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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Robert Lehman

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(Pencil) Cup with Putti, Robert Lehman American, Brass, Italian, Tuscan — (Pencil) Cup with Putti
Robert Lehman
early 20th century

Reverse frame, Robert Lehman American, Poplar, Italian, Rome — Reverse frame
Robert Lehman
ca. 1690

Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground — Madonna and Child
Simone Martini
ca. 1326

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood — The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres French, Oil on canvas — Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres
1851–53

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware) — Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli
1528

Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel — Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel — Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510

The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet French, Tempera and gold leaf on parchment — The Right Hand of God Protecting the Faithful against the Demons
Jean Fouquet
ca. 1452–1460

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory. — Secretary
Multiple artists/makers
ca. 1781–85

Saint James the Greater, Alabaster, with traces of polychromy, North French or South Netherlandish — Saint James the Greater
North French or South Netherlandish
ca. 1450–60

Saint James the Less, Alabaster, with traces of polychromy, Northeast French or South Netherlandish — Saint James the Less
Northeast French or South Netherlandish
1450–60

Saint Peter, Alabaster, with traces of polychromy, North French or South Netherlandish — Saint Peter
North French or South Netherlandish
ca. 1450–60

Saint Andrew, Alabaster, with traces of polychromy, North French or South Netherlandish — Saint Andrew
North French or South Netherlandish
ca. 1450–60

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood) — Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano)
ca. 1485–95

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano) Italian, Oil on wood; verso: oil and gold on wood — Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano)
ca. 1485–95

A Goldsmith in his Shop, Petrus Christus Netherlandish, Oil on oak panel — A Goldsmith in his Shop
Petrus Christus
1449

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac French, Oil on canvas — Evening Calm, Concarneau, Opus 220 (Allegro Maestoso)
Paul Signac
1891

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Before Dinner, Pierre Bonnard French, Oil on canvas — Before Dinner
Pierre Bonnard
1924

Nude in Front of a Mantel, Balthus (Balthasar Klossowski) French, Oil on canvas — Nude in Front of a Mantel
Balthus (Balthasar Klossowski)
1955

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash. — Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main — Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455