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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 95 results for John Loring
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Semina Two
Wallace Berman
December 1957
Window
John Loring
1970
Silver Dogs
John Loring
1972
Two Boys
John Loring
1972
Three Windows
John Loring
1970
Three Windows
John Loring
1970
T-Shirt
John Loring
1972
Evening dress
Yves Saint Laurent
ca. 1968
Clock
Dubuc
1815–20
The Holy Family with Saint John the Baptist
Nicolas Poussin
ca. 1627
Charles Loring Elliott
Seymour Joseph Guy
1868
Saint Catherine of Siena Exchanging Her Heart with Christ
Giovanni di Paolo (Giovanni di Paolo di Grazia)
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1867)
The Crucifixion
Paolo Uccello (Paolo di Dono)
probably mid-1450s
Rancho La Brea 1849 - Park La Brea 1949
Loring Gary Calkins
1949
The Declaration of Independence, July 4, 1776
Waterman Lilly Ormsby
1876
Catalogues of the New York Etching Club Exhibition at the National Academy of Design
New York Etching Club
1884–89
Villa Residences and Farm Architecture
John Starforth
1855
A Picture of St. Petersburg, Represented in A Collection of Twenty interesting Views of the City, the Sledges and the People
Matthew Dubourg
1815
The Mystic Marriage of Saint Catherine of Siena
Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Ridotto Pubblico at Palazzo Dandolo
Francesco Guardi
ca. 1765–68
Arch with Beasts
French
ca. 1150–75
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
February 11, 1812
Horsley's House at Willesley
Sir Francis Seymour Haden
1865
Pair of Minbar Doors
ca. 1325–30
[Landscape, Pride's Crossing]
Samuel Masury
ca. 1856
In Need of Rest, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
LaToya M. Hobbs
2023
The Lightworker / The Empath / "The Manifestor," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Deborah Grayson
2022
Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Karen J. Revis
2022
"When Called Upon / Gathering in the Wake," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Stephanie Santana
2023
Lesson 1: the weeds / Lesson 2: seeds / Lesson 3: puncture, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Althea Murphy-Price
2023
"not your great, great grandmother’s fairytale: page one" / "not your great, great grandmother’s fairytale: page two" / "not your great, great grandmother’s fairytale: page three," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Tanekeya Word
2023
Clemens Röseler
T. Lux Feininger
ca. 1928
Lore: What We Were Told / What We Saw / What We Tell Ourselves
Karen J. Revis
2022–23
Field and Mill at Osny, 1885
Camille Pissarro
1885
Chestnut Vendor, St. Martin's Market, Pontoise
Camille Pissarro
1881
Impressions of Rain, Rouen
Camille Pissarro
1883
Cabin of the Customs Watch
Claude Monet
1882
The Virgin Adoring the Child with the Infant Saint John the Baptist
Jacopo di Arcangelo (called Jacopo del Sellaio)
late 1480s
Portrait medal of Cecilia Gonzaga (obverse); Innocence and a Unicorn in a Moonlit Landscape (reverse)
Pisanello (Antonio Pisano)
model 1447 (old aftercast)