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Showing 5,039 results for Leonardo Drew

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Untitled, Leonardo Drew American, Mixed media (painted wood, paper, assorted fabric pieces, loose textile and wooden fibers, threads and cords, feathers) — Untitled
Leonardo Drew
1994

Number 24, Leonardo Drew American, Wood, rusted and patinated iron and cotton waste — Number 24
Leonardo Drew
1992

Number 1A, Leonardo Drew American, Asphaltum, oil paint, and black porous point pen on joined papers — Number 1A
Leonardo Drew
1999

Number 2A, Leonardo Drew American, Asphaltum, oil paint, and black porous point pen on joined papers — Number 2A
Leonardo Drew
1999

A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper — A Bear Walking
Leonardo da Vinci
ca. 1482–85

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) — Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn) Dutch, Red chalk — The Last Supper, after Leonardo da Vinci
Rembrandt (Rembrandt van Rijn)
1634–35

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) — The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13

Young Leonardo, David Humphrey American, Oil on paper — Young Leonardo
David Humphrey
1984

Keyed Trumpet in G, Leonardo Massarenti Italian, Brass, Italian — Keyed Trumpet in G
Leonardo Massarenti
ca. 1840

Leonardo da Vinci (1452–1519), Antonio Berini, Glass and gold, Italian, Rome — Leonardo da Vinci (1452–1519)
Antonio Berini
early 19th century

[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”], Léon Gérard French, Albumen silver print from paper negative — [Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”]
Léon Gérard
1857–61

Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci Italian, Aquatint and etching — Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum"
Leonardo da Vinci
1786

Albarello with arms of Leonardo Buonafede, Maiolica (tin-glazed earthenware), Italian, probably Montelupo — Albarello with arms of Leonardo Buonafede
Italian, probably Montelupo
ca. 1525–30

The Head of a Grotesque Man in Profile Facing Right

Leonardo da Vinci

after 1500

Head of a Man in Profile Facing to the Left

Leonardo da Vinci

1490–94

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso) — Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci
ca. 1506–8

Three Horse Heads after Leonardo da Vinci

Leonardo da Vinci

Giovanni Antonio da Brescia

ca. 1580–1620

Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi) Italian, Oil and gold on wood — Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi)
ca. 1504

Design for One-Quarter of a Ceiling Decoration, Leonardo Marini Italian, Pen and brown ink, brush and brown wash, over graphite, with ruled and compass construction — Design for One-Quarter of a Ceiling Decoration
Leonardo Marini
1730–97

Design for a Palace Interior, Leonardo Marini Italian, Pen and brown ink, brush with gray, green, yellow, and red wash, over leadpoint — Design for a Palace Interior
Leonardo Marini
1730–97

Design for a Wall and a Ceiling Decoration, Leonardo Marini Italian, Leadpoint or graphite; ruler and compass constructed — Design for a Wall and a Ceiling Decoration
Leonardo Marini
1774–78

Four Putti on Clouds, Leonardo Scaglia Italian, Pen and brown ink, brown wash, over black chalk — Four Putti on Clouds
Leonardo Scaglia
1640–50

Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite; some pen and brown ink — Design for Ceiling
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Brush with brown, yellow, and red watercolor over leadpoint or graphite, with ruled and compass construction — Design for Ceiling
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction — Design for Ceiling
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint — Design for Ceiling
Leonardo Marini
18th century

Ceiling Design, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction — Ceiling Design
Leonardo Marini
18th century

Design for a Cartouche with garlands and antique vase, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction — Design for a Cartouche with garlands and antique vase
Leonardo Marini
18th century

Design for Stage Set, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction — Design for Stage Set
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite — Design for Ceiling
Leonardo Marini
18th century

Wall Design, Leonardo Marini Italian, Pen and brown ink, over leadpoint or graphite, with ruled and compass construction — Wall Design
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Graphite or leadpoint with ruled and compass construction — Design for Ceiling
Leonardo Marini
18th century

Design for Ceiling, Leonardo Marini Italian, Leadpoint or graphite with ruled and compass construction — Design for Ceiling
Leonardo Marini
18th century

Halved Alternate Designs for a Ceiling Painting, Leonardo Marini Italian, Pen and gray ink, over black chalk, with ruled and compass construction — Halved Alternate Designs for a Ceiling Painting
Leonardo Marini
1700–1780

Design for Ceiling, Leonardo Marini Italian, Brush with brown, red, and green watercolor, over leadpoint or graphite; ruler and compass constructed — Design for Ceiling
Leonardo Marini
18th century

Design for One Half of a Ceiling with Medaillons with Figure Sketches Inside (recto); Design for an Interior Wall Elevation (verso), Leonardo Marini Italian, Black chalk or graphite with ruled and compass construction — Design for One Half of a Ceiling with Medaillons with Figure Sketches Inside (recto); Design for an Interior Wall Elevation (verso)
Leonardo Marini
18th century

Design for One Quarter of a Ceiling with a Medallion at the Center (recto); Design for a Quarter of a Ceiling with a Medallion at the Corner and a Medallion at the Center (verso), Leonardo Marini Italian, Graphite with some ruled and compass construction — Design for One Quarter of a Ceiling with a Medallion at the Center (recto); Design for a Quarter of a Ceiling with a Medallion at the Corner and a Medallion at the Center (verso)
Leonardo Marini
18th century

Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri, Leonardo Marini Italian, Black chalk or leadpoint; ruler and compass constructed — Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri
Leonardo Marini
1774–78