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Shiva and Parvati, Ink and translucent watercolor on paper, India (Pahari Hills)
Shiva and Parvati
India (Pahari Hills)
19th century
Design for a Bangle, Ink and translucent watercolor on paper, India (Pahari Hills)
Design for a Bangle
India (Pahari Hills)
early 19th century
Cityscape, Ink on paper, India (Pahari Hills)
Cityscape
India (Pahari Hills)
19th century
Sketch of a Horse, Ink on paper, India (Pahari Hills)
Sketch of a Horse
India (Pahari Hills)
late 18th century
Building the Bridge to Lanka, Ink and wash with translucent watercolor on paper, India (Pahari Hills, Kangra)
Building the Bridge to Lanka
India (Pahari Hills, Kangra)
ca. 1800
Vishnu on Garuda Slaying a Demon, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler)
Vishnu on Garuda Slaying a Demon
Attributed to the Seu Family
possibly Manaku
mid-18th century
Mara Bringing the Demons to Life, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler)
Mara Bringing the Demons to Life
Attributed to the Seu Family
possibly Manaku
mid-18th century
Building the Bridge to Lanka, Seu Family, Ink and wash on paper, India (Pahari Hills, Guler)
Building the Bridge to Lanka
Attributed to the Seu Family
possibly Manaku
mid-18th century
Page from a Sketchbook Showing Rulers on Horseback, Boars, and a Palace Scene, Pandit Seu Indian, Ink on paper, India (Pahari Hills, Guler)
Page from a Sketchbook Showing Rulers on Horseback, Boars, and a Palace Scene
Attributed to Pandit Seu
or attributed to Manaku
late 18th century
Battle Scene from a Devi Mahatmya, Ink, wash, and translucent watercolor on paper, India (Pahari Hills, Guler)
Battle Scene from a Devi Mahatmya
India (Pahari Hills, Guler)
late 18th century
Shiva and Parvati in a Mountain Grotto, Ink on paper, India (Pahari Hills, Guler)
Shiva and Parvati in a Mountain Grotto
India (Pahari Hills, Guler)
ca. 1800
Drawing for an Illustration from a Sat Sai of Bihari Lal Series: The Message of the Eyes (recto); Lady in Search of Her Lover on a Dark Night (verso), Nainsukh Indian, Ochre on paper, India (Pahari Hills, Kangra)
Drawing for an Illustration from a Sat Sai of Bihari Lal Series: The Message of the Eyes (recto); Lady in Search of Her Lover on a Dark Night (verso)
First generation after Nainsukh
Possibly Fattu
ca. 1785–90
A Lady with Attendants, Nainsukh Indian, Ink and transparent watercolor on paper, India (Pahari Hills, Kangra)
A Lady with Attendants
Attributed to Nainsukh
ca. 1775–80
Bhagat Sen Worshipping Vishnupada, Ink and wash on paper, India (Pahari Hills, Guler)
Bhagat Sen Worshipping Vishnupada
India (Pahari Hills, Guler)
mid-18th century
Scenes from the Bhagavata Purana, Ink on paper, India (Pahari Hills, Kangra)
Scenes from the Bhagavata Purana
India (Pahari Hills, Kangra)
early 19th century
Vishnu on Garuda, Sajnu , or his follower, Opaque pigments and gold on paper, India, Pahari School, Mandi
Vishnu on Garuda
Attributed to Sajnu
ca. 1810–20
Rama and Lakshmana Visit the Hermitage of an Ascetic, Nainsukh Indian, Red ochre and wash on paper, India (Pahari Hills, Guler or Kangra)
Rama and Lakshmana Visit the Hermitage of an Ascetic
Attributed to a first-generation master after Nainsukh
ca. 1775–80
Krishna Subdues the Serpent Kaliya in the Yamuna River: Illustration from a Bhagavata Purana Series, Nainsukh Indian, Ink and wash on paper, India (Pahari Hills, Guler or Kangra)
Krishna Subdues the Serpent Kaliya in the Yamuna River: Illustration from a Bhagavata Purana Series
Attributed to a follower of Nainsukh
ca. 1780
Abhisarika Nayika (Heroine Braving the Night), Ink, wash ,and translucent watercolor on paper, India (Pahari Hills, Kangra or Guler)
Abhisarika Nayika (Heroine Braving the Night)
India (Pahari Hills, Kangra or Guler)
ca. 1800
Woman Leaving Her Lover, Ink and wash on paper, India (Pahari Hills, Kangra or Guler)
Woman Leaving Her Lover
India (Pahari Hills, Kangra or Guler)
ca. 1790–1820
Double-sided folio from a Ramayana series, Opaque watercolor on paper, India, Himachal Pradesh, unidentified sub-school
Double-sided folio from a Ramayana series
India, Himachal Pradesh, unidentified sub-school
ca. 1690–1710
Double-sided folio from a Ramayana series, Opaque watercolor on paper, India, Himachal Pradesh, unidentified sub-school
Double-sided folio from a Ramayana series
India, Himachal Pradesh, unidentified sub-school
ca. 1690–1710
Double-sided folio from a Ramayana series, Opaque watercolor on paper, India, Himachal Pradesh, unidentified sub-school
Double-sided folio from a Ramayana series
India, Himachal Pradesh, unidentified sub-school
ca. 1690–1710
Double-sided folio from a Ramayana series, Opaque watercolor on paper, India, Himachal Pradesh, unidentified sub-school
Double-sided folio from a Ramayana series
