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1-42 of 15,436 results for Italian, Varallo
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Object type / material
Geographic location
Department
Fragment, Needle lace, punto avorio, Italian, Varallo
Italian, Varallo
18th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Italian
ca. 1530
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Italian, Siena
ca. 1490–1500
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Multiple artists/makers
second half 16th century and second half 19th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Italian (Tuscan)
ca. 1500–1550
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
The Adoration of the Shepherds, Bartolo di Fredi  Italian, Tempera on poplar, gold ground, Italian
Bartolo di Fredi
1374
Portal from the Church of San Leonardo al Frigido, Biduinus  Italian, Marble (Carrara marble), Italian
Biduinus
ca. 1175
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano  Italian, Marble, Italian
Giovanni Pisano
ca. 1301, with later additions
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Italian
ca. 1800
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Matteo Sellas
ca. 1630–50
Archlute, David Tecchler  Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
David Tecchler
ca. 1725
Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled  gold and diamonds.
Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95
Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?)
Italian
19th century
Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian
Italian
early 16th century
Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto
Italian
16th century
Caneletto-style frame, Italian , Veneto, Poplar, Italian, Veneto
Italian
mid-18th century
Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto
Italian
ca. 1730
Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto
Italian
mid-16th century
Canaletto Frame, Italian , Venice, Pine, Italian, Venice
Italian
early 18th century
Cassetta frame, Italian , Lombard, Poplar and pine, Italian, Lombardy
Italian
ca. 1870, style early 17th century
Priest with Upraised Arms Wearing a Two-Horned Tiara, Antonio d'Enrico Tanzio (Tanzio da Varallo)  Italian, Red chalk on red-washed paper
Antonio d'Enrico Tanzio (Tanzio da Varallo)
1575–1633
Head of a Man, Antonio d'Enrico Tanzio (Tanzio da Varallo)  Italian, Red chalk
Antonio d'Enrico Tanzio (Tanzio da Varallo)
1575–1633
Studies for an Angel in Glory, Antonio d'Enrico Tanzio (Tanzio da Varallo)  Italian, Red chalk; main study squared for transfer
Antonio d'Enrico Tanzio (Tanzio da Varallo)
1595–1633
Landscape with Mountains, Antonio d'Enrico Tanzio (Tanzio da Varallo)  Italian, Red chalk, highlighted with white chalk, on pink prepared paper
Antonio d'Enrico Tanzio (Tanzio da Varallo)
n.d.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan
Italian, Milan
ca. 1510
Burgonet, Filippo Negroli  Italian, Steel, gold, textile, Italian, Milan
Filippo Negroli
dated 1543
Ewer (Brocca), Medici Porcelain Manufactory  Italian, Soft-paste porcelain decorated in underglaze blue, Italian, Florence
Medici Porcelain Manufactory
ca. 1575–87
Madonna and Child with Angels, Antonio Rossellino  Italian, Marble with gilt details on halo and dress, Italian, Florence
Antonio Rossellino
ca. 1455–60
Triton, Giambologna  Netherlandish, Bronze, Italian, Florence
Giambologna
1590s
Bedroom from the Sagredo Palace, Abbondio Stazio  Swiss, Wood, stucco, marble, glass, Italian, Venice
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later
Processional cross, Partly gilt silver, niello, and copper with traces of gilding, over wood, Italian, Florence
Italian, Florence
ca. 1460–80
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20