门票
中文 (简体)
捐赠会员资格门票
我们正在努力尽快翻译此页面。感谢您的理解。

Search for Art

Search Tips
1-42 of 1,910 results for Utagawa Hiroshige III
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokohama shōkan tenshudō no zu), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokohama shōkan tenshudō no zu)
Utagawa Hiroshige III
10th month, 1870
View of the Descent from a Mountain by Many from Pilgrimage to Mount Fuji (Fuji mōde shoshina gesan no zu), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
View of the Descent from a Mountain by Many from Pilgrimage to Mount Fuji (Fuji mōde shoshina gesan no zu)
Utagawa Hiroshige III
November, 1883
View of the Seafront in Yokohama (Yokohama Kagandori no fūkei), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
View of the Seafront in Yokohama (Yokohama Kagandori no fūkei)
Utagawa Hiroshige III
5th month, 1870
View of Benten Shrine on Nakanoshima Island in Shinobazu Pond, Ueno Park, from the series Famous Views of Tokyo (Tōkyō Tokyo meisho yori Ueno kōen Shinobazu no ike Nakanoshima Benten no kei), Utagawa Hiroshige III Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
View of Benten Shrine on Nakanoshima Island in Shinobazu Pond, Ueno Park, from the series Famous Views of Tokyo (Tōkyō Tokyo meisho yori Ueno kōen Shinobazu no ike Nakanoshima Benten no kei)
Utagawa Hiroshige III
May, 1881
Illustration of the Front Garden of the Tsukiji Hotel in the Eastern Capital (Tōto Tsukiji hoteru kan niwa mae no zu), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of the Front Garden of the Tsukiji Hotel in the Eastern Capital (Tōto Tsukiji hoteru kan niwa mae no zu)
Utagawa Hiroshige III
ca. 1868–72
The Tsukiji Hotel in Tokyo (Tokyo Tsukiji hoteru kan), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
The Tsukiji Hotel in Tokyo (Tokyo Tsukiji hoteru kan)
Utagawa Hiroshige III
5th month, 1870
A Glimpse of Higayashiyama the Western Capital, from the series Famous Places in the Nation (Shokoku meisho zukai no uchi-Saikyō Higashiyama ichiran), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
A Glimpse of Higayashiyama the Western Capital, from the series Famous Places in the Nation (Shokoku meisho zukai no uchi-Saikyō Higashiyama ichiran)
Utagawa Hiroshige III
May, 1880
Illustration of the Museum at the Second National Industrial Exhibition in Ueno, from the series Famous Places in Tokyo (Tokyo meisho-Ueno kōen naikoku kangyō daini hakurankai bijutsukan zu), Utagawa Hiroshige III Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of the Museum at the Second National Industrial Exhibition in Ueno, from the series Famous Places in Tokyo (Tokyo meisho-Ueno kōen naikoku kangyō daini hakurankai bijutsukan zu)
Utagawa Hiroshige III
1881
Ukiyo gafu: Collection of Ukiyo paintings
Designer Designed by Utagawa Hiroshige III
1887
Chōmeiji Temple (Chōmeiji), from the series Miracles of Kannon , Utagawa Hiroshige II (upper) Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan

