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More than 10,000 results for Japan (Ehime)

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Piece of Bedcloth Fabric (Futon), Cotton, Japan (Ehime) — Piece of Bedcloth Fabric (Futon)
Japan (Ehime)
19th century

Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan — Small Dish (Kozara) with Three Jars
Japan
1680–90s

Covered Vessel (Futamono) with Plum Tree, Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type, Japan — Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century

Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan — Old Plum
Kano Sansetsu
1646

The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan — The Bodhisattva Jizō
Intan
1291

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan — Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766

Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan — Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century

Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan — Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570

Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan — Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century

Robe (Kosode) with Shells and Sea Grasses
, Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan — Robe (Kosode) with Shells and Sea Grasses
Japan
early 17th century

Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan — Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383

Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan — Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century

”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan — ”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century

Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan — Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61

The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan — The Thirty-Six Poetic Immortals
Studio of Kano Takanobu
Konoe Nobutada
early 17th century

Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan — Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century

Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan — Robe (Kosode) with Floral Roundels
Japan
ca. 1670s

Zaō Gongen, Gilt bronze with incised decoration, Japan — Zaō Gongen
Japan
11th century

Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan — Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709

Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan — Rough Waves
Ogata Kōrin
ca. 1704–9

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan — Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century

Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan — Female Shinto Deity
Japan
ca. mid-11th–mid-12th century

Koto (箏), Metalwork by Goto Teijo, 9th generation Goto master, Japan Japanese, Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,, Japanese — Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan
Gotō Yūjō
early 17th century

Storage Case (Karabitsu), Wood with layers of black and red lacquer (Negoro ware); gilt-bronze fittings, Japan — Storage Case (Karabitsu)
Japan
1422

Sake vessel (Heishi), Wood with layers of black and red lacquer (Negoro ware), Japan — Sake vessel (Heishi)
Japan
late 16th century

Pair of Negoro Lacquer Candlesticks, Wood with layers of black and red lacquer (Negoro ware), Japan — Pair of Negoro Lacquer Candlesticks
Japan
late 16th century

Saddle (Kura) with Stylized Flowers, Saddle: Gold maki-e with black lacquer decoration:<br/>Pommel: lacquered wood with gold and silver takamaki-e and hiramaki-e on black ground; seat: nashiji (“pear-skin” ground), Japan — Saddle (Kura) with Stylized Flowers
Japan
Saddle: Muromachi period (1392–1573), dated 1491 (Entoku 3); lacquer decoration: Edo period (1615–1868), 17th century

Tea Cup and Saucer, Shakudo (copper alloy) and gold, Japan — Tea Cup and Saucer
Japan
dated 1731

Fan-Shaped Dish, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Japan — Fan-Shaped Dish
Japan
early 18th century

Teapot with Landscape, Olfert Dapper Dutch, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Japan — Teapot with Landscape
Olfert Dapper
early 18th century

Large Storage Jar (Ōtsubo), Stoneware with natural ash glaze (Shigaraki ware), Japan — Large Storage Jar (Ōtsubo)
Japan
late 15th century

Head of a Clay Tomb Sculpture (Haniwa)
, Earthenware with painted, incised, and applied decoration, Japan — Head of a Clay Tomb Sculpture (Haniwa)
Japan
5th–early 6th century

Head of a Warrior Clay Tomb Sculpture (Haniwa)

, Earthenware with incised and applied decoration, Japan — Head of a Warrior Clay Tomb Sculpture (Haniwa)
Japan
6th century

Finial of a Buddhist Monk’s Staff (Shakujō), Bronze, Japan — Finial of a Buddhist Monk’s Staff (Shakujō)
Japan

Dish with Bamboo Leaves
, Ogata Kenzan (?) Japanese, Stoneware painted with cream slip, cobalt blue, and iron brown under transparent glaze; gold lacquer repairs, Japan — Dish with Bamboo Leaves
Ogata Kenzan
18th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

Over Robe (Uchikake) with Mount Hōrai, Figured satin-weave silk (rinzu) with paste-resist dyeing, stencil-dyed dots, and silk- and gold-thread embroidery, Japan — Over Robe (Uchikake) with Mount Hōrai
Japan
late 18th century–first half 19th century

Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki), Stoneware with white slip and iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe Yashichida type), Japan — Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki)
Japan
early 17th century

Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki), Stoneware with white slip and iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe Yashichida type), Japan — Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki)
Japan
early 17th century