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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Italian, Lucca

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Virgin and Child, Francesco Marti, Gilt bronze and silver, Italian, Lucca — Virgin and Child
Francesco Marti
ca. 1500

Fragment, Wool and linen weave, Italian, Lucca — Fragment
Italian, Lucca
17th–18th century

Male saint, Francesco Marti, Gilt bronze, Italian, Lucca — Male saint
Francesco Marti
early 16th century

The Angel Gabriel, Masseo Civitali, Painted and partially gilt terracotta, Italian, Lucca — The Angel Gabriel
Masseo Civitali
ca. 1493

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Chasuble fragment, Silk and metal thread, linen wefts, Italian, possibly Lucca — Chasuble fragment
Italian, possibly Lucca
ca. 1400

One strip of yellow and green lampas silk; possibly originally part of a chasuble, Linen and silk, Italian, possibly Lucca — One strip of yellow and green lampas silk; possibly originally part of a chasuble
Italian, possibly Lucca
ca. 1450

One strip of yellow and green lampas silk; possibly originally part of a chasuble, Linen and silk, Italian, possibly Lucca — One strip of yellow and green lampas silk; possibly originally part of a chasuble
Italian, possibly Lucca
ca. 1450

Orphrey woven with figurative repeat design of seraphim with Virgin and Child and reversed IHS Christogram in glories, Silk and linen, Italian, possibly Lucca — Orphrey woven with figurative repeat design of seraphim with Virgin and Child and reversed IHS Christogram in glories
Italian, possibly Lucca
ca. 1450

One strip of yellow and red lampas silk; originally part of a chasuble, Silk and metal thread, Italian, possibly Lucca — One strip of yellow and red lampas silk; originally part of a chasuble
Italian, possibly Lucca
16th century

One strip of yellow and red lampas silk; originally part of a chasuble, Silk and metal thread, Italian, possibly Lucca — One strip of yellow and red lampas silk; originally part of a chasuble
Italian, possibly Lucca
16th century

Orphrey woven with figurative repeat design of seraphim with IHS Christogram in glories, Silk and linen, Italian, possibly Lucca — Orphrey woven with figurative repeat design of seraphim with IHS Christogram in glories
Italian, possibly Lucca
19th century

One strip of yellow and red lampas silk; originally part of a chasuble, Silk and linen, Italian, possibly Lucca — One strip of yellow and red lampas silk; originally part of a chasuble
Italian, possibly Lucca
16th century

One strip of yellow and red lampas silk; originally part of a chasuble, Silk and linen, Italian, possibly Lucca — One strip of yellow and red lampas silk; originally part of a chasuble
Italian, possibly Lucca
16th century

Orphrey woven with figurative repeat design of Christ as Man of Sorrows, Silk, linen and metal thread, Italian, possibly Lucca — Orphrey woven with figurative repeat design of Christ as Man of Sorrows
Italian, possibly Lucca
16th century

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Marriage chest (cassone), Poplar wood; painted and gilded gesso, Italian, Florence or Lucca — Marriage chest (cassone)
Italian, Florence or Lucca
ca. 1480–95

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armor, Steel, copper alloy, textile, leather, Italian — Armor
Italian
ca. 1400–1450 and later

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian — Archlute
David Tecchler
ca. 1725

Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian — Bassoon
Giosue Esposito
1881

Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian — Guitar
Italian
ca. 1800

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds. — Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95

Velvet panels from a chasuble, Silk and metal thread, Italian, probably Florence or Lucca — Velvet panels from a chasuble
Italian, probably Florence or Lucca
Late 15th century

Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto — Cassetta frame
Italian
16th century

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century