India, Himachal Pradesh, unidentified sub-school
ca. 1690–1710
Page from a Dispersed Ramayana (Story of Rama), Graphite with color on paper, India (Punjab Hills, Kangra)
Page from a Dispersed Ramayana (Story of Rama)
India (Punjab Hills, Kangra)
first quarter of the 19th century
Lady About to Smoke a Hookah, Ink on paper, India (Punjab Hills, Kangra)
Lady About to Smoke a Hookah
India (Punjab Hills, Kangra)
ca.1790
"Krishna and the Gopis on the Bank of the Yamuna River", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherd), Opaque watercolor and gold on paper; dark blue border with red inner rules, India
"Krishna and the Gopis on the Bank of the Yamuna River", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherd)
India
ca. 1775–80
"Radha with Her Confidant, Pining for Krishna", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherd), Opaque watercolor and gold on paper, Indian
"Radha with Her Confidant, Pining for Krishna", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherd)
Indian
ca. 1775–80
Durga Confronts the Buffalo Demon Mahisha: Scene from the Devi Mahatmya, Nainsukh Indian, Charcoal and opaque watercolor on paper, India (Himachal Pradesh, Guler)
Durga Confronts the Buffalo Demon Mahisha: Scene from the Devi Mahatmya
Attributed to a first-generation master after Nainsukh
ca. 1780
Dancing Minstrel or Gaddi Shepherd, Black ink, lead white, washes in dilute red and red lead, black chalk underdrawing on lightweight machine made paper
Dancing Minstrel or Gaddi Shepherd
18th century
King Dasaratha and His Retinue Proceed to Rama's Wedding: Folio from the Shangri Ramayana Series (Style II), Opaque watercolor and ink on paper, India, Punjab Hills, kingdom of Mankot
King Dasaratha and His Retinue Proceed to Rama's Wedding: Folio from the Shangri Ramayana Series (Style II)
India, Punjab Hills, kingdom of Mankot
ca. 1690–1710
Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes), Ink, opaque watercolor, and silver on paper, India (Himachal Pradesh, possibly Basohli or Nurpur)
Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes)
India (Himachal Pradesh, possibly Basohli or Nurpur)
ca. 1700–1710
Maharaja Kirpal Pal of Basohli smoking, Opaque watercolor, gold and silver on paper, India, Mankot, Punjab Hills
Maharaja Kirpal Pal of Basohli smoking
India, Mankot, Punjab Hills
ca. 1690
Marriage procession in a bazaar; from a Ramayana or Bhagavata Purana series, Opaque watercolor and gold on paper, India, Mandi, Himachal Pradesh
Marriage procession in a bazaar; from a Ramayana or Bhagavata Purana series
India, Mandi, Himachal Pradesh
ca. 1640–50
Shiva and Parvati and Their Children Skanda and Ganesha, Opaque watercolor on paper, India, Punjab Hills, Kingdom of Mandi or Kangra
Shiva and Parvati and Their Children Skanda and Ganesha
India, Punjab Hills, Kingdom of Mandi or Kangra
ca. 1775–1800
"Krishna Frolics with the Gopis (Milkmaids)", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of God), Opaque watercolor and gold on paper, India, Punjab Hills, Kangra or Guler
On loan to The Met
"Krishna Frolics with the Gopis (Milkmaids)", Folio from the "Second" or "Tehri Garhwal" Gita Govinda (Song of God)
India, Punjab Hills, Kangra or Guler
ca. 1775–80
The God Indra Worships Ganesha, folio from the Tehri Garhwal series of the Gita Govinda, Ink and opaque watercolor on paper, India, Punjab Hills, Kingdom of Kangra or Guler
The God Indra Worships Ganesha, folio from the Tehri Garhwal series of the Gita Govinda
India, Punjab Hills, Kingdom of Kangra or Guler
ca. 1775–80
Bhadrakali, Destroyer of the Universe, from the Tantric Devi series, Opaque watercolor, gold, silver, and beetle-wing cases on paper, India, Himachal Pradesh, Basohli
Bhadrakali, Destroyer of the Universe, from the Tantric Devi series
India, Himachal Pradesh, Basohli
ca. 1660–70
The Poet, Abanindranath Tagore Indian, Watercolor on paper
The Poet
Abanindranath Tagore
ca. 1904
The Sorrow of Radha, folio from the Tehri Garhwal series of the Gita Govinda , Opaque watercolor and gold on paper, India, Punjab Hills, kingdom of Kangra or Guler
On loan to The Met

The Sorrow of Radha, folio from the Tehri Garhwal series of the Gita Govinda

India, Punjab Hills, kingdom of Kangra or Guler
ca. 1775–80
The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series, Ranjha, Ink and opaque watercolor on paper, India (Kangra, Himachal Pradesh)
The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series
Attributed to Ranjha
First generation after Manaku and Nainsukh
ca. 1800–10
A Nobleman’s Vision of Shiva and Parvati, Opaque watercolor and gold on paper, India, Punjab Hills, kingdom of Guler
On loan to The Met
A Nobleman’s Vision of Shiva and Parvati
India, Punjab Hills, kingdom of Guler
ca. 1750–75

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