Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Japan (Shiga)

Sort by:

Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Ramie, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

Piece, Hemp, Japan (Shiga) — Piece
Japan (Shiga)
19th century

The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan — The Bodhisattva Jizō
Intan
1291

Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan — Old Plum
Kano Sansetsu
1646

Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan — Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century

Zaō Gongen, Gilt bronze with incised decoration, Japan — Zaō Gongen
Japan
11th century

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
, Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan — Female Shinto Deity
Japan
ca. mid-11th–mid-12th century

Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan — Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570

Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan — Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan — Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century

Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan — Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century

Dish with Three Jars, Porcelain with underglaze blue and overglaze polychrome enamels (Hizen ware, Nabeshima type), Japan — Dish with Three Jars
Japan
1680–90s

Robe (Kosode) with Shells and Sea Grasses
, Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan — Robe (Kosode) with Shells and Sea Grasses
Japan
early 17th century

Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan — Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan — Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766

Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan — Rough Waves
Ogata Kōrin
ca. 1704–9

Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan — Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century

Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan — Robe (Kosode) with Floral Roundels
Japan
ca. 1670s

Covered Vessel (Futamono) with Plum Tree, Stoneware with iron and copper green overglaze decoration (Mino ware, Oribe type), Japan — Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century

Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan — Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century

Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan — Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61

”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan — ”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century

The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan — The Thirty-Six Poetic Immortals
Studio of Kano Takanobu
Konoe Nobutada
early 17th century

Saltcellar, Blown pattern-molded lead glass, Japan — Saltcellar
Japan
1780–1825

Dainichi, the Cosmic Buddha (Mahavairocana), Wood with lacquer and gold leaf, Japan — Dainichi, the Cosmic Buddha (Mahavairocana)
Japan
12th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

One from set of five squared food vessels (mukōzuke) for tea-gathering meal, Stoneware with iron-oxide and copper green overglaze decoration (Mino ware, Yashichida Oribe type), Japan — One from set of five squared food vessels (mukōzuke) for tea-gathering meal
Japan
early 17th century

Tobatsu Bishamonten, Zelkova wood with traces of color, Japan — Tobatsu Bishamonten
Japan
late 10th–early 11th century

Attendant Bodhisattva Kannon, Wood with lacquer, gold paint, gold leaf, and inlaid crystal, Japan — Attendant Bodhisattva Kannon
Japan
late 12th–13th century

Attendant Bodhisattva Seishi, Wood with lacquer, gold paint, gold leaf, and inlaid crystal, Japan — Attendant Bodhisattva Seishi
Japan
late 12th–13th century

Clog-shaped tea bowl (kutsu-gata chawan) with plum blossoms and geometric patterns, Stoneware with iron-oxide decoration (Mino ware, Black Oribe type), Japan — Clog-shaped tea bowl (kutsu-gata chawan) with plum blossoms and geometric patterns
Japan
early 17th century

Ewer with Figures in Landscape, Adrian Brandt (Delft, 1660), Porcelain painted with cobalt blue under transparent glaze (Hizen ware), Japan — Ewer with Figures in Landscape
Adrian Brandt
ca. 1660

Tureen with Landscape, Porcelain painted with cobalt blue under transparent glaze (Hizen ware; Kakiemon type), Japan — Tureen with Landscape
Japan
late 17th century

Teapot with Landscape, Olfert Dapper Dutch, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Japan — Teapot with Landscape
Olfert Dapper
early 18th century

Plate Depicting Lady with a Parasol, Cornelis Pronk Dutch, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Japan — Plate Depicting Lady with a Parasol
Cornelis Pronk
ca. 1734–37