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More than 10,000 results for Japan (Shiga)

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Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Ramie, Japan (Shiga) — Piece
Japan (Shiga)
19th century

The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan — The Bodhisattva Jizō
Intan
1291

Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan — Small Dish (Kozara) with Three Jars
Japan
1680–90s

Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan — Old Plum
Kano Sansetsu
1646

Covered Vessel (Futamono) with Plum Tree, Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type, Japan — Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century

Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan — Rough Waves
Ogata Kōrin
ca. 1704–9

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan — Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century

Robe (Kosode) with Shells and Sea Grasses
, Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan — Robe (Kosode) with Shells and Sea Grasses
Japan
early 17th century

Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan — Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century

Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan — Female Shinto Deity
Japan
ca. mid-11th–mid-12th century

Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan — Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383

Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan — Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century

Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan — Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709

Zaō Gongen, Gilt bronze with incised decoration, Japan — Zaō Gongen
Japan
11th century

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan — Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766

Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan — Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570

The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan — The Thirty-Six Poetic Immortals
Studio of Kano Takanobu
Konoe Nobutada
early 17th century

Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan — Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century

”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan — ”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century

Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan — Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61

Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan — Robe (Kosode) with Floral Roundels
Japan
ca. 1670s

Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan — Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century

Koto (箏), Metalwork by Goto Teijo, 9th generation Goto master, Japan Japanese, Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,, Japanese — Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan
Gotō Yūjō
early 17th century

Amida, the Buddha of Limitless Light, Wood with lacquer, gold leaf, and color, Japan — Amida, the Buddha of Limitless Light
Japan
ca. 1250

Jizō, the Bodhisattva of the Earth Store, Wood with lacquer, gold leaf, cut gold leaf (kirikane), and color, Japan — Jizō, the Bodhisattva of the Earth Store
Japan
late 12th–mid-13th century

Finial of a Buddhist Monk’s Staff (Shakujō), Bronze, Japan — Finial of a Buddhist Monk’s Staff (Shakujō)
Japan

Jūichimen Kannon, the Bodhisattva of Compassion with Eleven Heads (Avalokiteshvara), Wood with lacquer, gold leaf, and metal decoration, Japan — Jūichimen Kannon, the Bodhisattva of Compassion with Eleven Heads (Avalokiteshvara)
Japan
mid- to late 14th century

Deep Pot (Fuka-bachi), Earthenware with cord-marked and incised decoration, Japan — Deep Pot (Fuka-bachi)
Japan

Nigatsudō Burned Sutra, Unidentified artist, Hanging scroll; silver pigment on indigo-dyed paper, Japan — Nigatsudō Burned Sutra
Unidentified artist
ca. 744

Dish with Bamboo Leaves
, Ogata Kenzan (?) Japanese, Stoneware painted with cream slip, cobalt blue, and iron brown under transparent glaze; gold lacquer repairs, Japan — Dish with Bamboo Leaves
Ogata Kenzan
18th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

Over Robe (Uchikake) with Mount Hōrai, Figured satin-weave silk (rinzu) with paste-resist dyeing, stencil-dyed dots, and silk- and gold-thread embroidery, Japan — Over Robe (Uchikake) with Mount Hōrai
Japan
late 18th century–first half 19th century

Bugaku Dances (front); Chinese Lions (reverse), Hanabusa Itchō Japanese, Pair of six-panel screens; ink, color, and gold leaf on paper, Japan — Bugaku Dances (front); Chinese Lions (reverse)
Hanabusa Itchō
early 18th century

Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type), Japan — 織部扇面形手鉢
Japan
early 17th century

Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki), Stoneware with white slip and iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe Yashichida type), Japan — Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki)
Japan
early 17th century

Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki), Stoneware with white slip and iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe Yashichida type), Japan — Set of Six Side Dishes (Mukōzuke) for Tea Gathering Meal (Cha-kaiseki)
Japan
early 17th century