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Christ and the Two Thieves Crucified, Michelangelo Buonarroti Italian, Bronze, Italian, probably Rome
Christ and the Two Thieves Crucified
Multiple artists/makers
ca. 1560–70
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Night (from Scrapbook), John Singer Sargent American, Graphite on off-white wove paper, American
Night (from Scrapbook)
John Singer Sargent
After Michelangelo Buonarroti
ca. 1872–74
Night, John Singer Sargent American, Graphite on off-white wove paper, American
Night
John Singer Sargent
After Michelangelo Buonarroti
1870
Dawn (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent American, Graphite on off-white wove paper, American
Dawn (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
After Michelangelo Buonarroti
1870
Pietà, Michelangelo Buonarroti Italian, Gilt bronze, Italian, Rome
Pietà
Follower of Michelangelo Buonarroti
mid-16th century
Hercules and Cacus, Michelangelo Buonarroti Italian, Bronze, possibly Northern European
Hercules and Cacus
After a model by Michelangelo Buonarroti
19th century?
Samson and the Philistines, Michelangelo Buonarroti Italian, Bronze, Italian, Florence
Samson and the Philistines
After a model by Michelangelo Buonarroti
ca. 1550
The Day (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Day (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
The Dusk (one of a pair), Michelangelo Buonarroti Italian, Terracotta, Italian
The Dusk (one of a pair)
After an original by Michelangelo Buonarroti
ca. 1600
Dying Slave, Michelangelo Buonarroti Italian, Plaster, Italian
Dying Slave
After an original by Michelangelo Buonarroti
1505–45
Rebellious Captive, Michelangelo Buonarroti Italian, Plaster, Italian
Rebellious Captive
After an original by Michelangelo Buonarroti
1505–45
Orazione fvnerale di M. Benedetto Varchi fatta, e recitata da lui pubblicamente nell'essequie di Michelagnolo Bvonarroti in Firenze, nella chiesa di San Lorenzo, Benedetto Varchi Italian
Orazione fvnerale di M. Benedetto Varchi fatta, e recitata da lui pubblicamente nell'essequie di Michelagnolo Bvonarroti in Firenze, nella chiesa di San Lorenzo
Author Benedetto Varchi
Subject of book Michelangelo Buonarroti
1564
Lorenzo de Medici
After an original by Michelangelo Buonarroti
1521–34
Evening
After an original by Michelangelo Buonarroti
1521–34
Dawn
After an original by Michelangelo Buonarroti
1521–34
Moses
After an original by Michelangelo Buonarroti
1505–45
Pietà
After an original by Michelangelo Buonarroti
1550–55
The Italian school of design : being a series of fac-similes of original drawings, William Young Ottley British
The Italian school of design : being a series of fac-similes of original drawings
Author William Young Ottley
Michelangelo Buonarroti
Raphael (Raffaello Sanzio or Santi)
1823
Cupid, Michelangelo Buonarroti Italian, Marble, Italian, Florence
On loan to The Met
Cupid
Michelangelo Buonarroti
ca. 1490
Design for the Tomb of Pope Julius II della Rovere, Michelangelo Buonarroti Italian, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti
1505–6
Figures from "The Deluge" of Michelangelo, Alphonse Legros French and British, Metalpoint
Figures from "The Deluge" of Michelangelo
Alphonse Legros
After Michelangelo Buonarroti
1837–1911
Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount
Group of Figures Copied from Michelangelo's Last Judgment
Attributed to Francesco Allegrini
After Michelangelo Buonarroti
1624–63
The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, Giorgio Ghisi Italian, Engraving; third state of four (BLL)
The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel
Giorgio Ghisi
After Michelangelo Buonarroti
Publisher Nicolaus van Aelst
1570–75
Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite
Last Judgment, after Michelangelo
Tommaso Piroli
After Michelangelo Buonarroti
1752–1824
Male Figure Seen from Rear, after a drawing by Michelangelo, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink on brown paper
Male Figure Seen from Rear, after a drawing by Michelangelo
After Raphael (Raffaello Sanzio or Santi)
After Michelangelo Buonarroti
1508–1600
The Last Judgment, Michelangelo Buonarroti Italian, Black chalk on brownish paper
The Last Judgment
School of Michelangelo Buonarroti
1570–90
Anatomical Studies of a Leg (recto); Study of a Leg (verso), Michelangelo Buonarroti Italian, Pen and brown ink, and red chalk (recto); pen and brown ink (verso)
Anatomical Studies of a Leg (recto); Study of a Leg (verso)
School of Michelangelo Buonarroti
1475–1564
A Figure and Some Architectural Details, Michelangelo Buonarroti Italian, Pen and brown ink
A Figure and Some Architectural Details
School of Michelangelo Buonarroti
1475–1564
Anatomical Study of a Knee, Michelangelo Buonarroti Italian, Pen and brown ink
Anatomical Study of a Knee
School of Michelangelo Buonarroti
1475–1564
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso)
Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91
Three Heads after Michelangelo's Frescoes in the Sistine Chapel, Anonymous, Italian, 16th century Italian, Pen and brown ink
Three Heads after Michelangelo's Frescoes in the Sistine Chapel
Anonymous, Italian, 16th century
After Michelangelo Buonarroti
16th century
Adam and Eve being expelled from paradise, Marcantonio Raimondi Italian, Engraving
Adam and Eve being expelled from paradise
Marcantonio Raimondi
After Michelangelo Buonarroti
ca. 1515–25
Two naked men, the sons of Noah, standing in profile facing right, both pointing, Marcantonio Raimondi Italian, Engraving; only state
Two naked men, the sons of Noah, standing in profile facing right, both pointing
Attributed to Marcantonio Raimondi
After (?) Michelangelo Buonarroti
ca. 1500–34
Naked man viewed from behind climbing a river bank, after Michelangelo, Marcantonio Raimondi Italian, Engraving
Naked man viewed from behind climbing a river bank, after Michelangelo
Marcantonio Raimondi
After Michelangelo Buonarroti
ca. 1509
Naked man viewed from behind climbing a river bank, after Michelangelo, Marcantonio Raimondi Italian, Engraving
Naked man viewed from behind climbing a river bank, after Michelangelo
Marcantonio Raimondi
After Michelangelo Buonarroti
ca. 1500–34
The Climbers: three naked men, one seen from behind climbing onto a river-bank, soldiers emerge from the forest in the background, Marcantonio Raimondi Italian, Engraving
The Climbers: three naked men, one seen from behind climbing onto a river-bank, soldiers emerge from the forest in the background
Marcantonio Raimondi
After Michelangelo Buonarroti
Partly after Lucas van Leyden
1510
Soldier Attaching His Breeches to His Breast plate, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Soldier Attaching His Breeches to His Breast plate
Multiple artists/makers
1517
The Climbers, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
The Climbers
Agostino Veneziano (Agostino dei Musi)
After Michelangelo Buonarroti
1524
Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence), Anonymous, Red chalk
Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence)
Anonymous
After Michelangelo Buonarroti
n.d.
Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue, Michelangelo Buonarroti Italian, Pen and brown ink, brush and brown wash, over some traces of leadpoint
Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue
After Michelangelo Buonarroti
n.d.
Pietà with Angels in front of the Cross, Giulio Bonasone Italian, Engraving
Pietà with Angels in front of the Cross
Giulio Bonasone
After Michelangelo Buonarroti
1546

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