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37 results for Jean Hey (called Master of Moulins)
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Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel
Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490
The Virgin Annunciate, Jean Guillaumet French, White limestone with traces of polychromy, French, Bourbon
The Virgin Annunciate
Jean Guillaumet
Designer probably after design by Jean Hey (called Master of Moulins)
ca. 1500
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
Designer Designed and possibly engraved by Jean Berain
ca. 1685
Hours of Francis I, Master of François de Rohan French, Illuminated manuscript on parchment, bound in leather with gilt, French, Paris or Tours
Hours of Francis I
Master of François de Rohan
1539–40
Side chair (one of a pair), Jean-Jacques Pothier, Carved and gilded beech, silk moire upholstery, French
Side chair (one of a pair)
Jean-Jacques Pothier
ca. 1775
Side chair (one of a pair), Jean-Jacques Pothier, Carved and gilded beech, silk moire upholstery, French
Side chair (one of a pair)
Jean-Jacques Pothier
ca. 1775
Side chair (one of a pair), Jean-Baptiste III Lelarge French, Carved and gilded beechwood, French, Paris
Side chair (one of a pair)
Jean-Baptiste III Lelarge
ca. 1775–80
Side chair (one of a pair), Jean-Baptiste III Lelarge French, Carved and gilded beechwood, French, Paris
Side chair (one of a pair)
Jean-Baptiste III Lelarge
ca. 1775–80
The Brioche, Edouard Manet French, Oil on canvas
The Brioche
Edouard Manet
1870
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Designer Designed by Jacopo [Giacomo] Barozzi da Vignola
Marble piers carved by Guglielmo della Porta
Pietre Dure top attributed to Giovanni Mynardo (Jean Ménard)
ca. 1565–73
Mantel clock with musical movement, Jean-Baptiste-André Furet French, Case: gilded and lacquered bronze and marble; Movement (in bust): brass and steel with enameled hour and minute chapter rings (in head); Miniature organ with pipes and bellows (in base): brass, steel, and leather, French, Paris
Mantel clock with musical movement
Clockmaker: Jean-Baptiste-André Furet
ca. 1784
Armchair (Fauteuil à la reine) (one of a pair) (part of a set), Georges Jacob French, Carved and gilded walnut; embroidered silk satin, French, Paris
Armchair (Fauteuil à la reine) (one of a pair) (part of a set)
Georges Jacob
Possibly embroidered by Joseph-François-Xavier Baudoin
ca. 1780–85
Watch, Pierre Duhamel Swiss, Case: painted enamel on gold; Movement: gilded brass and steel, partly blued, Swiss, Geneva
Watch
Watchmaker: Pierre Duhamel
Case maker: perhaps Pierre Huaud, père
ca. 1660–80
Saltimbanque in Profile, Pablo Picasso Spanish, Essence on paper board
Saltimbanque in Profile
Pablo Picasso
1905
Watch in the form of a human skull, Isaac Penard Swiss, Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel, Swiss, Geneva
Watch in the form of a human skull
Watchmaker: Isaac Penard
Casemaker: probably the Firm of Moulinié, Bautte & Moynier
case ca. 1810–20, movement ca. 1650
Double plank figure with raised arms, Tellem or Dogon blacksmith, Wood, applied organic materials, Dogon or Tellem peoples (?)
Double plank figure with raised arms
Tellem or Dogon blacksmith
16th–19th century
Half-Length Study of a Monk Holding a Book and a Long Implement, Bernardo Strozzi Italian, Black chalk, highlighted with white chalk on blue-gray paper
Half-Length Study of a Monk Holding a Book and a Long Implement
Bernardo Strozzi
ca. 1637–40
Hunter-case pocket watch, Firm of Vacheron and Constantin Swiss, Case: gold; Dial: white enamel with gold hands; Movement: brass and steel, Swiss, Geneva
Hunter-case pocket watch
Watchmaker: Firm of Vacheron and Constantin
Partnership of Jacques Barthélémi Vacheron
and François Constantin
ca. 1844
Allegory in Honor of Cardinal Richelieu, Charles Le Brun French, Black chalk, traces of stumping, brush and black and gray wash; contours incised for transfer
Allegory in Honor of Cardinal Richelieu
Charles Le Brun
1641
Mantel clock (pendule de chiminée), Paul Gudin Le Jeune French, Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel, French, Paris with German, Meissen and French, Vincennes case
Mantel clock (pendule de chiminée)
Clockmaker: Paul Gudin Le Jeune
Manufactory Figure group by Meissen Manufactory
Manufactory Flowers by Vincennes Manufactory
clock ca. 1750, figures decorated ca. 1737/38
Wall clock (cartel), Etienne LeNoir French, Case: soft-paste porcelain and partly gilded brass; Dial: white enamel; Movement: brass and steel, French, Paris with French, Chantilly case
Wall clock (cartel)
Clockmaker: Etienne LeNoir
Manufactory Case by Chantilly
ca. 1735–40
Watch, Nicolaus Rugendas the Younger , master 1662 German, Case and dial: painted and raised enamel on gold, set with gemstones (rubies), with a single hand; Movement: gilded brass and partly blued steel, German, Augsburg
Watch
Watchmaker: Nicolaus Rugendas the Younger
ca. 1670
Temperance, Giovanni Caccini Italian, Marble, Italian, Florence
Temperance
Giovanni Caccini
After a model by Giambologna
1583–84
Tea Leaves, William McGregor Paxton American, Oil on canvas, American
Tea Leaves
William McGregor Paxton
1909
The Elephant from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
The Elephant from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Violin and Lute Players from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
Violin and Lute Players from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Writing table (bureau plat), Jean-François Leleu, Oak, veneered with mahogany, sycamore and holly; gilt bronze, leather, French
Writing table (bureau plat)
Jean-François Leleu
ca. 1780
The Offering to Bacchus (from a set of five Berain Grotesques), Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
The Offering to Bacchus (from a set of five Berain Grotesques)
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
The Offering to Pan from a set of the Berain Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-22 warps per inch, 8-9 per cm.), French, Beauvais
The Offering to Pan from a set of the Berain Grotesques
Multiple artists/makers
designed ca. 1685–89; woven late 17th–early 18th century
Musicians and Dancers from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
Musicians and Dancers from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Annunciation, Niccolò Roccatagliata Italian, Bronze, Italian, Venice
Annunciation
Workshop of Niccolò Roccatagliata
early 17th century
Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice
Venus Marina
After a composition by Girolamo Campagna
late 16th century–early 17th century
The Washerwomen (Les Laveuses), Jean-Baptiste Le Prince French, Etching and aquatint printed in brown ink
The Washerwomen (Les Laveuses)
Jean-Baptiste Le Prince
1771
"Incubus", Simon Costin, a) silver, copper, glass, baroque pearls and human sperm; b) paper, laminate, silk, British
"Incubus"
Designer Simon Costin
1987
Commode, Jean François Cuvilliés the Elder German, born Belgian, Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top, German, Munich
Commode
Designer Design attributed to Jean François Cuvilliés the Elder
Construction attributed to Johann Michael Schmidt
Carving attributed to Joachim Dietrich
ca. 1735–40
Louis XV, Tournai Belgian, Soft-paste porcelain, Belgian, Tournai
Louis XV
Factory Tournai
ca. 1756