Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Italian or FlemishTook 88ms

Sort by:

Cuirass, Steel, gold, Italian or Flemish — Cuirass
Italian or Flemish
ca. 1490–1500

Italian or Flemish

ca. 1510–15

Cravat, Bobbin lace, Italian or Flemish — Cravat
Italian or Flemish
17th century

Fragment of Point de Milan lace, Bobbin lace, Milanese lace, Italian or Flemish — Fragment of Point de Milan lace
Italian or Flemish
17th–18th century

Border, Needle lace, Italian or Flemish — Border
Italian or Flemish
18th century

Cravat (one of a pair), Bobbin lace, Brussels bobbin lace, Italian or Flemish — Cravat (one of a pair)
Italian or Flemish
early 18th century

Cravat (one of a pair), Bobbin lace, Brussels bobbin lace, Italian or Flemish — Cravat (one of a pair)
Italian or Flemish
early 18th century

Piece, Bobbin lace, Italian or Flemish — Piece
Italian or Flemish
early 18th century

Border, Bobbin lace, Italian or Flemish — Border
Italian or Flemish
17th century

Fragment of Point de Milan lace, Bobbin lace, Milanese lace, Italian or Flemish — Fragment of Point de Milan lace
Italian or Flemish
17th–18th century

Close Helmet, Steel, leather, copper alloy, possibly Italian or Flemish — Close Helmet
possibly Italian or Flemish
ca. 1520 and 1908

Barbe, Bobbin lace, Northern Italian or Flemish — Barbe
Northern Italian or Flemish
late 17th century

Border, Needle lace, Italian or Flemish, Brussels — Border
Italian or Flemish, Brussels
18th century

Box for circumcision instruments, Leather (cuir bouilli), moulded and tooled, with traces of red polychromy and gilding, wooden carcass (conifer), painted interior, Northern Italian or Flemish — Box for circumcision instruments
Northern Italian or Flemish
1520–1530

Italian or Flemish

18th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Portrait of a Woman, Netherlandish or French Netherlandish or French, Oil on oak panel, Franco-Flemish — Portrait of a Woman
Netherlandish or French
ca. 1470–80

Adoration of the Magi, Flemish , first quarter of the sixteenth century, Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around., Flemish, Antwerp — Adoration of the Magi
Flemish
first quarter 16th century

Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

Double Virginal, Lodewijck Grouwels Flemish, active The Netherlands, Pine, spruce, paint, gilding, ivory, Flemish — Double Virginal
Lodewijck Grouwels
1600

Chair Seat Cushion, Italian or Spanish Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish — Chair Seat Cushion
Italian or Spanish
17th century

Relief from a Pulpit with the Symbol of Saint Luke, Master Christophanus or Stephanus , and his Workshop Italian, Limestone with lead, Italian — Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus
ca. 1180

Lidded saltcellar, Temne or Bullom artist(s), Ivory, Temne or Bullom — Lidded saltcellar
Temne or Bullom artist(s)
ca. 1490–1530

Tankard, Pewter, Flemish — Tankard
Flemish
18th century

Wild Man, Brass, Flemish — Wild Man
Flemish
16th century

Rosary bead, Boxwood, gilded silver, Flemish — Rosary bead
Flemish
ca. 1525–50

Man with a Mixing Bowl, Joseph Willems Flemish, Terracotta, Flemish — Man with a Mixing Bowl
Joseph Willems
1736

Allegory of Rout and Pillage, Dirck Vellert Netherlandish, Colorless glass, vitreous paint and silver stain, Flemish — Allegory of Rout and Pillage
Dirck Vellert
ca. 1520

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Powder Flask, Bronze, gold, wood, steel, French or Flemish — Powder Flask
French or Flemish
ca. 1560–80

Armet, Steel, pigment, British or Flemish — Armet
British or Flemish
ca. 1500–1510

Porringer, Pewter, Flemish or Dutch — Porringer
Flemish or Dutch
17th century

Hampatong (figure), Ngadju or Ot Danum artist, Wood, pigment, Ngadju or Ot Danum — Hampatong (figure)
Ngadju or Ot Danum artist
19th–early 20th century

Head of a Man, Flemish , mid-seventeenth century, Black and red chalk with traces of white heightening — Head of a Man
Flemish
mid-17th century

Scales, Iron, Flemish or Italian — Scales
Flemish or Italian
16th century

Piece, Bobbin lace, Flemish or Italian — Piece
Flemish or Italian
18th century

Strip, Bobbin lace, Flemish or Italian — Strip
Flemish or Italian
17th–18th century

Lappet, Bobbin lace, Flemish or Italian — Lappet
Flemish or Italian
17th century

Strip, Bobbin lace, Flemish or Italian — Strip
Flemish or Italian
18th century

Pair of candlesticks, Brass, Flemish or Italian — Pair of candlesticks
Flemish or Italian
17th century