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38 results for The Trojan Women Setting Fire to Their Fleet
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The Trojan Women Setting Fire to Their Fleet, Claude Lorrain (Claude Gellée) French, Oil on canvas
The Trojan Women Setting Fire to Their Fleet
Claude Lorrain (Claude Gellée)
ca. 1643
Fire, a flotilla on fire in center and to the right, two boats full of people to left, from "The Four Elements" (Les Quatre Eléments), Stefano della Bella Italian, Etching; first state of three
Fire, a flotilla on fire in center and to the right, two boats full of people to left, from "The Four Elements" (Les Quatre Eléments)
Stefano della Bella
ca. 1645–50
Women of Montmartre, from "The Graphic," vol. 3, Arthur Boyd Houghton British, born India, Wood engraving
Women of Montmartre, from "The Graphic," vol. 3
After Arthur Boyd Houghton
June 10, 1871
Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching, first state of two, issue 1 (Bartsch)
Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 34: The Romans Burning the Dutch Countryside, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching, first state of two, issue 1 (Bartsch)
Plate 34: The Romans Burning the Dutch Countryside, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
Scrapbook containing Italian etchings of the XVIth and XVIIth centuries
Scrapbook containing Italian etchings of the XVIth and XVIIth centuries
16th–17th century
A group of men at right pushing philosophers toward a fire with burning books at the left, Marco Dente Italian, Engraving
A group of men at right pushing philosophers toward a fire with burning books at the left
Attributed to Marco Dente
ca. 1515–27
The suicide of Dido who reclines on a pyre in centre, surrounded by many figures, Giovanni Cesare Testa Italian, Etching
The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
After Pietro Testa
1650–55
People Fleeing a Burning City, Anonymous, French, School of Fontainebleau, 16th century French, Etching
People Fleeing a Burning City
Anonymous, French, School of Fontainebleau, 16th century
Design attributed to Francesco Primaticcio
16th century
The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center, Marco Dente Italian, Engraving
The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center
After Marco Dente
Publisher Giovanni Giacomo De Rossi
ca. 1515–27, published by Rossi in 1649
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
A Celebration, Johann Ulrich Kraus German, Etching
A Celebration
Johann Ulrich Kraus
ca. 1675–1719
Cybele Prevents Turnus from Setting Fire to the Trojan Fleet by Transforming the Ships into Sea Goddesses, Jean-Baptiste Marie Pierre French, Pen and brown ink, brush and brown wash, over black chalk, heightened with white.
Cybele Prevents Turnus from Setting Fire to the Trojan Fleet by Transforming the Ships into Sea Goddesses
Jean-Baptiste Marie Pierre
18th century
The Cumaean Sibyl before Tarquin the Proud, Niccolò dell' Abate Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
16th century
Evadne throws herself on the Funeral Pile of her Husband Capaneus, Edward Francis Burney British, Pen and brown ink, brush and gray wash
Evadne throws herself on the Funeral Pile of her Husband Capaneus
Edward Francis Burney
1790–1800
Two women grieving, John Flaxman British, Pen and gray ink, brush and gray wash
Two women grieving
John Flaxman
1779–1810
Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
The Wife of Ceteus burnt on the Pile of her Husband, Edward Francis Burney British, Pen and brown ink, brush and gray wash
The Wife of Ceteus burnt on the Pile of her Husband
Edward Francis Burney
1790–1800
The Martydom of Saint Cecilia standing naked in a large cauldron, at left under a colonnade, sits a Roman Prefect, at right the statue of Jupiter in a niche, Marcantonio Raimondi Italian, Engraving
The Martydom of Saint Cecilia standing naked in a large cauldron, at left under a colonnade, sits a Roman Prefect, at right the statue of Jupiter in a niche
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1520–25
Burning of the "Factories" in Canton, Chinese Painter American, Oil on copper, American
Burning of the "Factories" in Canton
Chinese Painter
19th century
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
The drunkenness of Lot, who is asleep on his daughter's lap at center, while his other daughter points towards the burning city of Sodom at left, Lucas Vorsterman I Flemish, Engraving
The drunkenness of Lot, who is asleep on his daughter's lap at center, while his other daughter points towards the burning city of Sodom at left
Lucas Vorsterman I
After Orazio Gentileschi
ca. 1628
Dido holding a dagger in her right hand, left arm outstretched, Marcantonio Raimondi Italian, Engraving
Dido holding a dagger in her right hand, left arm outstretched
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510
The Story of Niobe, Jan (Pietersz.) Saenredam Netherlandish, Engraving; first state
The Story of Niobe
Jan (Pietersz.) Saenredam
Draftsman Hendrick Goltzius
Sculpted by Polidoro da Caravaggio
n.d.
The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction, Marcantonio Raimondi Italian, Engraving
The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1520–27
Peace Restored by the Genius of Happiness, George Wilson British, Stipple engraving
Peace Restored by the Genius of Happiness
George Wilson
Publisher Sarah Ashton
1801
The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot French, Oil on canvas
The Burning of Sodom (formerly "The Destruction of Sodom")
Camille Corot
1843 and 1857
Choosing Virtue, from "The Course of Human Life", Pieter Jalhea Furnius Flemish, Engraving
Choosing Virtue, from "The Course of Human Life"
Pieter Jalhea Furnius
After Jan van der Straet, called Stradanus
Publisher Hieronymus Cock
1570
Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Iphigenia, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Iphigenia
Agostino Veneziano (Agostino dei Musi)
After (?) Baccio Bandinelli
ca. 1514–36
The Removal and Destruction of the Chariot and the Horses of the Sun, Claes Jansz. Visscher Dutch, Engraving
The Removal and Destruction of the Chariot and the Horses of the Sun
Publisher Claes Jansz. Visscher
Copies after Philips Galle
After designs by Maarten van Heemskerck
published 1643/1646
The Abduction of Helen, Jean Mignon French, Etching
The Abduction of Helen
Jean Mignon
After Luca Penni
1535–55
The Duke of Athol, East Indiaman, James Gillray British, Etching and engraving
The Duke of Athol, East Indiaman
James Gillray
Publisher Robert Wilkinson
February 1, 1785
Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
After Raphael (Raffaello Sanzio or Santi)
Publisher Philippe Thomassin
1530–60
Mariotto, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence), Jacques Callot French, Engraving; second state of two (Lieure)
Mariotto, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Jacques Callot
1611–19
The suicide of Dido lying on the pyre in the centre surrounded by figures, Anonymous, 18th century, Etching and aquatint in brown
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
After Pietro Testa
1780
Launching a Frigate, Thomas Rowlandson British, Hand-colored etching
Launching a Frigate
Thomas Rowlandson
After Richard Newton
Publisher Thomas Tegg
February 1, 1809

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