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More than 10,000 results for Pietro da Cortona (Pietro Berrettini)
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Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk, glued onto a light cardboard mount
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Sea Battle, Pietro da Cortona (Pietro Berrettini) Italian, Brush and brown wash
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
A Wind God, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, highlighted with white, on brownish paper
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini) Italian, Engraving
Christ Appearing to Mary in the Garden
Multiple artists/makers
1766
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona (Pietro Berrettini) Italian, Engraving
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1662
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash over traces of black chalk
St. Michael Expurging Heresy
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
Study of a Seated Youth for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
The Virgin Immaculate
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini) Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
Design for the Coat of Arms of a Cardinal with three Angels
Multiple artists/makers
ca. 1640–60
Barberinai Aulae Fornix
Multiple artists/makers
ca. 1648–77
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Multiple artists/makers
1788
Saint Martina with Virgin and Child
Pietro da Cortona (Pietro Berrettini)
ca. 1660
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Saint Martina receiving the lily
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
Plate 5: Allegory with symbols of Fortitude, with a lion and Mucius Scaevola at lower left; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Allegory with symbols of Prudence, with two bears and Fabius Cunctator; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1642
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Plate 6: Allegory with symbols of Justice, with the griffon of Manlius Torquatus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1642
St. Barbara (?) on the left, stepping down from a colonnaded porch, with a chalice and the host in her outstretched left hand and crucifix raised above her head in her right hand, chasing away a terrified figure holding a book with serpents for hair
Pietro da Cortona (Pietro Berrettini)
after 1596
God appearing from billowing clouds to an apostle (?) who is baptizing a young boy at center; four male figures to the right are in conversation, gesturing to the main scene, while other figures and a dog stand in waiting at the far right.
Pietro da Cortona (Pietro Berrettini)
after 1596
Moses rescued from the Nile by Pharaoh's daughter and female attendants, two of whom lift his craddle onto the banks of the river; a walled city appears in the distance on the left
Pietro da Cortona (Pietro Berrettini)
after 1596
St. Martina kneeling amongst several figures and toppled sculptures of pagan idols, with her arms raised clutching her chest, looking towards a cloudy sky; on the right is a burning pyre
Multiple artists/makers
ca. 1758–92
Ananias healing Saul who kneels before the priest with his arms outstretched, surrounded by attendants; the holy spirit appears in the form of a dove from a parting sky with putti
Pietro da Cortona (Pietro Berrettini)
Mount Athos being cut to resemble a giant with a waterfall forming from his hands; Pope Alexander VIII at the lower right being shielded by an umbrella, reviewing the building plans from his two architects; five putti above hold a banderole
Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1657–81
Abraham expelling Hagar from their home, an angel appears behind her; Sarah reclines on the right in front of the dwelling with a curtain drawn
Multiple artists/makers
1776
The Holy Family in a landscape, with ancient buildings in the background; Mary reclines against a stone bench, dangling a piece of fruit over the infant Jesus who sits on her lap; Joseph is seated on the ground to the left reading
Pietro da Cortona (Pietro Berrettini)
Nicolas Chasteau
ca. 1700–1750