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More than 10,000 results for Italian, Padua or Venice

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Inkwell, Bronze, Italian, Padua or Venice — Inkwell
Italian, Padua or Venice
ca. 1500

Bell, Bronze, dark brown lacquer patina, Italian, Padua or Venice — Bell
Italian, Padua or Venice
16th century

Mercury, Master of the Roman Charity, Bronze, Italian, Padua or Venice — Mercury
Master of the Roman Charity
early 16th century

Triumph of Neptune, Alvise of Padua, Bronze, Italian, Venice — Triumph of Neptune
Alvise of Padua
ca. 1515–25

Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Striding Pan
Andrea Briosco, called Riccio
1530–1539

Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua — Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

The Assumption of the Virgin, Alvise of Padua, Bronze, Italian, Padua — The Assumption of the Virgin
Alvise of Padua
after a composition datable 1526

Triton and Nereid, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — Triton and Nereid
Andrea Briosco, called Riccio
after 1532–before ca. 1550

Bacchus discovering Ariadne on Naxos, Bronze, Italian, Padua — Bacchus discovering Ariadne on Naxos
Italian, Padua
15th century

David with the head of Goliath, Bartolomeo Bellano Italian, Bronze, later oil gilding, Italian, Padua — David with the head of Goliath
Bartolomeo Bellano
1470–80

The Entombment of Christ, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua — The Entombment of Christ
Andrea Briosco, called Riccio
probably early 16th century

Inkwell with three putti, Francesco Bertos Italian, Bronze, with remains of black lacquer, Italian, Padua — Inkwell with three putti
Francesco Bertos
probably 1738

Oil lamp in the form of a bearded athlete balanced on his knees, Agostino Zoppo Italian, Bronze, partially oil-gilt, Italian, Padua — Oil lamp in the form of a bearded athlete balanced on his knees
Agostino Zoppo
ca. 1520–30

Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua — Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century

Saint Francis Xavier with an angel holding a crucifix, Francesco Bertos Italian, Bronze, Italian, Padua — Saint Francis Xavier with an angel holding a crucifix
Francesco Bertos
ca. 1722

Saint Ignatius Loyola with an angel holding a book, Francesco Bertos Italian, Bronze, Italian, Padua — Saint Ignatius Loyola with an angel holding a book
Francesco Bertos
ca. 1722

Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice — Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495

Goblet, Glass, enameled and gilded, Italian, Venice, Murano — Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)

Renaissance-style mortar, Vincenzo Grandi , and, Bronze, with dark brown lacquer patina, Italian, Padua or Trent — Renaissance-style mortar
Vincenzo Grandi
Gian Gerolamo Grandi
19th century

Portrait medal of Battista Vigo da Rapallo or Baptista Romanus (obverse); a Hand Holding a Branch and a Surgical Instrument, Bronze (copper alloy with light brown<br/>patina and remnants of black wax or lacquer)., Italian, Venice or Padua (?) — Portrait medal of Battista Vigo da Rapallo or Baptista Romanus (obverse); a Hand Holding a Branch and a Surgical Instrument
Italian, Venice or Padua (?)
model ca. 1510 (later aftercast)

Ewer in the shape of a chimera, Bronze, Italian, Venice or Padua — Ewer in the shape of a chimera
Italian, Venice or Padua
first quarter 16th century

Inkwell, Bronze, dark lacquer patina, Italian, Venice or Padua — Inkwell
Italian, Venice or Padua
mid-16th century

Horse and rider startled by a snake, Bronze, Italian, Venice or Padua — Horse and rider startled by a snake
Italian, Venice or Padua
early 16th century

Sea monster, Severo Calzetta da Ravenna Italian, Bronze, probably Italian, Padua — Sea monster
Severo Calzetta da Ravenna
ca. 1500–1510

Ornament, Silver gilt and leather, Italian, possibly Padua — Ornament
Italian, possibly Padua
third quarter 15th century

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century

Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?) — Candlestick with figures of caryatids and putti
Italian
19th century

Goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Goblet
Italian (Venice)
late 16th century

Goblet, Colorless (slightly grayish) nonlead glass. Blown, pattern molded, trailed, enameled, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500

Goblet, Colorless (slightly gray) and transparent dark blue nonlead glass. Blown, pattern molded, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500

Covered bottle, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", applied, molded., Italian (Venice) — Covered bottle
Italian (Venice)
early 18th century

Jug, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Jug
Italian (Venice)
ca. 1500–1510

Bowl, Transparent dark blue nonlead glass. Blown, enamaled, gilt., Italian (Venice) — Bowl
Italian (Venice)
ca. 1500

Bowl, Colorless (slightly gray) and transparent bright green nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Bowl
Italian (Venice)
ca. 1500–1525

Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
late 17th or early 18th century

Plate, Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
probably late 17th century