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Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede  Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold
Calligrapher Shaikh Hamdullah ibn Mustafa Dede
ca. 1500
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 35 (recto), Pietro Paulo Tozzi  Italian, Etching and drawing
Designer Pietro Paulo Tozzi
Publisher Libraria del Giesu
October 1, 1604
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 20 (recto), Pietro Paulo Tozzi  Italian, Etching and drawing
Designer Pietro Paulo Tozzi
Publisher Libraria del Giesu
October 1, 1604
Calligram in the Shape of a Sufi Cap, Black ink, opaque watercolor, and shell gold on paper
late 19th–early 20th century
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 42 (recto), Pietro Paulo Tozzi  Italian, Etching and drawing
Designer Pietro Paulo Tozzi
Publisher Libraria del Giesu
October 1, 1604
Ek Aurat, Ek Gawahi, Lala Rukh  Pakistani, Lithograph
Lala Rukh
1983
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 14 (recto), Pietro Paulo Tozzi  Italian, Etching and drawing
Designer Pietro Paulo Tozzi
Publisher Libraria del Giesu
October 1, 1604
Page of Calligraphy in Ornamental Style, Malik Muhammad Qazvini  Iranian, Ink on paper
Malik Muhammad Qazvini
dated 1285 AH/1868–69 CE
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on paper
late 11th–12th century
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 40 (recto), Pietro Paulo Tozzi  Italian, Etching and drawing
Designer Pietro Paulo Tozzi
Publisher Libraria del Giesu
October 1, 1604
Red Hilye, Mohamed Zakariya  American, Ink, hot tempera, and gold alloy on ahar paper
Mohamed Zakariya
2010
Page of Calligraphy, Muhammad Shafi‘ known as Vesal-i Shirazi  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Muhammad Shafi‘ known as Vesal-i Shirazi
early–mid-19th century
Page of Calligraphy, Ink on parchment
probably 16th–17th century
Page of Calligraphy from the Bellini Album, Sultan Muhammad Nur  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Sultan Muhammad Nur
ca. 1600
Page of Calligraphy, Ink, opaque watercolor, and gold on paper
18th–19th century
Page of Calligraphy, Muhammad Ashraf Al-Radhawi  Indian, Ink and watercolor on paper
Calligrapher Muhammad Ashraf Al-Radhawi
dated Rabi' al-Awwal 1069 AH/December 1658 CE
Page of Calligraphy from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar  Iranian, Ink, opaque watercolor, gold, and silver on paper
Author Farid al-Din `Attar
Calligrapher Sultan 'Ali al-Mashhadi
ca. 1600
Page of Calligraphy, Abd al-Majid Taleqani, Ink, opaque watercolor, and gold on paper
Calligrapher Abd al-Majid Taleqani
dated 1176 AH/1763 CE
Page of Calligraphy, Black ink on white paper with gold-leaf contours and thin gold band outlining panel
second half 19th century
Plaque, Steel; cut
17th century
Section of a Qur'an Manuscript, `Umar Aqta', Ink, opaque watercolor, and gold on paper
Calligrapher Copied by `Umar Aqta'
late 14th–early 15th century
Album Leaf of Shekasteh-ye Nasta'liq, Mirza Kuchak  Iranian, Opaque watercolor, ink, and gold on paper
Calligrapher attributed to Mirza Kuchak
first half 19th century
Page of Calligraphy from the Kulliyat of Sa'di, Abd al-Majid Taleqani, Ink, opaque watercolor, and gold on paper
Calligrapher Abd al-Majid Taleqani
18th century
Calligraphic Exercise, Ink and opaque watercolor on paper
18th–19th century
Nueva arte a escrivir, Pedro Díaz Morante  Spanish, plates: engraving, woodcut
Author Written by Pedro Díaz Morante
1615–31
Page of Calligraphy, Sultan Muhammad Nur  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Sultan Muhammad Nur
early 16th century
La Loi Solaire, Charles Meryon  French, Etching
Charles Meryon
19th century

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