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Department
An Inquiry into the Origin and Early History of Engraving. Vols. I-II
Author William Young Ottley
Publisher John and Arthur Arch
1816
Theory on the Classification of Beauty and Deformity, and Their Correspondence with Physiognomonic Expression, Exemplified in Various Works of Art, and Natural Objects
Author Mary Anne Schimmelpenninck
Illustrator William Henry Brooke
Publisher John and Arthur Arch
1815
Architectural Antiquities of Normandy, Vols. I-II
Multiple artists/makers
1822
The Diving Bell, Used at the Thames Tunnel after the Irruption of Water on the 18th of May, 1827, Rotherhithe Church in the Distance
Multiple artists/makers
1832
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor, John Flaxman British, Illustrations: line engraving
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
Multiple artists/makers
1805
Ulysses at the Table of Circe (The Odyssey of Homer), John Flaxman British, Line engraving
Ulysses at the Table of Circe (The Odyssey of Homer)
Multiple artists/makers
1805
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod, John Flaxman British, Illustrations: line engraving and stipple engraving (Hesiod only)
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
Multiple artists/makers
1795–1817
Picturesque Views on the Southern Coast of England
Multiple artists/makers
1826
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
Multiple artists/makers
1807
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Multiple artists/makers
1807
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. I
Author William Young Ottley
Publisher John and Arthur Arch
Printer J. M'Creery
1816
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. II
Author William Young Ottley
Publisher John and Arthur Arch
Printer J. M'Creery
1816
Vitruvius Britannicus: History of Hatfield House: Illustrated by Plans, Elevations, And Internal Views of the Apartments, From Actual Measurement
Multiple artists/makers
1833
The Club; in a Dialogue between Father and Son
Multiple artists/makers
1817
Picturesque Views on the Southern Coast of England
Multiple artists/makers
1826
Vitruvius Britannicus. History of Hardwicke Hall: illustrated by plans, elevations, and internal views of the apartments from actual measurements (part III of V);
Multiple artists/makers
1833 and 1835
Provincial Antiquities and Picturesque Scenery of Scotland
Multiple artists/makers
1826
Picturesque Views on the Southern Coast of England
Multiple artists/makers
1826
St. Andrews. The Pends, Hill and Adamson British, Scottish, Salted paper print from paper negative
St. Andrews. The Pends
Photography Studio Hill and Adamson
David Octavius Hill
Robert Adamson
1843–47
Cathedral Rock, La Jolla, Near San Diego, California, No. 6118, Detroit Publishing Company American, Commercial color lithograph
Cathedral Rock, La Jolla, Near San Diego, California, No. 6118
Publisher Detroit Publishing Company
1899
Edinburgh. Greyfriars' Churchyard, Hill and Adamson British, Scottish, Salted paper print from paper negative
Edinburgh. Greyfriars' Churchyard
Photography Studio Hill and Adamson
David Octavius Hill
Robert Adamson
1843–47
Two Apostles, Pot-metal glass, white glass, and silver stain, French
Two Apostles
French
ca. 1320–35
Saints Peter and Paul in a vestibule, Rombout Eynhoudts Dutch, Etching
Saints Peter and Paul in a vestibule
Rombout Eynhoudts
After Peter Paul Rubens
ca. 1630–80
Kirkstall Abbey. Doorway on the North Side, Joseph Cundall British, Albumen silver print
Kirkstall Abbey. Doorway on the North Side
Joseph Cundall
Philip Henry Delamotte
1850s
A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below), Jan Goeree Dutch, Red chalk, pen and black and brown ink, brush and gray wash
A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below)
Jan Goeree
before 1704
Marius in the ruins of Carthage, from 'News of the day,' published in Le Charivari, August 7, 1867, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Marius in the ruins of Carthage, from 'News of the day,' published in Le Charivari, August 7, 1867
Honoré Daumier
August 7, 1867
Tropical Scenery, Natural Arch, Cupica Bay, John Moran American, born England, Albumen silver print from glass negative
Tropical Scenery, Natural Arch, Cupica Bay
John Moran
1871
Under the Arch of the Bridge (Sous l'Arche du Pont), from "L'Estampe Originale", William Nicholson British, Color lithograph; printed in black with touches of blue
Under the Arch of the Bridge (Sous l'Arche du Pont), from "L'Estampe Originale"
William Nicholson
Publisher André Marty
October–December 1894
Two Conscripts, Célestin Nanteuil French, Lithograph on chine collé
Two Conscripts
Célestin Nanteuil
Printer Bertauts, P. Cadet, Paris
ca. 1830–70
Central Park, Transverse Road No. 2, E. P. American, Pen and ink, brown wash and watercolor
Central Park, Transverse Road No. 2
E. P.
1870
Tom Mix in The Lucky Horseshoe from Western Stars -- Special Sets Exhibits series (W414), Exhibit Supply Company American, Commercial color photolithograph
Tom Mix in The Lucky Horseshoe from Western Stars -- Special Sets Exhibits series (W414)
Publisher Exhibit Supply Company
ca. 1925
Saints Thomas and James the Lesser, from The Apostles, Israhel van Meckenem German, Engraving
Saints Thomas and James the Lesser, from The Apostles
Israhel van Meckenem
n.d.
[Stereographic View of Grant Bridge, Central Park, New York], Various, American American, Albumen silver prints
[Stereographic View of Grant Bridge, Central Park, New York]
Various, American
1850s–1910s
Washington Arch, John Sloan American, Etching
Washington Arch
John Sloan
1923
Saints Matthias and Thomas, Bartolomeo Bulgarini Italian, Tempera on wood, gold ground
Saints Matthias and Thomas
Bartolomeo Bulgarini
ca. 1350
Easby Abbey. The Refectory, Joseph Cundall British, Albumen silver print
Easby Abbey. The Refectory
Joseph Cundall
Philip Henry Delamotte
1850s
Half of an Arch [Arcus Lutii Septimi], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles", Lambert Suavius Netherlandish, Etching
Half of an Arch [Arcus Lutii Septimi], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"
Lambert Suavius
After a print previously attributed to the Monogrammist G.A. with the Caltrop
Publisher Gerard de Jode
1554
[26 Stereographic Views of Huddlestone, Central Park, New York], Various, American American, Albumen silver prints
[26 Stereographic Views of Huddlestone, Central Park, New York]
Various, American
1850s–1910s
Doorway, Temple Church (Frontispiece), Thomas Shotter Boys British, Lithograph, hand-colored
Doorway, Temple Church (Frontispiece)
Thomas Shotter Boys
Printer Charles Joseph Hullmandel
Publisher Thomas Boys
1842
The Manneporte (Etretat), Claude Monet French, Oil on canvas
The Manneporte (Etretat)
Claude Monet
1883
Infernal Rock, Chincha Islands, Unknown, Albumen silver print from glass negative
Infernal Rock, Chincha Islands
Unknown
Possibly by John Moran
ca. 1870
Landscape with Bridge, Anne Claude Philippe de Tubières, comte de Caylus French, Engraving
Landscape with Bridge
Anne Claude Philippe de Tubières, comte de Caylus
After Domenichino (Domenico Zampieri)
18th century

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