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Inkwell, Bronze, dark lacquer patina, Italian, Venice or Padua
Italian, Venice or Padua
mid-16th century
Horse and rider startled by a snake, Bronze, Italian, Venice or Padua
Italian, Venice or Padua
early 16th century
Ewer in the shape of a chimera, Bronze, Italian, Venice or Padua
Italian, Venice or Padua
first quarter 16th century
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Triumph of Neptune, Alvise of Padua, Bronze, Italian, Venice
Manner of Alvise of Padua
ca. 1515–25
Ornament, Silver gilt and leather, Italian, possibly Padua
Italian, possibly Padua
third quarter 15th century
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Attributed to Matteo Sellas
ca. 1630–50
Inkwell with three putti, Francesco Bertos  Italian, Bronze, with remains of black lacquer, Italian, Padua
Francesco Bertos
probably 1738
Renaissance-style mortar, Vincenzo Grandi , and, Bronze, with dark brown lacquer patina, Italian, Padua or Trent
Style of the workshop of Vincenzo Grandi
Gian Gerolamo Grandi
19th century
Saint Daniel of Padua dragged by a horse before the Roman governor of Padua, Francesco Bertos  Italian, Bronze, Italian, Padua
Francesco Bertos
After a composition by Tiziano Aspetti
ca. 1740–50
Seated satyr with silvered eyes, Andrea Briosco, called Riccio  Italian, Bronze, silver inlay (eyes), Italian, Padua
Andrea Briosco, called Riccio
second quarter of the 16th century
Triton and Nereid, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Possibly workshop of Andrea Briosco, called Riccio
after 1532–before ca. 1550
Torah crown (keter), Andrea Zambelli "L'Honnesta"  Italian, Silver, parcel gilt, Italian, Venice
Silversmith Andrea Zambelli "L'Honnesta"
ca. 1740–50
Sea monster, Severo Calzetta da Ravenna  Italian, Bronze, probably Italian, Padua
Workshop of Severo Calzetta da Ravenna
ca. 1500–1510
Pair of Torah finials (rimonim), Andrea Zambelli "L'Honnesta"  Italian, Parcel-gilt silver, Italian, Venice
Silversmith Andrea Zambelli "L'Honnesta"
ca. 1740–50
Medal:  Girolamo Savorgnan or Savorniano, Fra Antonio da Brescia, Bronze, Italian, Venice
Fra Antonio da Brescia
model before 1514 (cast 19th century)
Ewer or cruet, Painted enamel on copper, partly gilt, Italian, Venice
Italian, Venice
late 15th or early 16th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
Possibly French
1499–1514
Tommaso Rangoni 1493-1577, professor in Padua, physician in Venice, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Bronze, Italian, Venice
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
1562
Incense burner, Bronze, Northern Italian, probably Padua
Northern Italian, probably Padua
ca. 1530–40
Leather box, Incised, tooled and stamped leather (cuir bouilli), Italian, Venice
Italian, Venice
ca. 1490
A Young Warrior, Tullio Lombardo , and workshop Italian, White marble, Italian, Venice
Tullio Lombardo
1490s
Juno and the peacock, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Bronze, Italian, Venice
After a model by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
late 16th century
Sibyl, Agostino Zoppo  Italian, Bronze, Italian, Padua
Agostino Zoppo
mid-16th century
Seated youth with a lamp in the form of a snail shell, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Possibly workshop of Andrea Briosco, called Riccio
possibly late 16th–early 17th century
Francesco Bocchetta, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Marble, Italian, Venice
Workshop of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90
Combat at a City Gate, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
early 16th century
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona)  Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
Virgin and child, Niccolò Roccatagliata  Italian, Bronze, Italian, Venice
Niccolò Roccatagliata
early 17th century
Toad, Bronze, Italian, Padua
Italian, Padua
possibly 16th century
Toad with a Young Toad on its Back, Bronze, Italian, Padua
Italian, Padua
possibly 16th century
Oil Lamp in the Form of a Sphinx, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Probably workshop of Andrea Briosco, called Riccio
mid-16th century
Bell, Bronze, dark brown lacquer patina, Italian, Padua or Venice
Italian, Padua or Venice
16th century
Mercury, Master of the Roman Charity, Bronze, Italian, Padua or Venice
Master of the Roman Charity
early 16th century
Inkwell, Bronze, Italian, Padua or Venice
Italian, Padua or Venice
ca. 1500
Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice
Italian, possibly Venice
late 17th century
Desk (Secretary), Pine; carved, painted, gilded, and varnished linden wood decorated with colored decoupage prints; mirror glass; the inside of the fall front lined with silk not original to the secretary, Italian, Venice
Italian, Venice
ca. 1730–35