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21 results for Melusine
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Department
Melusine del Gufo
James McGarrell
1989–90
Mélusine
Author Joséphin Péladan
Illustrator Alexandre Séon
1895
L'Histoire de Quatre Fils; Jean d'Arras; L'Histoire de Melusine
Publisher Published by J. Oudot
1706
Siren, Colonna family, Rome, Bronze, Italian, Rome
Siren
Patron possibly commissioned by the Colonna
ca. 1600
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Water Nymph (Nymph Vouguant Sur Les Eaux), Francesco Bartolozzi Italian, Etching and engraving, printed in color; only state
Water Nymph (Nymph Vouguant Sur Les Eaux)
Enameler Francesco Bartolozzi
After Giovanni Battista Cipriani
Publisher Tessari & Co.
1799
Mermaid playing a lute, Bronze, Italian, possibly Venice
Mermaid playing a lute
Italian, possibly Venice
1550–1600
Woman of the Arctic Sea, Pitaloosie Saila, Stonecut
Woman of the Arctic Sea
Pitaloosie Saila
1975
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
The Sea Monster (Das Meerwunder), Albrecht Dürer German, Engraving
The Sea Monster (Das Meerwunder)
Albrecht Dürer
ca. 1498
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
A Midsummer Night's Dream (Shakespeare, Act 4, Scene 1), Sir Edwin Henry Landseer British, Mixed method engraving with mezzotint on chine collé; second state of three
A Midsummer Night's Dream (Shakespeare, Act 4, Scene 1)
After Sir Edwin Henry Landseer
Engraver Samuel Cousins
Subject William Shakespeare
November , 1857
Cover Design: "The Inland Printer," Vol. XIII, No. 4, William Henry Bradley American, Letterpress (relief process)
Cover Design: "The Inland Printer," Vol. XIII, No. 4
William Henry Bradley
Publisher The Inland Printer Company
July 1894
Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters), Jacques Callot French, Etching and letterpress; second state of two (Lieure)
Une Sirène entre deux Vaisseaux (A Siren Between Two Ships), plate 17 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
Publisher François Langlois
1621–35
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), Sir John Everett Millais British, Mezzotint, etching and stipple on chine collé; proof
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7)
Multiple artists/makers
March 1, 1866
Venus stepping out of the sea, holding a billowing drapery in her left hand, Cupid at right offering pearls while riding a dolphin and a putto at left offering flowers, another in the clouds, Anonymous, Etching
Venus stepping out of the sea, holding a billowing drapery in her left hand, Cupid at right offering pearls while riding a dolphin and a putto at left offering flowers, another in the clouds
Anonymous
After (?) Guido Reni
ca. 1600–40

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