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25 results for Robert+Smithson
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Bingham Copper Mining Pit—Utah / Reclamation Project, Robert Smithson American, Photostat and plastic overlay with wax pencil
Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
1973
Untitled (Model), Robert Smithson American, Fiberboard, polystyrene (PS) and alkyd paint
Untitled (Model)
Robert Smithson
1967
Island of Coal, Robert Smithson American, Gelatin silver print
Island of Coal
Robert Smithson
1969
Three Mirror Vortex, Robert Smithson American, Stainless steel and 3 mirrors
Three Mirror Vortex
Robert Smithson
1965
Untitled (Zig-Zag Mirror Displacement), Robert Smithson American, Chromogenic transparencies
Untitled (Zig-Zag Mirror Displacement)
Robert Smithson
1969
For Bern Snow—Mirror Displacements for the Alps, Robert Smithson American, Gelatin silver print
For Bern Snow—Mirror Displacements for the Alps
Robert Smithson
1969
Proposal for a Monument at Antarctica, Robert Smithson American, Photostat
Proposal for a Monument at Antarctica
Robert Smithson
1966
Mirrored Ziggurat, Robert Smithson American, Mirrors
Mirrored Ziggurat
Robert Smithson
1966
Mirror Thicket (Indoor or Outdoor), Robert Smithson American, Marker, wax crayon, and graphite on paper
Mirror Thicket (Indoor or Outdoor)
Robert Smithson
1969
Smoke Tree Sprawl with Cactus Circle, Robert Smithson American, Pen and black ink on found manila envelope
Smoke Tree Sprawl with Cactus Circle
Robert Smithson
1973
Torn Photograph from the Second Stop (Rubble) (Second Mountain of Six Stops on a Section)
Robert Smithson
1970
Torn Photograph from the 2nd Stop (Rubble), (2nd Mountain of Six Stops on a Section)
Robert Smithson
Publisher Multiples, Inc.
1970
Second Upside-Down Tree
Virginia Dwan
After Robert Smithson
1969
Splitting, Gordon Matta-Clark American, Chromogenic prints mounted on board
Splitting
Gordon Matta-Clark
1974
Material Interchange for Joe Stranard, Aspen, Colorado, Dennis Oppenheim American, Chromogenic print
Material Interchange for Joe Stranard, Aspen, Colorado
Dennis Oppenheim
1970
Annual Rings, Dennis Oppenheim American, Gelatin silver print(s), ink on paper, photomechanical prints, wax crayon
Annual Rings
Dennis Oppenheim
1968
[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas], Donald Judd American, Chromogenic prints
[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas]
Donald Judd
1965–67
Utah Copper Mine Panorama, Bingham Canyon, Utah
Cliff Bray Photos
Publisher Carpenter Paper Company of Utah
1930
Untitled (Jardineras), Damián Ortega Mexican, Chromogenic print
Untitled (Jardineras)
Damián Ortega
2002
Twelve Pictures
Vito Acconci
1969
Brooklyn (Spiral Jetty After Smithson), Vik Muniz Brazilian, Gelatin silver print
Brooklyn (Spiral Jetty After Smithson)
Vik Muniz
1997
Carousel State, Sam Gilliam American, Acrylic and aluminum powder on canvas
Carousel State
Sam Gilliam
1968
Artists & Photographs
Multiple artists/makers
1970
Diagrams of a Rose Window Specifying the Carved Relief and Stone Elements, Robert Smythson, Pen and brown ink with wash
On loan to The Met
Diagrams of a Rose Window Specifying the Carved Relief and Stone Elements
Robert Smythson
1599
Elevation of a Rose Window, with Measurements, Plans, and a Scale, Robert Smythson, Pen and brown ink, over blind ruling with stylus, guided by compass and straightedge, on paper
On loan to The Met
Elevation of a Rose Window, with Measurements, Plans, and a Scale
Robert Smythson
1599