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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 8,942 results for San Sabastìan

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Kneeling Female Figure, Ceramic, San Sabastìan — Kneeling Female Figure
San Sabastìan
2nd century

Kneeling Female Figure, Ceramic, San Sabastìan — Kneeling Female Figure
San Sabastìan
2nd century

Kneeling Female Figure, Ceramic, San Sabastìan — Kneeling Female Figure
San Sabastìan
2nd century

Kneeling Female Figure, Ceramic, San Sabastìan — Kneeling Female Figure
San Sabastìan
2nd century

Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University — Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Floor tiles (set of 350), San Marco Laterizi di Noale Pottery, Earthenware, Italian, Venice — Floor tiles (set of 350)
San Marco Laterizi di Noale
1995

Standing Female Figure, Ceramic, San Sebastián — Standing Female Figure
San Sebastián
1st century

The Virgin Annunciate, Pietro Ferloni Italian, Wool, silk (26-29 warps per inch, 10-11 per cm.), Italian, probably Rome — The Virgin Annunciate
Pietro Ferloni
San Michele
mid-18th century

Chin-San Long

1937, printed 1962

Moses and the Tablets of the Law, Bartolomeo Terchi, Maiolica (tin-glazed earthenware), Italian, San Quirico — Moses and the Tablets of the Law
Bartolomeo Terchi
ca. 1720

Two-handled vase with cover, Glass, Spanish, San Ildefonso — Two-handled vase with cover
Spanish, San Ildefonso
late 18th century

Jar, Maria Martínez Native American, San Ildefonso Pueblo, Ceramic, San Ildefonso Pueblo — Jar
Maria Martínez
1954–56

Shepherd and Shepherdess, Playing Flute, Marco San Martino Italian, Etching — Shepherd and Shepherdess, Playing Flute
Marco San Martino

San peoples

20th century

"Brocchetta Rigata" (Striped Ewer) Carafe, Lella Vignelli American, Sterling silver — "Brocchetta Rigata" (Striped Ewer) Carafe
Multiple artists/makers
1971

The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1739

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Head of the Virgin (Mater Dolorosa), Pietro Ferloni Italian, Wool, silk (19-20 warps per inch, 8 per cm.), Italian, Rome — Head of the Virgin (Mater Dolorosa)
Multiple artists/makers
mid-18th century

Nude Male Figure, Rear View, Giovanni da San Giovanni Italian, Red and black chalk on buff paper — Nude Male Figure, Rear View
Giovanni da San Giovanni
18th century

Pair of Ear Ornaments, Gold, Zenú, San Jacinto group — Pair of Ear Ornaments
Zenú, San Jacinto group
1000–1500 CE

Euphrates Vase, Ettore Sottsass Italian, born Austria, Porcelain — Euphrates Vase
Multiple artists/makers
1983

La Storia di San Giovanni Boccadoro

San Giovanni Boccadoro

16th century

Entombment, Maso da San Friano (Tommaso Manzuoli) Italian, Pen and brown ink, brush and brown wash, over leadpoint — Entombment
Maso da San Friano (Tommaso Manzuoli)
16th century

Design for a Frescoed Altarpiece of The Resurrection, Maso da San Friano (Tommaso Manzuoli) Italian, Pen and dark brown ink, brush and gray-brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper — Design for a Frescoed Altarpiece of The Resurrection
Maso da San Friano (Tommaso Manzuoli)
ca. 1560–71

Piece, Giovanni Baritta and the Marzari Sons, Quarter of San Giacomo, Venice, Silk, Italian, Venice — Piece
Giovanni Baritta and the Marzari Sons, Quarter of San Giacomo, Venice
18th century

Double-lobed polychrome canteen, Clay and pigment, Tewa (San Ildefonso Pueblo), Native American — Double-lobed polychrome canteen
Tewa (San Ildefonso Pueblo), Native American
ca. 1860

Bust of the Virgin, Guido Reni Italian, Silk, wool (28-29 warps per inch, 10-11 per cm.), Italian, Rome — Bust of the Virgin
Multiple artists/makers
mid-18th century

Cóndor whistle, clay, Argentinian (Anon., San Fernando del Valle de Catamarca) — Cóndor whistle
Argentinian (Anon., San Fernando del Valle de Catamarca)
ca. 2000

Vita e miracoli. . .S. Nicola di Tolentino

Ambrogio Frigerio

San Nicola di Tolentino

1597

Multiple artists/makers

1926

San Francisco Guide & Souvenir

Palace Hotel News Stand, San Francisco California

August 1904

Miracle of a Saint, Benedetto Eredi Italian, Etching — Miracle of a Saint
Multiple artists/makers
1777

Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series, Goya (Francisco de Goya y Lucientes) Spanish, Offset lithograph, letterpress — Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Goya (Francisco de Goya y Lucientes)
Real Academia de Nobles Artes de San Fernando
1863

Bob (Self-Portrait)

Robert Arneson

Experimental Workshop, San Franciso, California

1983

Plate 3: Virtue commands tormented poets and philosophers of Tuscany and Munificenza, after frescoes in Palazzo Pitti of the Life of Lorenzo de' Medici

Giovanni Elia Morghen

Giovanni di San Giovanni (Giovanni Mannozzi)

ca. 1740–59

Adoration of Christ by Saint Francis, Etching — Adoration of Christ by Saint Francis
Multiple artists/makers
1723–59

Multiple artists/makers

1984