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1-2 of 42 results for Nicholas I, King of Montenegro
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Nicholas I, King of Montenegro, from "Europe During the War", Anonymous, 20th century, Commercial color lithograph
Nicholas I, King of Montenegro, from "Europe During the War"
Anonymous, 20th century
Sitter Nicholas I, King of Montenegro
ca. 1920
Montenegro, from the World War I Puzzle Cards series, J. Lopez Spanish, Color lithograph
Montenegro, from the World War I Puzzle Cards series
J. Lopez
Publisher Chocolates Jaime Boix, Barcelona
Sitter Nicholas I, King of Montenegro
1921–23
Watch in the form of a Lesser George, Nicholas Vallin Flemish, Case and dial: gold, partly enameled; movement: gilded brass and steel, British, London
Watch in the form of a Lesser George
Movement by Nicholas Vallin
ca. 1600
Peter I, King of Serbia, from "Europe During the War", Anonymous, 20th century, Commercial color lithograph
Peter I, King of Serbia, from "Europe During the War"
Anonymous, 20th century
Sitter Peter I, King of the Serbs, Croats and Slovenes
ca. 1920
Serbia, from the World War I Puzzle Cards series, J. Lopez Spanish, Color lithograph
Serbia, from the World War I Puzzle Cards series
J. Lopez
Publisher Chocolates Jaime Boix, Barcelona
Sitter Peter I, King of the Serbs, Croats and Slovenes
1921–23
Casket, Michel Redlin German, Amber, gold foil, gilt brass, wood, silk satin, paper, German, Danzig (Gdansk)
Casket
Attributed to Michel Redlin
ca. 1680
The History of St. Paul's Cathedral in London, From its Foundation until these Times, Sir William Dugdale British, Illustrations; etching
The History of St. Paul's Cathedral in London, From its Foundation until these Times
Multiple artists/makers
1658
Pocket chronometer, François Czapek Bohemian, Case: partly enameled gold; Dial: white enamel with gold hands; Movement: gilded brass and steel, Swiss, Geneva
Pocket chronometer
Watchmaker: François Czapek
ca. 1850–55
Automaton clock in the form of an eagle, Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron, German, Augsburg
Automaton clock in the form of an eagle
German, Augsburg
ca. 1630
Views of the Interior and Exterior of Windsor Castle
Multiple artists/makers
1852
Table clock, Bartholomew Newsam British, Case: engraved, chased, and gilded brass; dial: silver; movement: brass and steel, British, London
Table clock
Movement by Bartholomew Newsam
1580–85
Title page: The History of the Reformation of the Church of England, The Second Part
Multiple artists/makers
1681–83
Watch, W.A., Case and dial: gilded brass; Movement: gilded brass and polished steel, Flemish, Antwerp or possibly Ghent
Watch
Watchmaker: W.A.
1571
Pocket watch, Robert Roskell British, Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond, British, Liverpool
Pocket watch
Watchmaker: Robert Roskell
1820–21
M. Vitruvii Pollionis viri suae professionis peritissimi de Architectura Libri X ad Augustum Ceasarem accuratissime conscripti et locis quamplurimis hac editione emendati adjunctis nunc primum Gulielmi Philandri Castilionii Galli Civis Rom
Multiple artists/makers
1550
M. Vitruvii Pollionis viri suae professionis peritissimi de Architectura Libri X ad Augustum Ceasarem accuratissime conscripti et locis quamplurimis hac editione emendati adjunctis nunc primum Gulielmi Philandri Castilionii Galli Civis Rom
Multiple artists/makers
1550
M. Vitruvii Pollionis viri suae professionis peritissimi de Architectura Libri X ad Augustum Ceasarem accuratissime conscripti et locis quamplurimis hac editione emendati adjunctis nunc primum Gulielmi Philandri Castilionii Galli Civis Rom
Multiple artists/makers
1550
The Heads of the Kings of England, Proper for Mr. Rapin's History, Translated by N. Tindal
Multiple artists/makers
1736
The Works of Horatio Walpole, Earl of Orford, vol. III
Multiple artists/makers
1798
Title Page Vignette: Royal Entrance to the Quadrangle
Multiple artists/makers
1852
The Antiquarian Society
Multiple artists/makers
June 1, 1812
Armchair (fauteuil à la reine) (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Armchair (fauteuil à la reine) (part of a set)
Multiple artists/makers
ca. 1754–56
Armchair (part of a set)
Nicolas-Quinibert Foliot
ca. 1754–56
Settee (canapé) (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Settee (canapé) (part of a set)
Multiple artists/makers
ca. 1754–56
Armchair (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Armchair (part of a set)
Frame by Nicolas-Quinibert Foliot
Manufactory Tapestry by Beauvais
Workshop director after designs by Jean-Baptiste Oudry
ca. 1754–56
Armchair (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Armchair (part of a set)
Frame by Nicolas-Quinibert Foliot
Manufactory Tapestry by Beauvais
Workshop director after designs by Jean-Baptiste Oudry
ca. 1754–56
Armchair (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Armchair (part of a set)
Frame by Nicolas-Quinibert Foliot
Manufactory Tapestry by Beauvais
Workshop director after designs by Jean-Baptiste Oudry
ca. 1754–56
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures, Marcus Pollio Vitruvius Italian, Printed book with woodcut illustrations with engraved plates and frontispiece
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Virgin and Child with the Young Saint John the Baptist, Marble, partially gilt, Northern French, Île-de-France (?)
Virgin and Child with the Young Saint John the Baptist
Northern French, Île-de-France (?)
ca. 1525–50
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1684
Christ at the Column, Delli brothers Italian, Pen with brown and black carbon ink, brush with gray wash, watercolor, and gouache on parchment; inscriptions in brown ink of a different type
Christ at the Column
Delli brothers
ca. 1440–70
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1673
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1673
Les dix livres d'Architecture de Vitruve, corrigez et traduits nouvellement en François, avec notes & de figures
Multiple artists/makers
1673
L'Architecture a la Mode ou sont Les Nouveaux Dessins pour la Décoration des Bâtimens et Jardins
Multiple artists/makers
ca. 1680–1707
Mantel clock with alarm, Franz Xavier Gegenreiner German, Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel, German, Augsburg
Mantel clock with alarm
Clockmaker: Franz Xavier Gegenreiner
Case maker: Johann Andreas Thelot
case ca. 1710, movement ca. 1760–70
Automaton clock in the form of Urania, Muse of Astronomy, Paullus Schiller German, Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel, German, Nuremberg
Automaton clock in the form of Urania, Muse of Astronomy
Paullus Schiller
ca. 1620–30