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More than 10,000 results for Italian, probably Venetian

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Drawing of a Parade Helmet, Colored chalk on paper, Italian, probably Venetian — Drawing of a Parade Helmet
Italian, probably Venetian
second half 16th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
LIONARDO
ca. 1440

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian
ca. 1700–1799

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass bead, Glass, Venetian — Glass bead
Venetian

Cassetta frame, Poplar or spruce. Fragments of canvas in rebate. Gilt; red-orange bole, blue sgrafitto., Venetian — Cassetta frame
Venetian
ca. 1500–1510

Madonna and Child with Saint Catherine of Siena and a Carthusian Donor, Italian, Lombard (probably Pavia) Italian, Lombard (probably Pavia), Tempera and gold on wood, Italian, Lombardy, probably Pavia — Madonna and Child with Saint Catherine of Siena and a Carthusian Donor
Italian, Lombard (probably Pavia)
ca. 1411–24

War Hat, Steel, copper alloy, probably Italian — War Hat
probably Italian
1450–1500

Saucer, Opaque glass, Italian, probably — Saucer
Italian, probably
18th century

Mantel, Marble, Italian, probably — Mantel
Italian, probably
1800–1830

Samson and the Lion, Bronze, with red-brown natural patina, remains of dark brown lacquer, probably Italian — Samson and the Lion
probably Italian
17th century

Alchemist and his Assistant, Hard-paste porcelain, probably Italian — Alchemist and his Assistant
probably Italian
ca. 1770–75

Cameo with the Head of a Satyr, Sardonyx with gold mount, probably Italian — Cameo with the Head of a Satyr
probably Italian
late 18th or early 19th century

Alexander the Great (?), Turquoise, enamel, gold, probably Italian — Alexander the Great (?)
probably Italian
ring: mid-16th century; cameo: early Hellenistic 4th century BCE

Laureate Head of Alexander I of Russia, Onyx, probably Italian — Laureate Head of Alexander I of Russia
probably Italian
ca. 1810–20

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Dizi, Jade, probably Chinese — Dizi
probably Chinese
late 18th–early 19th century

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence — Cassone (one of a pair)
Italian (Florentine?) Painter
second quarter 15th century

Glass mosaic bowl, Glass, Roman, probably Italian — Glass mosaic bowl
Roman, probably Italian
late 1st century BCE–early 1st century CE

Glass striped mosaic bowl, Glass, Roman, probably Italian — Glass striped mosaic bowl
Roman, probably Italian
late 1st century BCE–early 1st century CE

Ribbed mosaic glass bowl with base ring, Glass, Roman, probably Italian — Ribbed mosaic glass bowl with base ring
Roman, probably Italian
late 1st century BCE–early 1st century CE

Ribbed mosaic glass bowl, Glass, Roman, probably Italian — Ribbed mosaic glass bowl
Roman, probably Italian
late 1st century BCE–early 1st century CE

Glass mosaic bowl, Glass, Roman, probably Italian — Glass mosaic bowl
Roman, probably Italian
late 1st century BCE–early 1st century CE

Parrying Dagger with Scabbard , Steel, iron, leather, Italian, probably Naples — Parrying Dagger with Scabbard
Italian, probably Naples
ca. 1650–75