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Department
The Musicians, Caravaggio (Michelangelo Merisi) Italian, Oil on canvas
The Musicians
Caravaggio (Michelangelo Merisi)
1597
Christ and the Two Thieves Crucified, Michelangelo Buonarroti Italian, Bronze, Italian, probably Rome
Christ and the Two Thieves Crucified
Multiple artists/makers
ca. 1560–70
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) Italian, Oil on canvas
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
Michelangelo, Friedrich Beer, Bronze, German
Michelangelo
Friedrich Beer
19th century
Michelangelo, Albert-Ernest Carrier-Belleuse French, Silvered bronze, French, Paris
Michelangelo
Albert-Ernest Carrier-Belleuse
modeled before 1883
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Pietà, Michelangelo Buonarroti Italian, Gilt bronze, Italian, Rome
Pietà
Follower of Michelangelo Buonarroti
mid-16th century
Hercules and Cacus, Michelangelo Buonarroti Italian, Bronze, possibly Northern European
Hercules and Cacus
After a model by Michelangelo Buonarroti
19th century?
Samson and the Philistines, Michelangelo Buonarroti Italian, Bronze, Italian, Florence
Samson and the Philistines
After a model by Michelangelo Buonarroti
ca. 1550
The Day (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Day (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
The Dusk (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Dusk (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
Dying Slave, Michelangelo Buonarroti Italian, Plaster, Italian
Dying Slave
After an original by Michelangelo Buonarroti
1505–45
Rebellious Captive, Michelangelo Buonarroti Italian, Plaster, Italian
Rebellious Captive
After an original by Michelangelo Buonarroti
1505–45
Slanting Mirror, Michelangelo Pistoletto Italian, Mirror and gilded wood
Slanting Mirror
Michelangelo Pistoletto
1975–78
Michelangelo Buonarroti (1475–1564), Daniele da Volterra Italian, Oil on wood
Michelangelo Buonarroti (1475–1564)
Attributed to Daniele da Volterra
probably ca. 1545
[Cast of Giuliano de'Medici by Michelangelo], Charles Sheeler American, Gelatin silver print
[Cast of Giuliano de'Medici by Michelangelo]
Charles Sheeler
ca. 1942
Lorenzo de Medici
After an original by Michelangelo Buonarroti
1521–34
Evening
After an original by Michelangelo Buonarroti
1521–34
Dawn
After an original by Michelangelo Buonarroti
1521–34
Moses
After an original by Michelangelo Buonarroti
1505–45
Pietà
After an original by Michelangelo Buonarroti
1550–55
David by Michelangelo
Adolphe Braun
ca. 1870
Crucifixion, after Michelangelo, Nicolas Beatrizet French, Engraving
Crucifixion, after Michelangelo
Attributed to Nicolas Beatrizet
After Michelangelo Buonarroti
mid-16th century
Studies after Michelangelo, Jean-Baptiste Carpeaux French, Graphite
Studies after Michelangelo
Jean-Baptiste Carpeaux
After Michelangelo Buonarroti
mid-19th century
Michelangelo Buonarroti (?), Lambert Suavius Netherlandish, Engraving; second state
Michelangelo Buonarroti (?)
Lambert Suavius
1530–76
Portrait of Michelangelo, Giorgio Ghisi Italian, Engraving
Portrait of Michelangelo
Engraver Giorgio Ghisi
After painting by Marcello Venusti
Sitter Michelangelo Buonarroti
after 1564
Florence from Piazzale Michelangelo
Elma Loines
1909
Sunset from Piazzale Michelangelo
Elma Loines
1909
Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto according to Michelangelo and Phidias, Auguste Rodin French, Terracotta, French
Pair of Standing Nude Male Figures Demonstrating the Principles of Contrapposto according to Michelangelo and Phidias
Auguste Rodin
ca. 1911
Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite
Last Judgment, after Michelangelo
Tommaso Piroli
After Michelangelo Buonarroti
1752–1824
Cupid, Michelangelo Buonarroti Italian, Marble, Italian, Florence
On loan to The Met
Cupid
Michelangelo Buonarroti
ca. 1490
[Designs for Various Ornaments], Michelangelo Pergolesi Italian, Illustrations: etching
[Designs for Various Ornaments]
Artist and publisher Michelangelo Pergolesi
Engraver Francesco Bartolozzi
After Giovanni Battista Cipriani
1777–92
Design for the Tomb of Pope Julius II della Rovere, Michelangelo Buonarroti Italian, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti
1505–6
The Young David Playing the Harp, Michelangelo Anselmi Italian, Black chalk, brush and gray wash, on blue paper; squared in pen and brown ink
The Young David Playing the Harp
Michelangelo Anselmi
ca. 1548–50
The Last Judgment, Michelangelo Buonarroti Italian, Black chalk on brownish paper
The Last Judgment
School of Michelangelo Buonarroti
1570–90
Anatomical Studies of a Leg (recto); Study of a Leg (verso), Michelangelo Buonarroti Italian, Pen and brown ink, and red chalk (recto); pen and brown ink (verso)
Anatomical Studies of a Leg (recto); Study of a Leg (verso)
School of Michelangelo Buonarroti
1475–1564
A Figure and Some Architectural Details, Michelangelo Buonarroti Italian, Pen and brown ink
A Figure and Some Architectural Details
School of Michelangelo Buonarroti
1475–1564
Anatomical Study of a Knee, Michelangelo Buonarroti Italian, Pen and brown ink
Anatomical Study of a Knee
School of Michelangelo Buonarroti
1475–1564
Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue, Michelangelo Buonarroti Italian, Pen and brown ink, brush and brown wash, over some traces of leadpoint
Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue
After Michelangelo Buonarroti
n.d.
Cartouche in the Form of a Horned Monster's Head in Near Profile View, Michelangelo Colonna Italian, Pen and brown ink, over traces of graphite
Cartouche in the Form of a Horned Monster's Head in Near Profile View
Attributed to Michelangelo Colonna
1604–87
Two Alternative Designs for a Cartouche Decorated with a Frame, Statues, and Volutes, Michelangelo Colonna (?) Italian, Pen and brown ink, over black chalk
Two Alternative Designs for a Cartouche Decorated with a Frame, Statues, and Volutes
Michelangelo Colonna
1624–87
Right and Part of the Left Half of a Design for a Cartouche, Michelangelo Colonna (?) Italian, Pen and ink, over faint traces of black chalk
Right and Part of the Left Half of a Design for a Cartouche
Michelangelo Colonna
1624–87

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