丹铎神庙将于4月26日（星期日）至5月8日（星期五）关闭。大都会艺术博物馆第五大道馆将于5月4日（星期一）关闭。

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1-42 of 17,414 results for Japan (Ainu)
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Robe, appliquéd and embroidered elm fiber, Japan (Ainu)
Robe
Japan (Ainu)
19th century
Robe, Cotton, Japan (Ainu)
Robe
Japan (Ainu)
19th century
Robe (Ainu)
Japan (Ainu)
19th century
Kazo, Wood, Japanese (Ainu)
Kazo
Japanese (Ainu)
19th century
Tonkari (トンコリ), Wood, Japanese (Ainu)
Tonkari (トンコリ)
Japanese (Ainu)
late 19th century
Wind Instrument, Wood, Japanese (possibly Ainu)
Wind Instrument
Japanese (possibly Ainu)
19th century
Knife
Japanese, Ainu
ca. 1615–1868
Knife
Japanese, Ainu
ca. 1615–1868
Knife
Japanese, Ainu
late 19th–early 20th century
Bow with Quiver and Arrow
Japanese, Ainu
probably late 18th–early 19th century
Belt
Japanese, Ainu
19th century
Mukkuri
Japanese (Ainu)
19th century
Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Small Dish (Kozara) with Three Jars
Japan
1680–90s
Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan
Old Plum
Kano Sansetsu
1646
The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan
The Bodhisattva Jizō
Intan
1291
Covered Vessel (Futamono) with Plum Tree, Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type, Japan
Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century
Robe (Kosode) with Shells and Sea Grasses , Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan

Robe (Kosode) with Shells and Sea Grasses

Japan
early 17th century
Zaō Gongen, Gilt bronze with incised decoration, Japan
Zaō Gongen
Japan
11th century
Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan
Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570
Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan
Rough Waves
Ogata Kōrin
ca. 1704–9
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) , Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai
ca. 1830–32
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century
Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan
Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766
Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan
Female Shinto Deity
Japan
ca. mid-11th–mid-12th century
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century
Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383
Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan
Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century
”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan
”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century
Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan
Robe (Kosode) with Floral Roundels
Japan
ca. 1670s
Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan
Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century
The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
The Thirty-Six Poetic Immortals
Studio of Kano Takanobu
Konoe Nobutada
early 17th century
Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan
Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61
Koto (箏), Metalwork by Goto Teijo, 9th generation Goto master, Japan Japanese, Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,, Japanese
Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan
Gotō Yūjō
early 17th century
Teapot in Melon Shape, Thome , New York, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Kakiemon type); American mount, Japan
Teapot in Melon Shape
Thome
late 17th century
Eboshi (a court hat), Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan
Eboshi (a court hat)
Totoya Hokkei
New Year’s Sake and Sushi, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper; kokonotsugiriban, Japan
New Year’s Sake and Sushi
Ryūryūkyo Shinsai
ca. 1810
Cock and dog, Totoya Hokkei (?) Japanese, Woodblock print (surimono); ink and color on paper, Japan
Cock and dog
Totoya Hokkei
probably 1814
Two Courtesans, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Two Courtesans
Ryūryūkyo Shinsai
Sake Cups for a New Year’s Toast, Ryūryūkyo Shinsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Sake Cups for a New Year’s Toast
Ryūryūkyo Shinsai
ca. 1820
Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki), Stoneware with white slip and iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe Yashichida type), Japan
Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki)
Japan
early 17th century