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More than 10,000 results for Pierre Chapelle I

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Tile, Pierre Chapelle I, Faience (tin-glazed earthenware), French, Rouen — Tile
Pierre Chapelle I
ca. 1706–7

Tureen with cover (part of a set), Pierre Chapelle II, Faience (tin-glazed earthenware), French, Sceaux — Tureen with cover (part of a set)
Pierre Chapelle II
ca. 1760

Tureen tray (part of a set), Pierre Chapelle II, Faience (tin-glazed earthenware), French, Sceaux — Tureen tray (part of a set)
Pierre Chapelle II
ca. 1760

Plate, Pierre Chapelle II, Faience (tin-glazed earthenware), French, Rouen — Plate
Pierre Chapelle II
ca. 1725

Plate, Pierre Chapelle II, Faience (tin-glazed earthenware), French, Rouen — Plate
Pierre Chapelle II
ca. 1750

Plate, Pierre Chapelle II, Faience (tin-glazed earthenware), French, Rouen or Sinceny — Plate
Pierre Chapelle II
ca. 1740

Pierre de Maridat, I. Josias Belle French, Bronze, French — Pierre de Maridat
I. Josias Belle
1656

Before Dinner, Pierre Bonnard French, Oil on canvas — Before Dinner
Pierre Bonnard
1924

Armor (<i>Gusoku</i>), Bamen Tomotsugu Japanese, Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory, Japanese, Toyohara, Echizen province — Armor (Gusoku)
Bamen Tomotsugu
18th century

Armor (<i>Gusoku</i>), Saotome Ietada Japanese, Iron, lacquer, silk, gilt copper, Japanese — Armor (Gusoku)
Saotome Ietada
Myōchin Munesuke
16th and 18th centuries

Helmet (<i>Spangenhelm</i>), Iron, copper alloy, gold, Byzantine — Helmet (Spangenhelm)
Byzantine
6th century

Helmet (<i>Zukinnari Kabuto</i>), Iron, lacquer, Japanese — Helmet (Zukinnari Kabuto)
Japanese
16th century

Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux — Flintlock Gun of Louis XIII (1601–1643), King of France
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620

Pierre Puvis de Chavannes, Auguste Rodin French, Bronze, French — Pierre Puvis de Chavannes
Auguste Rodin
Alexis Rudier
modeled ca. 1890, cast ca. 1910

Helm for the Joust of Peace (<i>Stechhelm</i>), Steel, copper alloy, German, probably Nuremberg — Helm for the Joust of Peace (Stechhelm)
German, probably Nuremberg
ca. 1500

Armor (<i>Yoroi</i>) of Ashikaga Takauji (1305–1358), Iron, lacquer, leather, silk, gilt copper, Japanese — Armor (Yoroi) of Ashikaga Takauji (1305–1358)
Japanese
early 14th century

La Sainte-Chapelle, Edouard Baldus French, born Prussia, Albumen silver print from glass negative — La Sainte-Chapelle
Edouard Baldus
1860s

Jérusalem, Chapelle anglaise, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Chapelle anglaise
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

La Sainte-Chapelle, Edouard Baldus French, born Prussia, Albumen silver print from glass negative — La Sainte-Chapelle
Edouard Baldus
1860s

Jérusalem, Chapelle de l'Ascension, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Chapelle de l'Ascension
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

Exposition-vente au profit des Œuvres de protection des enfants juifs, victimes des déportations (O.P.E.J.), Pierre Chaillet French — Exposition-vente au profit des Œuvres de protection des enfants juifs, victimes des déportations (O.P.E.J.)
Multiple artists/makers
1946

Armor of Emperor Ferdinand I (1503–1564), Kunz Lochner German, Steel, brass, leather, German, Nuremberg — Armor of Emperor Ferdinand I (1503–1564)
Kunz Lochner
dated 1549

Head I, Francis Bacon British, born Ireland, Oil and tempera on board — Head I
Francis Bacon
1947–48

Marceline Valmore, Pierre Jean David d'Angers French, Bronze, French — Marceline Valmore
Pierre Jean David d'Angers
1832

[Angel of the Passion, Sainte-Chapelle, Paris], Auguste Mestral French, Salted paper print from paper negative — [Angel of the Passion, Sainte-Chapelle, Paris]
Auguste Mestral
1853–1854

Teakettle, lamp, and table, Simon Pantin I British, Silver, wood, British, London — Teakettle, lamp, and table
Simon Pantin I
1724–25

Le sacre de Louis XV, roy de France & de Navarre, dans l'église de Reims, le dimanche XXV octobre MDCCXXII, Pierre Dulin French — Le sacre de Louis XV, roy de France & de Navarre, dans l'église de Reims, le dimanche XXV octobre MDCCXXII
Multiple artists/makers
1723

Blades and Mountings for a Pair of Swords (<i>Daishō</i>), Yokoyama Kōzukedaijō Sukesada Japanese, Steel, wood, lacquer, copper-gold alloy (<i>shakudō</i>), gold, copper-silver alloy (<i>shibuichi</i>), ray skin (<i>same</i>), silk, Japanese — Blades and Mountings for a Pair of Swords (Daishō)
Yokoyama Kōzukedaijō Sukesada
乙柳軒政信 Otsuryūken Masanobu
blades, 17th century; mountings, early 19th century

Pierre de Wiessant, Auguste Rodin French, Bronze, brown patina, French — Pierre de Wiessant
Auguste Rodin
Alexis Rudier
modeled 1885, cast ca. 1900–1907

The Seated I, Wangechi Mutu Kenyan-American, Bronze — The Seated I
Wangechi Mutu
2019

Henri II, King of France, Léonard Limosin French, Enamel on copper, partly gilt, French, Limoges — Henri II, King of France
Léonard Limosin
probably ca. 1555–60

Upright secretary, Pierre I Roussel, Oak, pine, king-wood, satin-wood, holly, stained woods, satiné, purple-wood, tulipwood, sycamore, gilt bronze, marble, French, Paris — Upright secretary
Pierre I Roussel
ca. 1775–80

Anacharsis the Scythian (?), Pierre I Legros, Bronze, French — Anacharsis the Scythian (?)
Pierre I Legros
late 17th century

Aesop, Pierre I Legros, Bronze, French — Aesop
Pierre I Legros
late 17th century

Damascus Gate, Jerusalem (208. Atlit. Syrie Chapelle. [sic]), Joseph-Philibert Girault de Prangey French, Daguerreotype — Damascus Gate, Jerusalem (208. Atlit. Syrie Chapelle. [sic])
Joseph-Philibert Girault de Prangey
1844

Head from a Statue of King Amenhotep I, Sandstone, paint — Head from a Statue of King Amenhotep I
ca. 1525–1504 B.C.

Portrait of Elke I, Georg Baselitz German, Synthetic resin emulsion paints (Dispersionsfarbe) on canvas — Portrait of Elke I
Georg Baselitz
1969

Watch, Pierre Vernede, Case: rock crystal and enameled gold mounts; Dial: gold, champlevé enamel, and painted enamel; Movement: gilded brass and partly blued steel, French, Agen — Watch
Pierre Vernede
ca. 1650

Love Letter I, Anwar Jalal Shemza Pakistani, Oil on canvas — Love Letter I
Anwar Jalal Shemza
1969

“ANAESTHESIA I” desk, Samuel Ross British, Glass fiber reinforced concrete, aluminum, stainless steel, OSB (Oriented Strand Board, engineered wood), Abidjan clay, turmeric, acrylic, acrylic lacquer, polyurethane — “ANAESTHESIA I” desk
Samuel Ross
2022