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1-42 of 336 results for Italian, probably Tuscany
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Altar enframement, Marble, Italian, probably Tuscany
Italian, probably Tuscany
ca. 1530–50
Apothecary jar (orciuolo), Maiolica (tin-glazed earthenware), Italian, probably Tuscany
Italian, probably Tuscany
second half 15th century
Armorial Jug (vaso), Maiolica (tin-glazed earthenware), Italian, probably Tuscany (?)
Italian, probably Tuscany (?)
probably ca. 1480
Jug (boccale), Maiolica (tin-glazed earthenware), Italian, probably Tuscany or Umbria
Italian, probably Tuscany or Umbria
late 14th or early 15th century
36 Medallions, Silver gilt and basse-taille enamel on silver, Italian, probably Siena
Italian, probably Siena
second half 15th century
Monstrance, Gilt copper, silver, niello, and glass, Italian, probably Florence
Italian, probably Florence
third quarter 16th century
Panel of velvet, Silk and metal thread, Italian, probably Florence
Italian, probably Florence
second half 16th century
Reliquary monstrance of St. John the Baptist, C. C., Silver gilt, Italian, probably Florence
Base by C. C.
ca. 1640, with 18th century additions
Jupiter, Benvenuto Cellini  Italian, Bronze, Italian, probably Florence
Modeler After a model by Benvenuto Cellini
Probably cast by Pietro da Barga
late 16th century
Bacchus and a Panther, Bronze, Italian, probably Florence
Italian, probably Florence
16th–17th century
Hercules and the Erymanthian boar, Giambologna  Netherlandish, Bronze, with red-brown lacquer patina, Italian, probably Florence
After a model by Giambologna
Late 17th or 18th century
The Throne of Grace, Or nué embroidery of silk and metal thread, Italian, probably Florence
Italian, probably Florence
mid-15th century
The Birth of John the Baptist, Benozzo Gozzoli (Benozzo di Lese di Sandro)  Italian, Or nué embroidery of silk and metal thread, Italian, probably Florence
Designer Design attributed to Benozzo Gozzoli (Benozzo di Lese di Sandro)
1460–80
Casket, Wood, probably Italian, Tuscany
probably Italian, Tuscany
first half 16th century
Seated Figure (Prophet or Apostle), Master of Santa Maria la Bianca  Italian, Marble (Carrara marble) with lead and serpentine inlay, Italian
Attributed to the Master of Santa Maria la Bianca
ca. 1200
Fragment of a Figure, Marble (Carrara marble), Italian
Italian
ca. 1225
Holy-water Font, Guglielmus  Italian, Marble (Carrara marble), Italian
Follower of Guglielmus
ca. 1160–65
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Italian (Florentine?) Painter
second quarter 15th century
Cassone (one of a pair), Italian (Florentine?) Painter , second quarter 15th century Italian, Tempera on lindenwood, molded and gilt ornament, Italian, probably Florence
Italian (Florentine?) Painter
second quarter 15th century
Virgin Mary (probably), Mino da Fiesole (Mino di Giovanni)  Italian, Stucco, polychromed, Italian, Florence or Rome
After a composition by Mino da Fiesole (Mino di Giovanni)
late 15th century
Apothecary Jar (albarello), Maiolica (tin-glazed earthenware), Italian, probably Florence or vicinity
Italian, probably Florence or vicinity
ca. 1470–90
Apothecary Jar (orciuolo), Maiolica (tin-glazed earthenware), Italian, probably Florence or vicinity
Italian, probably Florence or vicinity
ca. 1480–1520
Bowl with Lucretia Bella, Maiolica (tin-glazed earthenware), Italian, Tuscany (probably Montelupo)
Italian, Tuscany (probably Montelupo)
ca. 1480–1500
Column, Red limestone (Broccato Rosso di Verona), North Italian
North Italian
ca. 1400
Column, Red limestone (Broccato Rosso di Verona), North Italian
North Italian
ca. 1400
Dalmatic, Silk, metallic, probably Italian
probably Italian
1740–60
Double flask, Glass, probably Italian
probably Italian
probably 19th century
Flask, Glass, pewter, probably Italian
probably Italian
18th century
Rearing horse, Bronze, probably Italian
probably Italian
19th or early 20th century
Boy with a barrel, Bronze, black lacquer patina, probably Italian
probably Italian
16th century (?)
Boy with a barrel, Bronze, black lacquer patina, probably Italian
probably Italian
16th century (?)
Marsyas, Bronze, mounted on an ancient architectural fragment, probably Italian
probably Italian
19th century, cast after a 15th century composition
Cameo of Hercules set in ring, 18k gold, chalcedony cameo, probably Italian
probably Italian
cameo: probably late 18th century
Monumental vase, Pierre Philippe Thomire  French, Russian malachite, composite filling material; gilt-bronze mounts; bronze pedestal, probably Italian, Florence and French, Paris
Pedestal and mounts by Pierre Philippe Thomire
lapidary work: early 19th century; pedestal and mounts: 1819
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Italian, probably Florence
late 15th century
Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence
Italian, probably Florence
late 15th century
Portrait of a gentleman, Relief: pigmented wax, black glass, seed pearls, gilding;  frame: glass, gilded and black wood, Italian, probably Florence
Italian, probably Florence
1565–85
Lioness, Bronze, red-brown lacquer patina, probably Northern Italian
probably Northern Italian
16th century
Door knocker, Iron, Italian, probably Siena
Italian, probably Siena
late 15th–early 16th century
Mount with grotesque masks, Bronze, Italian, probably Florence
Italian, probably Florence
mid-17th century
Virgin and Child, Gilt bronze, probably Italian, Florence
probably Italian, Florence
late 15th century

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