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Showing 474 results for Pseudo-Melioli

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Offering scene, Pseudo-Melioli, Bronze, light color, gilt, Northern Italian — Offering scene
Pseudo-Melioli
probably early 16th century

Meleager Hunting the Boar, Pseudo-Melioli , Northern Italy, Copper alloy with dull brown patina; pierced at the top; remnants of solder on the reverse., Italian — Meleager Hunting the Boar
Pseudo-Melioli
model early 16th century (possibly cast 17th century)

Bowl with Pseudo-inscription, Stonepaste; polychrome painted under transparent glaze — Bowl with Pseudo-inscription
13th century

Bowl with Pseudo-Inscriptional Design, Earthenware; white slip with polychrome slip decoration under transparent glaze — Bowl with Pseudo-Inscriptional Design
10th century

Saint Romuald, Pseudo-Palmeruccio Italian, Tempera on wood, gold ground — Saint Romuald
Pseudo-Palmeruccio
possibly ca. 1320–30

Roundel with Saint Jerome in his Study, Pseudo-Ortkens South Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Saint Jerome in his Study
Pseudo-Ortkens
ca. 1520

Roundel with Susannah and The Elders, Pseudo-Ortkens South Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Susannah and The Elders
Pseudo-Ortkens
ca. 1520

Roundel with Daniel Slaying the Dragon, Pseudo-Ortkens South Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Daniel Slaying the Dragon
Pseudo-Ortkens
ca. 1520

Roundel with Christ and the Adulterous Woman, Pseudo-Ortkens South Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Christ and the Adulterous Woman
Pseudo-Ortkens
ca. 1525

Bust of Pseudo-Seneca, Peter Paul Rubens , and Assistant (?) Flemish, Pen and brown ink over black chalk heightened with white, with brush and gray ink — Bust of Pseudo-Seneca
Peter Paul Rubens
1600–1626

Magdalena Gonzaga, Bartolommeo Melioli Italian, Bronze, Italian — Magdalena Gonzaga
Bartolommeo Melioli
15th century

Medal: Francesco II Gonzaga, Bartolommeo Melioli Italian, Bronze — Medal: Francesco II Gonzaga
Bartolommeo Melioli
model ca. 1480 or 1484 (cast 16th or 17th century)

Pectoral with Coins and Pseudo-Medallion, Gold, niello, Byzantine — Pectoral with Coins and Pseudo-Medallion
Byzantine
ca. 539–50

Bowl with Pseudo-inscriptional Design, Earthenware; white slip with polychrome slip decoration under transparent glaze — Bowl with Pseudo-inscriptional Design
10th century

Aryballos (perfume jar) with pseudo-cartouche, Faience — Aryballos (perfume jar) with pseudo-cartouche
6th century BC

Carpet with Pseudo-Kufic Inscriptions, Wool (warp, weft and pile); symmetrically knotted pile — Carpet with Pseudo-Kufic Inscriptions
probably 17th century

Roundel with Saint John the Baptist, Pseudo-Ortkens South Netherlandish, Colorless glass, silver stain, vitreous paint, South Netherlandish — Roundel with Saint John the Baptist
Pseudo-Ortkens
ca. 1520 or modern

The Meditation on the Passion, Vittore Carpaccio Italian, Oil and tempera on wood — The Meditation on the Passion
Vittore Carpaccio
ca. 1490

Fragment with Pseudo-Calligraphic Bands, Earthenware; polychrome decoration under transparent glaze — Fragment with Pseudo-Calligraphic Bands
late 10th–early 11th century

Unfinished pseudo block statue

664–610 B.C.

Incantation bowl with pseudo-Aramaic inscription, Ceramic, paint, Sasanian — Incantation bowl with pseudo-Aramaic inscription
Sasanian
ca. 5th–6th century CE

Scarab with pseudo-hieroglyphs

Bowl with Green Pseudo-Inscriptions and Clusters of Spots, Earthenware; yellow slip with green decoration under transparent glaze — Bowl with Green Pseudo-Inscriptions and Clusters of Spots
9th–10th century

Sleeping Amor, Pseudo Francesco Antonio da Brescia, Bronze, Northern Italian — Sleeping Amor
Pseudo Francesco Antonio da Brescia
ca. 1500

Apollo and the Serpent Python, Pseudo Francesco Antonio da Brescia, Bronze, Italian, Brescia — Apollo and the Serpent Python
Pseudo Francesco Antonio da Brescia
16th century

The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format, Gu Wenda Chinese, Hanging scroll; ink on paper, China — The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format
Gu Wenda
1983–87

Textile with Lions' Heads, Foliate Ornament, and pseudo-Arabic inscription, Silk; twill and plain weave, Italian — Textile with Lions' Heads, Foliate Ornament, and pseudo-Arabic inscription
Italian
14th century

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris) — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400

Dish, Hard-paste porcelain, Chinese, for British market — Dish
Chinese, for British market
ca. 1720

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi Italian, Tempera on wood, gold ground — Saint Lawrence Enthroned with Saints and Donors
Fra Filippo Lippi
1440s

Madonna and Child with the Infant Saint John the Baptist and Angels, Master called Pseudo-Pier Francesco Fiorentino Italian, Tempera and gold on wood — Madonna and Child with the Infant Saint John the Baptist and Angels
Master called Pseudo-Pier Francesco Fiorentino

The Greatness of Mordecai, Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and black ink, highlighted with white — The Greatness of Mordecai
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

Mordecai rides through the Streets in the Apparel the King has sent him., Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and black ink, highlighted with white — Mordecai rides through the Streets in the Apparel the King has sent him.
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

Queen Esther hears of the Decree against the Jews., Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and brown ink on greenish paper, highlighted with white — Queen Esther hears of the Decree against the Jews.
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

King Ahasuerus in Council, Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and black ink on greenish paper, highlighted with white — King Ahasuerus in Council
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

Mordecai overhears the two Conspirators plotting against the King., Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and black ink on greenish paper, highlighted with white — Mordecai overhears the two Conspirators plotting against the King.
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

The King and Haman at Esther's Banquet of Wine, Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, brush and black ink — The King and Haman at Esther's Banquet of Wine
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

Herbarium, Pseudo-Apuleius Platonicus North African (?), Woodcut, some hand colored — Herbarium
Multiple artists/makers
1483–84

Haman begs Esther for his Life, Pseudo-Aert Ortkens Netherlandish, Pen and brown ink, with brush and black ink, highlighted with white gouache — Haman begs Esther for his Life
Pseudo-Aert Ortkens
Lucas van Leyden
16th–mid 16th century ?

The Stoning of the Elders, Pseudo-Aert Ortkens Netherlandish, Pen and brown ink; framing lines in pen and brown ink — The Stoning of the Elders
Pseudo-Aert Ortkens
16th century