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More than 10,000 results for Italian, Val Sabbia

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Fragment, Needle lace, punto avorio, Italian, Val Sabbia — Fragment
Italian, Val Sabbia
19th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Fragment, Needle lace, punto avorio, Italian, Val Vogna — Fragment
Italian, Val Vogna
19th century

Fragment, Needle lace, punto avorio, Italian, Val Vogna — Fragment
Italian, Val Vogna
19th century

Fragment, Needle lace, punto avorio, Italian, Val Vogna — Fragment
Italian, Val Vogna
19th century

Fragment, Needle lace, punto avorio, Italian, Val Vogna — Fragment
Italian, Val Vogna
19th century

Fragment, Needle lace, punto avorio, Italian, Val Setis — Fragment
Italian, Val Setis
19th century

Watch, Jean Gaspard Du Val, Rock crystal, metal, enamel, silver, French — Watch
Jean Gaspard Du Val
ca. 1650

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Val Saint Lambert

late 20th century

Val Saint Lambert

late 20th century

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian — Sallet in the Shape of a Lion's Head
Italian
ca. 1475–80

Armor, Steel, copper alloy, textile, leather, Italian — Armor
Italian
ca. 1400–1450 and later

Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian — Tabernacle frame
del Tasso
ca. 1530

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Archlute, David Tecchler Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian — Archlute
David Tecchler
ca. 1725

Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian — Bassoon
Giosue Esposito
1881

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Rebecchino, Boxwood, rosewood, ebony, Italian — Rebecchino
Italian
ca. 1420

Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian — Guitar
Italian
ca. 1800

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds. — Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95

Virgin and Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence — Virgin and Child
Andrea della Robbia
ca. 1470–75

Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto — Reverse Canaletto frame
Italian
ca. 1730

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century

Cassetta frame, Italian , Lombard, Poplar and pine, Italian, Lombardy — Cassetta frame
Italian
ca. 1870, style early 17th century

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto — Cassetta Frame
Italian
mid-16th century

Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto — Cassetta frame
Italian
16th century

Caneletto-style frame, Italian , Veneto, Poplar, Italian, Veneto — Caneletto-style frame
Italian
mid-18th century

Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?) — Candlestick with figures of caryatids and putti
Italian
19th century

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)