes., Italian, Lombard — Design for a Funeral Monument
Italian, Lombardy
early 16th century

Snaffle Bit, Copper alloy (bronze), iron alloy, Italian, Lombardy — Snaffle Bit
Italian, Lombardy
4th–5th century

Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree with traces of enamel; gilt bronze, Italian, Lombardy — Pietà
Italian, Lombardy
probably late 15th or early 16th century

John the Baptist, Partially gilt copper, Italian, Lombardy — John the Baptist
Italian, Lombardy
late 15th century

Reinforcing Breastplate, Steel, silver, Italian, probably Milan — Reinforcing Breastplate
Italian, probably Milan
ca. 1625–30

Pair of Stirrups from a Horse Armor Made for a Member of the Collalto Family, Iron alloy, Italian, probably Milan — Pair of Stirrups from a Horse Armor Made for a Member of the Collalto Family
Italian, probably Milan
ca. 1560

Horse Armor Made for a Member of the Collalto Family, Steel, gold, leather, Italian, probably Milan — Horse Armor Made for a Member of the Collalto Family
Italian, probably Milan
ca. 1560 and later

Armor for Field and Tournament, Steel, gold, silver, leather, textile, Italian, probably Milan — Armor for Field and Tournament
Italian, probably Milan
ca. 1575–80

Armet with Matching Wrapper, Steel, leather, Italian, probably Milan — Armet with Matching Wrapper
Italian, probably Milan
ca. 1475

Barbute, Steel, Italian, probably Milan — Barbute
Italian, probably Milan
ca. 1475

Breastplate, Steel, Italian, probably Milan — Breastplate
Italian, probably Milan
ca. 1480

Burgonet all'Antica, Steel, gold, silver, Italian, probably Milan — Burgonet all'Antica
Italian, probably Milan
ca. 1535–45

Barbute with Hinged Nasal, Steel, Italian, probably Milan — Barbute with Hinged Nasal
Italian, probably Milan
ca. 1450

Casket, Wood, overlaid with iron plaques damascened with gold and silver, Italian, probably Milan — Casket
Italian, probably Milan
1545–47

Armor for Man and Horse, Steel, gold, leather, copper alloy, textile, Italian, probably Milan — Armor for Man and Horse
Italian, probably Milan
man's armor, ca. 1575 and later; horse armor, ca. 1560 and later

Armet, Steel, Italian, probably Milan — Armet
Italian, probably Milan
ca. 1450–60; rondel, stem, and aventail, later

Gauntlet for the Right Hand, Steel, Italian, probably Milan — Gauntlet for the Right Hand
Italian, probably Milan
ca. 1450–60

Breastplate from an Armor of Francesco Maria II della Rovere (1548–1631), Duke of Urbino, Steel, gold, Italian, probably Milan — Breastplate from an Armor of Francesco Maria II della Rovere (1548–1631), Duke of Urbino
Italian, probably Milan
ca. 1570

Tazza, Bloodstone, gold, and enamel., probably Italian, Milan — Tazza
probably Italian, Milan
ca. 1575–1625 with 19th century additions

Cassetta frame, Italy (Milan), Poplar, Italian, Milan — Cassetta frame
Italy (Milan)
ca. 1630

Adoration of the Shepherds and Adoration of the Magi, Basse-taille and painted enamel on silver; silver-gilt frame, Italian, Lombardy, Milan or Ferrara — Adoration of the Shepherds and Adoration of the Magi
Italian, Lombardy, Milan or Ferrara
probably ca. 1480–90, 19th century frame

Cassetta frame, Italian , Lombard, Poplar and pine, Italian, Lombardy — Cassetta frame
Italian
ca. 1870, style early 17th century

Nemoguće : celjust dialektike budilnik misterija ljudske glave društveni život u 1930, Milan Dedinac Serbian — Nemoguće : celjust dialektike budilnik misterija ljudske glave društveni život u 1930
Multiple artists/makers
1930

The Flagellation, Lombardy (?) , late 15th century, Point of the brush and brown and light gray ink, brown and grayish brown wash, over traces of black chalk, heightened with white (partly oxidized) — The Flagellation
Lombardy (?)
late 15th century

Battling Marine Deities, The Saracchi, Milan, Rock crystal, Italian, Milan — Battling Marine Deities
The Saracchi, Milan
1575–1600

Crucifix, The Saracchi, Milan, Rock crystal, gilt metal, Italian, Milan — Crucifix
The Saracchi, Milan
16th century

The Return of the Prodigal Son, Lombardy- The Veneto, Pen and brown ink, over traces of black chalk, Italian — The Return of the Prodigal Son
Lombardy- The Veneto
mid-16th century

Gauntlet for the Right Hand, Belonging to the Armor of Don Alonzo Pérez de Guzman el Bueno (1550–1619), Count of Niebla and Duke of Medina-Sidonia, Steel, silver, gold, textile, leather, Italian, Milan — Gauntlet for the Right Hand, Belonging to the Armor of Don Alonzo Pérez de Guzman el Bueno (1550–1619), Count of Niebla and Duke of Medina-Sidonia
Italian, Milan
ca. 1580

Rapier of Emperor Charles V (1500–1558), Francesco Negroli , and his brothers Italian, Steel, gold, silver, wood, Italian, Milan — Rapier of Emperor Charles V (1500–1558)
Francesco Negroli
ca. 1550–53

Helmet all'Antica, Filippo Negroli Italian, Steel, Italian, Milan — Helmet all'Antica
Filippo Negroli
ca. 1532–35

Armor of the Dukes of Alba, Lucio Piccinino Italian, Steel, gold, silver, Italian, Milan — Armor of the Dukes of Alba
Lucio Piccinino
ca. 1575–85

Close Helmet with Falling Buffe, Pompeo della Cesa Italian, Steel, gold, Italian, Milan — Close Helmet with Falling Buffe
Pompeo della Cesa
ca. 1590–95

Close Helmet, Pompeo della Cesa Italian, Steel, gold, brass, Italian, Milan — Close Helmet
Pompeo della Cesa
ca. 1585

Cabasset, Steel, gold, silver, Italian, Milan — Cabasset
Italian, Milan
ca. 1575–80

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