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1-42 of 65 results for Samuel Joseph Brown, Jr.
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Self-Portrait, Samuel Joseph Brown, Jr. American, Watercolor over graphite on paper
Self-Portrait
Samuel Joseph Brown, Jr.
ca. 1941
Girl in Blue Dress, Samuel Joseph Brown, Jr. American, Watercolor on paper
Girl in Blue Dress
Samuel Joseph Brown, Jr.
1936
League Park, Samuel Joseph Brown, Jr. American, Screenprint
League Park
Samuel Joseph Brown, Jr.
1938
Wash Girl, Samuel Joseph Brown, Jr. American, Linocut on Asian paper
Wash Girl
Samuel Joseph Brown, Jr.
ca. 1935–43
Fireplug
Samuel Joseph Brown, Jr.
ca. 1943
Fireplug, Samuel Joseph Brown, Jr. American, Linocut
Fireplug
Samuel Joseph Brown, Jr.
Publisher Published by WPA
ca. 1940
Wash Girl, Samuel Joseph Brown, Jr. American, Linocut
Wash Girl
Samuel Joseph Brown, Jr.
Publisher Published by WPA
1935–43
Chimneypiece from the Tapestry Room from Croome Court, Joseph Wilton British, Marble, lapis lazuli, British
Chimneypiece from the Tapestry Room from Croome Court
Lapis lazuli tablet provided by Joseph Wilton
Carved by John Wildsmith
1760
Bank of the/ UNITED STATES/ Philadelphia, Joseph Stubbs, Earthenware, transfer-printed, British (American market)
Bank of the/ UNITED STATES/ Philadelphia
Joseph Stubbs
ca. 1822–ca. 1836
Samuel F. B. Morse, Byron M. Pickett American, Bronze, American
Samuel F. B. Morse
Byron M. Pickett
ca. 1870
Léon Joseph Florentin Bonnat (1833–1922), member of the Institute in 1874, Jules-Clément Chaplain French, Bronze, brown patina; hollow cast, French
Léon Joseph Florentin Bonnat (1833–1922), member of the Institute in 1874
Medalist: Jules-Clément Chaplain
1890
Tall Clock, John Doggett American, Mahogany, maple, white pine, American
Tall Clock
Case by John Doggett
Works by Aaron Willard Jr.
ca. 1825
Vase, University City Pottery, Porcelain, American
Vase
Manufacturer University City Pottery
Emile Diffloth
1910
Benefit Ticket for Joe Miller, Samuel Ireland British, Etching
Benefit Ticket for Joe Miller
Multiple artists/makers
1794–99
Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British
Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), Joseph Mallord William Turner British, Etching and mezzotint; fourth state of four
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)
Designed and etched by Joseph Mallord William Turner
Engraver Robert Dunkarton
Publisher Joseph Mallord William Turner
May 23, 1812
Rispah, 2nd Book of Samuel, Chapter 21, part IX, plate 46 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; first state of four
Rispah, 2nd Book of Samuel, Chapter 21, part IX, plate 46 from "Liber Studiorum"
Designed and etched by Joseph Mallord William Turner
Engraver Robert Dunkarton
Publisher Joseph Mallord William Turner
April 23, 1812
Grate basket and fender, Thomas Blockley, Steel, cast iron, British, London
Grate basket and fender
Possibly by Thomas Blockley
ca. 1760–69
Armchair (one of a set of six), John Mayhew British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Armchair (one of a set of six)
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew British, Gilded fruitwood; wool, silk (22-24 warps per inch, 9-10 per centimeter), British and French
Armchair (one of a set of six)
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Armchair (one of a set of six)
Multiple artists/makers
1769–71
Sketchbook, Louis C. Tiffany American, Watercolor, pastel, colored pencil, and graphite on paper, American
Sketchbook
Louis C. Tiffany
1908
Milton's Comus, Sir Joseph Noël Paton British, Scottish, Pen and ink, brush and brown wash, touches of white gouache (bodycolor), on brown paper
Milton's Comus
Sir Joseph Noël Paton
Subject Relates to John Milton
1842–48
David Chooses Three Days of Pestilence (II Samuel 24:10-17), Valentin Lefebvre Flemish, Pen and brown ink, brush and brown wash, heightened with white. Contours indented for transfer. Lined.
David Chooses Three Days of Pestilence (II Samuel 24:10-17)
Valentin Lefebvre
17th century
The Virgin Placing St. Teresa of Avila Under the Protection of St. Joseph, François Guillaume Ménageot French, Oil paint over pen and brown ink, on paper, mounted on canvas
The Virgin Placing St. Teresa of Avila Under the Protection of St. Joseph
François Guillaume Ménageot
ca. 1787
East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; second state of four
East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"
Designed and etched by Joseph Mallord William Turner
Engraver Samuel William Reynolds, the elder
Publisher Joseph Mallord William Turner
January 1, 1819
Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; fifth state of five (Finberg)
Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum"
Designed and etched by Joseph Mallord William Turner
Engraver Samuel William Reynolds, the elder
Publisher Joseph Mallord William Turner
January 1, 1819
Samuel Annointing David (recto); Sketch of two figures (verso), Karel van Mander I Netherlandish, Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso)
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander I
ca. 1591
Exhibition of work by Negro artists, Harmon Foundation
Exhibition of work by Negro artists
Publisher Harmon Foundation
1933
Lilthorpe's Gallant Attack on Street, Nuisances, John Leech British, Watercolor, pen and brown ink
Lilthorpe's Gallant Attack on Street, Nuisances
John Leech
1830–64
The Pike is a voracious fish and bites readily in the Winter months–Old Gentleman is VERY fond of fishing, John Leech British, Watercolor, pen and brown ink
The Pike is a voracious fish and bites readily in the Winter months–Old Gentleman is VERY fond of fishing
John Leech
1830–64
London at the Sea Side, John Leech British, Watercolor, pen and brown ink
London at the Sea Side
John Leech
1830–64
Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather, John Leech British, Watercolor, pen and brown ink
Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather
John Leech
1830–64
Vessel with Women and Goats, Paul Gauguin French, Stoneware, French, Paris
Vessel with Women and Goats
Paul Gauguin
ca. 1887–89
"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible", John Leech British, Watercolor, pen and brown ink, over graphite
"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible"
John Leech
1830–64
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
The Adoration of the Magi
Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Book of British Ballads, Vol. 1
Multiple artists/makers
1847
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green-brown
The Adoration of the Magi
?Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Plate, Charles Meigh British, Earthenware, transfer-printed, British (American market)
Plate
Charles Meigh
ca. 1835–ca. 1849
Vase with rooster, Haviland & Co. American and French, Stoneware, French, Paris
Vase with rooster
Manufactory Haviland & Co.
Decorator Edouard-Alexandre Dammouse
Factory director Under the technical direction of Ernest Chaplet
ca. 1884
Illustrated London Almanack
Multiple artists/makers
1871–75
Settee (canapé) (part of a set), Nicolas-Quinibert Foliot, Carved and gilded beech; wool and silk tapestry, French, Paris
Settee (canapé) (part of a set)
Multiple artists/makers
ca. 1754–56