Chōmeiji Temple (Chōmeiji), from the series Miracles of Kannon

Utagawa Hiroshige II
Utagawa Toyokuni III
1859
Miyanokoshi Station, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Miyanokoshi Station
Utagawa Hiroshige
ca. 1836
Shimada, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Shimada
Utagawa Hiroshige
ca. 1842
Proof Line-Block Print for Fan, Utagawa (Gountei) Sadahide Japanese, Proof line-block print for fan; ink on paper, Japan
Proof Line-Block Print for Fan
Utagawa (Gountei) Sadahide
19th century
"View in London," the Prosperity of Countries: London, England, Utagawa Yoshimori Japanese, Woodblock print; ink and color on paper, Japan
"View in London," the Prosperity of Countries: London, England
Utagawa Yoshimori
September 1872
Mimeguri no Kei (Toyoha-ya), Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Mimeguri no Kei (Toyoha-ya)
Utagawa Hiroshige
ca. 1840
東海道五十三次　掛川, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
東海道五十三次　掛川
Utagawa Hiroshige
early 20th century
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō, Utagawa Hiroshige Japanese, Woodblock print, Japan
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō
Utagawa Hiroshige
ca. 1833–34
Early to Dawn (Akeyasuki) あけやすき, Ōhara Donshū 大原呑舟 Japanese, Woodblock printed book; ink and color on paper, Japan
Early to Dawn (Akeyasuki) あけやすき
Ōhara Donshū 大原呑舟
Tanaka Nikka 田中日華
ca. 1837
Shinagawa, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Shinagawa
Utagawa Hiroshige
ca. 1840
東海道五十三次　藤澤, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
東海道五十三次　藤澤
Utagawa Hiroshige
early 20th century
Print, Utagawa Kunisada Japanese, Woodblock print; ink and color on paper, Japan
Print
Utagawa Kunisada
Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1921
Kanagawa, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Kanagawa
Utagawa Hiroshige
ca. 1838
Imadobashi no Zu (Tama-Sho), Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Imadobashi no Zu (Tama-Sho)
Utagawa Hiroshige
ca. 1840
Kyoto: The Great Bridge at Sanjō (Taibi, Keishi, Sanjō Ōhashi), from the series Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi), Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Kyoto: The Great Bridge at Sanjō (Taibi, Keishi, Sanjō Ōhashi), from the series Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi)
Utagawa Hiroshige
ca. 1833–34
Illustration of London, England (Igirisukoku rondon zu), Utagawa Yoshitora Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of London, England (Igirisukoku rondon zu)
Utagawa Yoshitora
3rd month, 1866
To-no Sawa (Name of one of the hot springs at Hakone), Torii Kiyonaga Japanese, Woodblock print; ink and color on paper, Japan
To-no Sawa (Name of one of the hot springs at Hakone)
Torii Kiyonaga
ca. 1779
Moonlit Night at Miyanokoshi, from The Sixty-nine Stations of the Kisokaidō, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Moonlit Night at Miyanokoshi, from The Sixty-nine Stations of the Kisokaidō
Utagawa Hiroshige
ca. 1838
Numazu Ki Kure, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Numazu Ki Kure
Utagawa Hiroshige
ca. 1834
Kambura Station, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Kambura Station
Utagawa Hiroshige
ca. 1842
Yoshida, from the series The Fifty-three Stations of the Tōkaidō Road, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Yoshida, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige
early 20th century
View of Ochanomizu in the Eastern Capital, Shōtei Hokuju 昇亭北寿 Japanese, Woodblock print; ink and color on paper, Japan
View of Ochanomizu in the Eastern Capital
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
Futagawa, Saru ga Baba, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Futagawa, Saru ga Baba
Utagawa Hiroshige
ca. 1834
Parrot Komachi, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan
Parrot Komachi
Chōbunsai Eishi
ca. 1788
Hiratsuka; Banyugawa Funa Watashi no Zu, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Hiratsuka; Banyugawa Funa Watashi no Zu
Utagawa Hiroshige
ca. 1842
Ochanomizu, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Ochanomizu
Utagawa Hiroshige
dated 11th month, Ox year, 1853
Three Young Ladies by the Seashore, Utagawa Toyokuni I Japanese, Woodblock print; ink and color on paper, Japan
Three Young Ladies by the Seashore
Utagawa Toyokuni I
“Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi) , Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan

“Nihon Embankment at Yoshiwara,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Yoshiwara, Nihonzutsumi)

Utagawa Hiroshige
1857
Chiyoda Castle (Album of Men), Yōshū (Hashimoto) Chikanobu Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Chiyoda Castle (Album of Men)
Yōshū (Hashimoto) Chikanobu
1897
Yanagishima no Zu, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan
Yanagishima no Zu
Utagawa Hiroshige
ca. 1835–42
Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32
Returning Boats at Komagata, Isoda Koryūsai Japanese, Woodblock print; ink and color on paper, Japan
Returning Boats at Komagata
Isoda Koryūsai

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.