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Showing 18 results for Jugyoku

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Netsuke of Fish on Bamboo Leaves, Jugyoku, Stippled ivory, Japan — Netsuke of Fish on Bamboo Leaves
Jugyoku
late 19th century

Wave, Monden Kōgyoku Japanese, Timber bamboo, Japan — Wave
Monden Kōgyoku
1981

Sometsuke Sencha Teapot and Cups, Yamada Hōgyoku 山田抱玉 Japanese, Blue-colored woodblock print (aizuri-e); ink and color on paper; fan print (uchiwa-e) on horizontal aiban sheet, Japan — Sometsuke Sencha Teapot and Cups
Yamada Hōgyoku 山田抱玉
1830s

Case (Inrō) with Design of Momotarō and Dog on the way to the Island of the Devils (obverse); Monkey with Pheasant (reverse), Kogyoku Tokayo Japanese, Lacquer with sprinkled, polished, and relief makie gold and silver, metal inlay; Interior: gyobu nashiji and fundame; Netsuke: Eight masks, Japan — Case (Inrō) with Design of Momotarō and Dog on the way to the Island of the Devils (obverse); Monkey with Pheasant (reverse)
Kogyoku Tokayo
19th century

Inrō Imitating an Old Chinese Ink Cake, Kanō Jukkyoku Japanese, Four cases; lacquered wood with black and brown takamaki-e, togidashimaki-e<br/>Netsuke: carved red lacquer with chrysanthemum design<br/>Ojime: carved nut, Japan — Inrō Imitating an Old Chinese Ink Cake
Kanō Jukkyoku
18th century

Buddhist Maxim on the Saving Power of Amida, Gukyoku Reisai Japanese, Pair of hanging scrolls; ink on paper, Japan — Buddhist Maxim on the Saving Power of Amida
Gukyoku Reisai
first half 15th century

Kigyoku Picture Album (Kigyoku gafu) 其玉画譜, Seizei Kigyoku 其玉 Japanese, Woodblock printed book; ink and color on paper, Japan — Kigyoku Picture Album (Kigyoku gafu) 其玉画譜
Seizei Kigyoku 其玉
1901, fourth month (Meiji 34)

Various Designs for the Chiseller (Chōkō Shitae Shinajina), Togyoku, and others Japanese, Ink on paper, pasted into a bound volume, Japanese — Various Designs for the Chiseller (Chōkō Shitae Shinajina)
Togyoku, and others
dated 1867

Gyoku-kashi Eimo Preparing Calligraphy Offerings, Torii Kiyonaga Japanese, Woodblock print; ink and color on paper, Japan — Gyoku-kashi Eimo Preparing Calligraphy Offerings
Torii Kiyonaga
ca. 1782

The Hell Courtesan, Utagawa Kunisada II Japanese, Hanging scroll; ink and color on silk, Japan — The Hell Courtesan
Utagawa Kunisada II
late 1850s

Collaborative Painting of Sixteen Arhats, Suzuki Hyakunen 鈴木百年 Japanese, Hanging scroll; ink and color on satin, Japan — Collaborative Painting of Sixteen Arhats
Multiple artists/makers
late 1870s–early 1880s

Two actors, from the series Musical Program of True Love (Ongyoku hiyoku no bangumi) 音曲比翼の番組, Kitagawa Utamaro 喜多川歌麿 Japanese, Woodblock print (nishiki-e); ink and color on pape, Japan — Two actors, from the series Musical Program of True Love (Ongyoku hiyoku no bangumi) 音曲比翼の番組
Kitagawa Utamaro 喜多川歌麿
ca. 1800 (Kansei 12)

An account of what was seen and heard at the opening of the Port of Yokohama

Gyoku Ransai Hashimoto

ca. 1900 (?)

Writing Box (Suzuribako) with Hell Courtesan’s Robe, Lacquered wood with gold, silver, iroko (color) takamaki-e, hiramaki-e on black ground, Japan — Writing Box (Suzuribako) with Hell Courtesan’s Robe
Japan
ca. 1850–70

Rikiya and Konami, from the series A Program with Music about Loving Couples (Ongyoku hiyoku no bangumi), Kitagawa Utamaro Japanese, Woodblock print; ink and color on paper, Japan — Rikiya and Konami, from the series A Program with Music about Loving Couples (Ongyoku hiyoku no bangumi)
Kitagawa Utamaro
1798

Buffalo and Herdsman, Kawanabe Kyōsai 河鍋暁斎 Japanese, Album leaf; ink and color on silk, Japan — Buffalo and Herdsman
Kawanabe Kyōsai 河鍋暁斎
ca. 1887

The Hell Courtesan, Seikei Japanese, Hanging scroll; ink and color on silk, Japan — The Hell Courtesan
Seikei
late 19th century

“Enjoying the Evening Cool near Lord Nabeshima’s Warehouses” (Fūryū Nabeshima yūsuzumi), Jukakudō Masakuni 壽鶴堂政国 Japanese, Pentaptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban, Japan — “Enjoying the Evening Cool near Lord Nabeshima’s Warehouses” (Fūryū Nabeshima yūsuzumi)
Multiple artists/makers
ca. 1825