Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Italian, Tuscan

Sort by:

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Triptych, Tuscany Tuscany, Poplar ?, Italian, Tuscan — Triptych
Tuscany
ca. 1385–90

Engaged diptych moldings, Tuscany Tuscany, Spruce, Italian, Tuscan — Engaged diptych moldings
Tuscany
ca. 1300–1325

Caricature of a Dwarf Painter at His Easel, Tuscany (?) Tuscany, Pen and brown ink, gray and brown wash, Italian, Tuscan(?) — Caricature of a Dwarf Painter at His Easel
Tuscany
early 17th century

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style late 16th century, made 19th century

Tabernacle Frame, Poplar and walnut, Italian, Tuscan — Tabernacle Frame
Italian, Tuscan
style 16th century, made ca. 1920

Tabernacle frame, Walnut, Italian, Tuscan — Tabernacle frame
Italian, Tuscan
style 16th century, made ca. 1920

(Pencil) Cup with Putti, Robert Lehman American, Brass, Italian, Tuscan — (Pencil) Cup with Putti
Robert Lehman
early 20th century

Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Madonna and Child
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Pietà, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Pietà
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

The Volto Santo of Lucca, Anonymous, Italian, Tuscan, 16th century Italian, Pen and dark brown ink, brush and brown wash, over traces of black chalk on light tan paper; squared in black chalk (with some corrections to squaring grid); framing lines in pen and dark brown ink apparently by artist — The Volto Santo of Lucca
Anonymous, Italian, Tuscan, 16th century
16th century

A Lion Confronting a Dragon, Anonymous, Italian, Tuscan, 16th century Italian, Pen and brown ink — A Lion Confronting a Dragon
Anonymous, Italian, Tuscan, 16th century
ca. 1500–10

Two Monks Looking up at a Dragon in a Tower, Anonymous, Italian, Tuscan, early 15th century Italian, Pen and brown ink, brush and brown wash, on vellum — Two Monks Looking up at a Dragon in a Tower
Anonymous, Italian, Tuscan, early 15th century
1500–1550

Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), Anonymous, Italian, Tuscan, late 15th century Italian, Pen and brown ink over leadpoint (recto); graphite (verso) — Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso)
Anonymous, Italian, Tuscan, late 15th century
ca. 1490

Panel from a triptych, Poplar. Gilt; orange bole., Tuscan — Panel from a triptych
Tuscan
1440s

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armor, Steel, copper alloy, textile, leather, Italian — Armor
Italian
ca. 1400–1450 and later

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian — Archlute
David Tecchler
ca. 1725

Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian — Bassoon
Giosue Esposito
1881

Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian — Guitar
Italian
ca. 1800

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds. — Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95

Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto — Cassetta frame
Italian
16th century

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century

Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto — Reverse Canaletto frame
Italian
ca. 1730

Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto — Cassetta Frame
Italian
mid-16th century