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The Resurrection, Perugino (Pietro di Cristoforo Vannucci) Italian, Tempera on wood
The Resurrection
Perugino (Pietro di Cristoforo Vannucci)
Saint John the Baptist; Saint Lucy, Perugino (Pietro di Cristoforo Vannucci) Italian, Oil(?) on wood
Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)
Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink.
Study of the Head of a Youth Gazing Upward
Workshop of Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Group of Warriors Standing, Perugino (Pietro di Cristoforo Vannucci) Italian, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper.
Group of Warriors Standing
Circle of Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso)
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Workshop of Perugino (Pietro di Cristoforo Vannucci)
ca. 1504
Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pale pink-beige prepared paper
Study of a Kneeling Youth and of the Head of Another
Perugino (Pietro di Cristoforo Vannucci)
1500
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Heads of Two Saints, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Metalpoint, reworked with brush and brown wash, highlighted with white gouache, on beige prepared paper
Heads of Two Saints
After Perugino (Pietro di Cristoforo Vannucci)
1495–1510
Two Figures of Angels Standing, Perugino (Pietro di Cristoforo Vannucci) ? Italian, Pen and brown ink, over leadpoint (?)
Two Figures of Angels Standing
Workshop of Perugino (Pietro di Cristoforo Vannucci)
1490–1505
Christ in the tomb, resting across the Virgin's lap; after Perugino, Claude Duflos French, Engraving
Christ in the tomb, resting across the Virgin's lap; after Perugino
Claude Duflos
After Perugino (Pietro di Cristoforo Vannucci)
ca. 1685–1727
Pietà, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat" after a drawing by Perugino, Anne Claude Philippe de Tubières, comte de Caylus French, Etching, printed in brown
Pietà, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat" after a drawing by Perugino
Anne Claude Philippe de Tubières, comte de Caylus
After Perugino (Pietro di Cristoforo Vannucci)
ca. 1729–40
Saint Jerome, volume 2, plate 88 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Madonna
Samuel Arlent Edwards
After Perugino (Pietro di Cristoforo Vannucci)
1907 (?)
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
The Temptation of Christ, Longman's "New Testament"
Engraver William James Linton
After Perugino (Pietro di Cristoforo Vannucci)
Publisher Longman, Green, Longman, Roberts and Green
1865

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